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Topic: Sequence shot

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	Sequence shot - Wikipedia, the free encyclopedia
		Sequence shot is a film technique which involves a long take and usually requires sophisticated camera movement.
		Jean Renoir's movie La Grande Illusion illustrates the use of the sequence shot effectively throughout the film.
		The use of the sequence shot allows for realistic and dramatically significant background and middle ground activity.
	en.wikipedia.org /wiki/Sequence_shot (143 words)

	JediNet Spoilers (Site not responding. Last check: 2007-11-03)
		The shot continues and we see Captain Typho without helmet thrown backwards, R2-D2 is on the left, and Padme is on the right hand side, with a Naboo helmet still on her head.
		Sequence 7: Mixed in with the previous shot we are now in Padme's Coruscant Apartment/Office and she is sitting, Jar Jar Binks is to her right, Obi-Wan Kenobi and Anakin Skywalker face her.
		Sequence 12 - Yoda looking upward saying "Dangerous and disturbing this puzzle is." As he speaks a the scene cuts to a huge Naboo Starship (nice new vehicle guys, reminiscent of those old single wing planes).
	www.jedinet.com /news/ShowSpoiler.asp?id=73793,20011109,29 (1009 words)

	albeeeight
		Sequence eight, underlined by the music of "Colloquy" played most softly, slows this nearly two half-steps to fifteen and a half seconds per shot, and the opening sequence of Act Two, sequence nine, slows this another two half-steps to thirty-nine seconds per shot for the first 14:00 of the sequence.
		For much of this sequence the montage is a series of medium and close one-shots on the speaker, the frame not allowing a view of the person who is reacting to the speaker until his reaction is verbalized.
		In a lengthy shot of two minutes duration, Martha tells the story; "Our son was born in a September night,"(217) "beautiful, beautiful boy."(221) Her struggle to reveal this intimate part of her past gains impact from the camera close-up, the view being much closer than would be possible in a stage situation.
	www.storrer.com /AllAlbee/albeeeight.html (4715 words)

	::: DigitalDimension.com the making :::
		The log sequence was originally planned to be shot practically, if possible, but with promising results from the preliminary CG tests, it was decided that test footage would be shot in Vancouver with the intention of comparing real logs to CG logs.
		The test shot was a complete success, and it was clear to everyone that using CG logs for the log sequence would provide the necessary control without sacrificing realism.
		For the shot where the log crashes into Thomas's squad car, a still frame of a real log was rotoscoped and warped based on a CG wireframe to give the illusion of rotation as it crashed into the car.
	www.digitaldimension.com /filmography/making/finaldestination2.html (1197 words)

	Wellesnet: Touch of Evil- Memo Part 2
		SHOTS 227-238: After switching cars, Menzies drives Susan to the Mirador motel, and tells her about Quinlan's reputation, and how in a gunfight, Quinlan stopped a bullet that was meant for him.
		SHOTS 722-725: A quick series of shots: Schwartz snapping the tape recorder shut, then climbing from under the bridge, to join Tanya above him, who is standing at the edge of the bridge.
		The shots of Tanya were trimmed to eliminate a man who passes by her as she approaches the edge of the bridge.
	www.wellesnet.com /touch_memo2.htm (2391 words)

	History of the Motion Picture II:Course Packet (Site not responding. Last check: 2007-11-03)
		In addition to that, the placement of the shot of Elizabeth cuts the tracking shot of Alma's walk towards the bus- this also represents that Elizabeth is reluctant of Alma's physically leaving her.
		The shot is focused on a sculpture on the foreground.
		The shot opens with a long shot of the ocean and the countryside, Alma and the bus that Alma is waiting for is in the background.
	darkwing.uoregon.edu /~filmhist/eng266/coursepack.html (7581 words)

	videos
		Low angle shots are used to instill the sense of dominance, not the sense of fear that the subject is supposed to be feeling.
		The shot at the bedroom door zooms in to focus on the doorknob being turned but the effect is lost because the scene should cut away just after the turning of the knob.
		The student's schedule demanded that this sequence be shot within a short period of time so we did not have theluxury of reshooting the shot after the jets left the area).
	filebox.vt.edu /users/mgardy/digvid/videos.html (1808 words)

	SSD \| Episode II - "Forbidden Love" Trailor Analysis
		Sequence 5 - Obi-Wan and Anakin converse on the balcony of Padme's Coruscant apartment.
		Sequence 45 - Shadow of Anakin and Padme embracing on Tatooine.
		Sequence 54 - Anakin and Padme lean into one another while they are chained on a transport on Geonosis.
	www.angelfire.com /scifi/stormsquad/forbidden_analysis.html (975 words)

	mona lisa production
		In an occasionally humoristic vein, these two shots will be linked in such a way as to provoke a comparison of these two parallel worlds, one visible, the other invisible.
		Mainly composed of electron microscope images, this sequence will also use macro shots allowing the possibility of playing with all the nuances of the infinitely small, by moving back and forth between the minute detail (an ant's antenna), the part (the ant's head) and the whole (the entire ant).
		Shot of a man seen from the back, with his trousers down, being examined by a doctor.
	www.monalisa-prod.com /vi/production/prod_360.htm (627 words)

