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| | Second Person Fiction |
 | | He proposes that the "second person's" two central functions are to entertain and to moralise, and that the novel takes the form of a sometimes bawdy, sometimes didactic discussion between the narrator, Guzman, and an anonymous, silent, omnipresent and multiform narratee. |
 | | The "second person" has no proper place, he says, in lyric, testimonial or narrative poetry: he assumes that the literary is necessarily a written form, and that the "second person," which he defines as oratory, is therefore lesser literature. |
 | | He describes the "second person" as being characterised, on the one hand, by an identity that is fluid and indeterminate, and on the other, by a corresponding and simultaneous need for a stable and clear identity. |
| members.westnet.com.au /emmas/2p/thesis/bib_3.htm (3597 words) |
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