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Topic: Sculpting in Time

	Sculpting Gel
		Sculpting Gel should be applied by rubbing an amount the size of a quarter directly into the surface of the skin where stubborn body fat exists.
		Sculpting Gel literally releases stored fat into the blood stream so it will be very tough to burn the released fat as energy if the Gel is too widely applied.
		Sculpting Gel is designed to help release the fat as fatty acids into the bloodstream to be used as energy when applied to areas that are problematic for many people.
	www.netrition.com /pbl_sculpting_gel_page.html (1009 words)

	Sculpting
		The professional sculptors spend about a week on sculpting a single fantasy miniature and a bit more for science fiction models on their full-time employment, but that is far from what you need.
		I can sculpt a model in three or four days, and to this I include the time it takes for the Green Stuff to get dry which is at least half a day which interprets I work no more than one hour in a row.
		Sculpting razor-sharp blades, hyper-technical weapons and long bows is definitely possible, but it is waste of time.
	www.paintingclinic.com /clinic/guestarticles/sculpting.htm (3749 words)

	Long Pauses
		The greatest compliment I can give Sculpting in Time is to say that when I finished reading it I took a deep breath and watched his film, The Mirror, three times.
		Much of Sculpting in Time is devoted to Tarkovsky's fascinating and detailed explanation of his methods as a filmmaker.
		"Sculpting in time" is Tarkovsky's metaphor for the construction of a film's rhythm.
	www.longpauses.com /blog/2000/02/sculpting-in-time-1987.html (1638 words)

	Direct Textbooks Price Comparison for ISBN 0292776241: Sculpting in Time: Tarkovsky The Great Russian Filmaker ... (Site not responding. Last check: 2007-11-04)
		In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films—Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice.
		Tarkovsky's self-written "Sculpting in Time" is an amazing supplement which describes the brilliant filmmaker's use of filmic techniques but also goes a step further by explaining (at great length), why the filmmaker believes those techniques are significant.
		Sculpting in the time represents one of the most expressive eloquents statements of one of the supreme masters in the cinema art as Andrei Tarkovsky was.
	www.directtextbook.com /price.php?q=0292776241&p=prices&shippingtime=5 (1590 words)

	Journal of Religion and Film: Andrei Rublev: Religious Epiphany in Art by Nigel Savio D'Sa
		Their Rublev is, for the most part, a passive and reflective observer of his times, seeking, in his art, a response and solution to the discords in Russia.
		Time is a bridge, a physical relation between the image and the audience.
		His aesthetics of time, iconic composition, and a fusing of naturalism and the numinous, work with his thematic vision to involve the audience in a cinema of total experience.
	www.unomaha.edu /jrf/saviodsa.htm (3384 words)

	Rotten Tomatoes Forums - Andrei Tarkovsky: Sculpting in Time
		I am reading Andrei Tarkovsky's book Sculpting in Time, which is a compilation of his thoughts about the nature of film form and execution.
		Sculpting in Time reads more like a book of philosophy than one on filmcraft, which is eloquent but could be difficult if you're not a big reader.
		I think that what a person normally goes to the cinema for is time; for time lost or spent or not yet had.
	www.rottentomatoes.com /vine/showthread.php?t=157924 (3921 words)

	Nina Sobell and Emily Hartzell: Collaborators in Art with Technology (via CobWeb/3.1 planetlab2.isi.jhu.edu) (Site not responding. Last check: 2007-11-04)
		At the time that I met Nina, I was particularly receptive both to the way she used digital media to explore and catalyze human interaction, and to the warmth and emotive power of her sculpture, drawings, and video performances.
		By that time I was a first-year student in the Master of Fine Arts program in Computer Art at the School of Visual Arts, and I saw students approaching interactivity with very limited art-historical context, almost as though it was contingent upon the current tools of desktop multimedia and Macromedia Director.
		It was around this time that we met, and I was inspired by the social context she brought to her work with interactive telecommunications.
	www.cat.nyu.edu.cob-web.org:8888 /parkbench/Leonardo.html (5359 words)