	Ellipsis (Site not responding. Last check: 2007-11-03)
		However, a few long beats after the beginning of the second shot, the fight erupts into the room and is broken up; the second brother lies wounded in his elder brother's arms.
		The next shot seems to begin a new sequence as the rival gang's boss walks down a corridor, but the sounds of a fight fade into the background and older brother bursts into the hallway only to be shot.
		One is never confident in the temporal or spatial coordinates at the beginning of a shot, forcing the spectator to rely heavily on the previous sequence shot until the who, what, when and where of a shot/sequence is established.
	cinemaspace.berkeley.edu /Papers/CityOfSadness/sellip.html (459 words)

	dr.bill/professional/teaching
		When a director shoots the star in Medium Long Shot and then decides to move in for a medium close up, the position of the body (including hands and legs) has to be consistent from shot to shot.
		Once that happens the establishing shot is broken down but we are still aware of where we are because the 180 line is observed.
		The sequence shot can be used for visual ends, but it often has a performative undercurrent, giving actors a continuous moment to be theatrical.
	www.uni.edu /~drbill/professional/teaching/tppc/notes/film.html (858 words)

	VFX HQ: STAR WARS: THE SPECIAL EDITION
		An isolated shot of the new CG Dewback and CG Stormtrooper.
		in this all-new shot from the Mos Eisley sequence.
		The choreography of the shots in question was enhanced--the new CG craft afford the animators a greater range of movement than the motion-control shot models.
	www.vfxhq.com /1997/sw-1.html (1760 words)

	Teaching TV Editing
		Solve the jump cut by taking a cutaway shot of a stained glass window or other decoration The mind assumes that the person moved the whole way down the isle while the viewer was watching the other shot.
		If the space or time separating the two shots is larger, start the camera before the subject enters the shot to allow them to walk in to the field of view.
		Cards are preferred over paper because you can review the shot sequence and add reaction and cut away shots and to determine when to use walk in or outs.
	www.nb.net /~schaefer/teaching_editing.htm (1085 words)

	Video Shot Sequence: VideOccasions (Site not responding. Last check: 2007-11-03)
		This is a wide shot of the scene where the action takes place.This will show your viewers where they are, and who is involved in the scene.
		This serves as a transition between the establishing shot and the closeup.
		For an interesting variation of wide-medium-CU sequence discussed above, one that is especially useful in creating suspense or surprise, begin with the close-up, then cut to the medium or wide shot, abruptly revealing the whereabouts of the subject.
	www.videoccasions-nw.com /voshots.html (198 words)

	Video Editing - Continuity Editing
		In the 1-2-3 sequence shown the shots suggest that people are jumping from a car seconds before it catches fire and explodes.
		A shot of the bomb ticking away under the table is shown revealing to the audience what is about to happen.
		If we see a shot of someone attempting a difficult feat on skis for the first time, followed by a shot of them arriving back home with one leg in a cast, we assume that things didn't quite work out.
	www.cybercollege.com /tvp050.htm (1575 words)

	Trusting the shot sequence... - ArcheryTalk (Site not responding. Last check: 2007-11-03)
		Is it better to let the shot sequence be the thing that is done with the subconscious mind while aiming hard or is it better to focus on the shot and let the aiming be done subconsciously?
		When I just focus on aiming and try to make my shot sequence is as subconscious as possible I tend to have an occasional flyer or pre-fire.
		It is kind of strange when you dead center the X on a shot you wouldn't have bet on being there.
	www.archerytalk.com /vb/showthread.php?threadid=23945 (3968 words)

	Dual Cannon Shot Sequence - www.ezboard.com
		I'm still thinking about that shot where the ship is firing that dual cannon as it flies by.
		If we're leaving the majority the sequence shot to be dominately digital, I wouldn't extend too much effort there - it will be a relatively short shot.
		We will need quite a few other explossive holes elsewhere in the battle sequence - we need to further discuss these and figure out how we're going to make them work.
	p094.ezboard.com /fnokmarrfrm11.showMessage?topicID=7.topic (228 words)

	ViBE: A New Paradigm for Video Database Browsing and Search (Site not responding. Last check: 2007-11-03)
		Each video shot is then represented by a hierarchical tree structure of key frames, and the shots are automatically classified into predetermined pseudo-semantic classes.
		After the shot boundaries are identified, the morphologically filtered GT is used to classify the transition into one of five categories, cut, dissolve, fade, wipe, other.
		The similarity pyramid is created by first hierarchically clustering the shots into a quadtree structure, and then mapping the quadtree's clusters onto the 2-D grid at each level of the pyramid.
	stargate.ecn.purdue.edu /~ips/ViBE (788 words)

