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| | Michael Meehan TEXT Special Issue No 4 |
 | | The Scriblerus Club, Pope, Gay, Swift, Parnell, Harley and Arbuthnot, still provide us with analytical models, startling and defamiliarising representations through which we may interpret and evaluate the carnal dimension, the fleshly rituals of the modern writer's festival. |
 | | Martin Scriblerus was potentially everywhere, subtly white-anting every literary text on the market, opening up parodies where no parody was intended, diffusing authorship beyond any theological model of control, and authorising a new and subversive mode of reading of a kind that Barthes would certainly approve. |
 | | The Scriblerian project was one where, as Charles Kirby-Miller writes in his edition of the Memoirs of Martinus Scriblerus in 1950, 'definite boundaries and limits are difficult to establish' (1950, p 1): all that one read, and indeed, all that one wrote, was at least potentially, a part of the Scriblerian project. |
| www.griffith.edu.au /school/art/text/speciss/issue4/meehan.htm (3279 words) |
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