	Sculpting In Time (via CobWeb/3.1 planetlab2.isi.jhu.edu) (Site not responding. Last check: 2007-11-04)
		The literature surrounding the Douglas Gordon retrospective at the Museum of Modern Art emphasizes time and sociology, while I prefer to think of the work as sculpture; this makes the catalog, which is full of mass-media images, seem beside the point.
		According to the curator Klaus Biesenbach, it “perfectly evokes the shared knowledge of movie plots and media images that have replaced history and religion to become the source of contemporary civilizations leading narratives.” I just don’t think that Gordon is all that interested in our common culture, no matter what he or the curator says.
		Gordon’s films also luxuriate in time and are dependent upon it, but beyond this time is not his primary subject.
	www.gaycitynews.com.cob-web.org:8888 /gcn_525/sculptingintime.html (475 words)

	Tarkovsky, Sculpting in Time, University of Texas Press
		Tarkovsky, Sculpting in Time, University of Texas Press
		Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.
		Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films—
	www.utexas.edu /utpress/books/tarscp.html (223 words)

	Rotten Tomatoes: The Vine: Sculpting in Time
		I sought in mine heart to give myself unto wine, yet acquainting mine heart with wisdom; and to lay hold on folly, till I might see what was that good for the sons of men, which they should do under the heaven all the days of their life.
		I have seen the travail, which God hath given to the sons of men to be exercised in it.
		He hath made every thing beauitful in his time: also he hath set the world in their heart, so that no man can find out the work that God maketh from the beginning to the end.
	www.rottentomatoes.com /vine/journal_view.php?journalid=180342 (544 words)

	Sculpting In Time - The Times of India (Site not responding. Last check: 2007-11-04)
		Sculpting In Time - The Times of India
		In our times, when we made a painting or sculpture, we felt that the inspiration or the desire to make it would be communicated to the viewer.
		Without toeing on the usual line of depicting it as a blind figure holding a balance I made a mother figure (as Mother India) with a child (as the young republic), the former holding the book of law.
	timesofindia.indiatimes.com /articleshow/msid-999074,prtpage-1.cms (827 words)

	Sculpting In Time - Wikipedia, the free encyclopedia
		Sculpting In Time is a book by Russian filmmaker Andrei Tarkovsky about art and cinema in general, and his own films in particular.
		The final chapter, a discussion of his film The Sacrifice, was dictated in the last weeks of his life.
		Sculpting In Time • Time Within Time: The Diaries 1970-1986
	en.wikipedia.org /wiki/Sculpting_In_Time (205 words)

	Table of Contents and Excerpt, Tarkovsky, Sculpting in Time
		I spent so many years being told that nobody wanted or understood my films, that a response like that warmed my very soul, it gave meaning to what I was doing and strengthened my conviction that I was right and that there was nothing accidental about the path I had chosen.
		Everything that torments me, everything I don't have and that I long for, that makes me indignant, or sick, or suffocates me, everything that gives me a feeling of light and warmth, and by which I live, and everything that destroys me—it's all there in your film, I see it as if in a mirror.
		Time is one and undivided, as it says in one of the poems.
	www.utexas.edu /utpress/excerpts/extarscp.html (2361 words)

	UVic Course: RUSS 315 Sculpting in Time - The Cinematic Art of Andrei Tarkovsky
		UVic Course: RUSS 315 Sculpting in Time - The Cinematic Art of Andrei Tarkovsky
		Sculpting in Time - The Cinematic Art of Andrei Tarkovsky
		Lectures and discussion will include: Tarkovsky's role in Russian film culture, background of Russian art and literature, poetic realism, time and memory, allegory and symbolism, and Tarkovsky's views on the responsibility of the artist.
	web.uvic.ca /calendar2006/CDs/RUSS/315.html (147 words)

	Andrei Tarkovsky - Wikipedia, the free encyclopedia (via CobWeb/3.1 planetlab2.isi.jhu.edu) (Site not responding. Last check: 2007-11-04)
		Recurring motifs in his films are dreams, memory, childhood, running water accompanied by fire, rain indoors, reflections, and characters re-appearing in the foreground of long panning movements of the camera.
		it is also considered by many to be a near-perfect reflection of the sculpting in time theory.
		Voyage in Time (1982) - a documentary made for Italian television while scouting locations for Nostalghia with Italian co-writer (and frequent screenwriter for Michelangelo Antonioni) Tonino Guerra.
	en.wikipedia.org.cob-web.org:8888 /wiki/Tarkovsky (999 words)