	Untitled Document
		Place at least ten seconds of fl between the shots except within the sequence of shots for Shots #11, #12, and #13.
		All shots must be shot using the tripod unless the shot is a subjective one or requires a truck or dolly.
		Do exactly the same truck shot as Shot #6 but use a long lens, Note the difficulty in keeping the shot steady.
	www.delmar.edu /comm/rtv/minicam.html (485 words)

	the dream
		I shot this in Houston in the spring of 2003.
		I shot this from the hill overlooking Viele Lake, which is where my high school stands.
		These shots don't give any hint at how utterly cold it was when we shot this.
	wilhelm-aerospace.org /Cinema/ameteur-film/THE_GATE-dream/dream.html (704 words)

	itymbi ...: SEQUENCE Improved - More features for drawing sequence diagrams
		Here's a screen shot of SEQUENCE in action and finally links to an executable jar file and a jar file containing the source code.
		This is not a natural way to output the sequence executed if I am writing aspects (see crazybob.org Bob Lee stuff), or if i am using insertBefore and insertAfter statement interceptor.
		The next version of sequence, which I hope to have completed soon will make it easier to support different syntaxes and I'm probably going to have some alternatives available then.
	www.zanthan.com /itymbi/archives/000861.html (669 words)

	VFX HQ: RETURN OF THE JEDI: THE SPECIAL EDITION
		All shots of the rod puppet have been completely removed, and replaced with a new CG Snootles.
		The wide shot of the Emperor's statue being toppled is awe-inspiring.
		The celebration sequence features a fantastic new musical score, written by the original composer John Williams, who puts an emotional cap on the trilogy that was previously missing.
	www.vfxhq.com /1997/sw-3.html (1259 words)

	Shot Sequence Analysis Worksheet
		Shot Sequence Analysis Worksheet Name _______________________
		Place your sequence in the context of the film in terms of plot and character development.
		In what ways does this sequence embody themes that are important to the film as a whole?
	www.unc.edu /~rlmart/shotsequence.html (110 words)

	[No title]
		Next you must replay your work and type a detailed shot by shot critique.
		Each shot should be approximately 10-12 seconds unless noted otherwise.
		(HINT: camera should be zoomed in almost all the way) 14 One minute static shot with good natural sound 15 - 20 Shoot at least 5 beautifully-composed shots that are connected by some theme.
	www.indiana.edu /~telecom/faculty/krause/t351/t351_field_shoot_ex.doc (265 words)

	PB Toad
		There is second shot in sequence where I'm sort of covered.
		This shot is first of a three shot sequence.
		The shot below is number two in sequence.
	home.san.rr.com /pbtoad (428 words)

	The NESurf.com Community - two shot sequence, etc.
		Not sure which forum to post these in and don't mean to post the same pix again, but I just realized I have a two-shot sequence.
		Third shot is from here earlier (nice shot!):
		actually, duh, the third shot is obviously not July judging from the hood, gloves, etc.
	www.nesurf.com /forums/showthread.php?t=5178 (108 words)

	SHOT SEQUENCE--THE CONVERSATION
		Piano sounds, low register, discordant chords that will continue into the last shot of the sequence.
		It both sets in motion the plot of the film and, by means of its style, introduces some of the basic thematic conflicts that underlie it.
		The sequence plays out the incident that will become the basis for the entire film--the conversation between the man and woman--which we will see replayed repeatedly throughout the film.
	spot.pcc.edu /~mdembrow/convanalysis.htm (1281 words)

	SurferMag Message Boards: Nathan Hedge - sick 45 shot sequence (Site not responding. Last check: 2007-11-03)
		There are actually many sequences on Sarge's site.
		Sarge has it clearly marked on www.sargesdailysurf.com that this is a "45 shot sequence".
		Re: Nathan Hedge - sick 45 shot sequence
	forum.surfermag.com /forum/showflat.php?Number=530064 (189 words)

	Track and Field Shot Put Megan Howard Arroyo Grande High School (Site not responding. Last check: 2007-11-03)
		Track and Field Shot Put Megan Howard Arroyo Grande High School
		Shot Put Sequence Pictures of Megan Howard, 42'11" Arroyo Grande High School
		Studying the sequence photos in Shot Put and doing the drills can improve your technique and throwing distance.
	www.advantageathletics.com /shot_put/howard.html (105 words)

	Shot Put, C.J. Hunter Pictures from Track and Field Mt. SAC Relays (Site not responding. Last check: 2007-11-03)
		Shot Put, C.J. Hunter Pictures from Track and Field Mt. SAC Relays
		Track and Field Sequence Pictures of C. Hunter
		The athletes in these pages are NOT endorsing or promoting Advantage Athletics coaching, web site or products.
	www.advantageathletics.com /shot_put/C.J.Hunter.html (94 words)

	Nosferatu
		The sun shines peacefully on pointed gables and leafy squares.
		[Two shots, one from the church tower onto the town] the other from the harbor over towards the town.
		On the window sill a kitten is playing in the morning sun.
	www.geocities.com /emruf1/nosferatu.html (6725 words)

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