	Amazon.com: Andrei Tarkovsky's: Voyage in Time: DVD: Voyage in Time (Site not responding. Last check: 2007-11-04)
		VOYAGE IN TIME captures Tarkovsky at his most vulnerable, trapped between two worlds, facing an uncertain future.
		Sculpting in Time: Tarkovsky The Great Russian Filmaker Discusses His Art by Andrey Tarkovsky
		this film is about his journey in time, his journey in Italy becomes a sacred journey like many others russian great artist in the past time.
	www.amazon.com /Andrei-Tarkovskys-Voyage-Time/dp/B00066FA9E (888 words)

	NYArts Magazine - NY Arts Magazine (via CobWeb/3.1 planetlab2.isi.jhu.edu) (Site not responding. Last check: 2007-11-04)
		All variations from the work cycle “Sun“are influenced by the process of combustion – round to oval, traces of time burned into the respective film emulsion – depending on the exposure time, a few seconds up to one hour.
		The course of the sun and its path generated during the rotation of the earth is captivated on celluloid during the exposure time.
		– In a time where painting has seemingly become obsolete in the art world, and artists care more about computer software than the quality of their brushstroke, everyone who decides to buy a tube of paint, or a horsehair brush, now considers themselves the saviors.
	www.nyartsmagazine.com.cob-web.org:8888 /pages/nyam_document.php?nid=43&did=281 (1738 words)

	Long Pauses
		In preparation for an article that I'm about to begin, I spent yesterday afternoon watching Andrei Rublev again and rereading sections of Sculpting in Time.
		That book will never cease to amaze me. I finally took the time to type up extensive notes, which can be found by clicking on the link at the bottom of my response to Tarkovsky's book.
		He has written for Senses of Cinema, Sojourners, and Beyond magazine, and has also contributed to academic studies of Philip Roth, American war films, and the history of the American Left.
	www.longpauses.com /blog/2002/09/sculpting-in-time.html (105 words)

	Sculpting in Time: Reflections on the Cinema by Andrey A. Tarkovsky: Compare Cheapest Prices UK
		Sculpting in Time: Reflections on the Cinema by Andrey A. Tarkovsky: Compare Cheapest Prices UK Title:
		'Sculpting in Time: Reflections on the Cinema' by Andrey A. Tarkovsky.
		The Life and Times of the Thunderbolt Ki...
	www.comparebookprices.co.uk /CompareBookPrices.aspx?ISBN=0292776241 (548 words)

	Amazon.com: Sculpting in Time: Tarkovsky The Great Russian Filmaker Discusses His Art: Books: Andrey Tarkovsky,Kitty ... (Site not responding. Last check: 2007-11-04)
		Los Angeles Times Book Review : If Sculpting in Time could be distilled to a single message, it would be this: Content and conscience must come before technique—for any artist in any art form.
		The idea behind the title of the book is that the film-goer goes to the cinema to experience time, and that the director's job is to sculpt the time that the audience experiences-- cut away the inessential words and seconds and pieces.
		This book is an introduction to the rules that Tarkovsky set for himself in achieving this goal.
	www.amazon.com /Sculpting-Time-Tarkovsky-Filmaker-Discusses/dp/0292776241 (2326 words)

	Sculpting the Triton Curriculum
		Children were somewhat limited to the books and magazines in their school library as sources of information, a source that has never been very timely or deep.
		What makes this an exciting time to be an educator is the input side of the model.
		Now's the time to make connections with the other Triton Partners to see what additional input they can provide.
	edweb.sdsu.edu /triton/sculpting/sculpting.html (1311 words)

	Sculpting in Time: Reflections on the Cinema (Site not responding. Last check: 2007-11-04)
		It is the most comprehensive book about Tarkovsky's cinema.
		SCULPTING IN TIME, gives the reader an intimate invitation into the mind of filmmaker, Andrei Tarkovsky.
		In this single, slim volume, Tarkovsky gives penetrating insight into his conceptualization of cinema as an art form.
	www.armchairfans.co.uk /books/0292776241 (315 words)

	book film: Andrey Tarkovsky: Sculpting in Time: Reflections on the Cinema (via CobWeb/3.1 planetlab2.isi.jhu.edu) (Site not responding. Last check: 2007-11-04)
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	bookstore.mywebbookcenter.com.cob-web.org:8888 /n_0292776241.htm (282 words)

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