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Topic: Serge Diaghilev

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	glbtq >> arts >> Diaghilev, Sergei
		Diaghilev's genius and his extraordinary knowledge of all the arts, from painting to music, led him to discover and inspire genius in others and to facilitate the collaboration of his discoveries.
		Estranged from Diaghilev after his marriage, Nijinsky became depressed and delusional and was committed to a mental hospital by his wife.
		Diaghilev's next discovery was an unknown young actor, Léonide Massine, whom he developed into a great dancer and one of the seminal choreographers of the twentieth century.
	www.glbtq.com /arts/diaghilev_s.html (1204 words)

	Sergei Diaghilev biography .ms (Site not responding. Last check: 2007-11-07)
		Sergei Pavlovich Diaghilev (Сергей Павлович Дягилев) (March 19, 1872 – August 19, 1929), often known as Serge, was a Russian ballet impresario and founder of the Ballets Russes from which many famous dancers and choreographers would later arise.
		Diaghilev heard Stravinsky's early orchestral works Fireworks and Scherzo Fantastique, and was impressed enough to ask Stravinsky to arrange some pieces by Frederic Chopin for the Ballets Russes.
		Diaghilev was a pioneer in adapting these new musical styles to modern ballet.
	serge-diaghilev.biography.ms (571 words)

	DanceWorks SideSteps - People: Serge Diaghilev (Site not responding. Last check: 2007-11-07)
		Diaghilev presented an extraordinary range of ballet genres, from the romantic Giselle (1910), to the light and surreal Parade (1917), to the lavish Russian Imperial style of The Sleeping Beauty (1921).
		Diaghilev was extraordinarily effective in stimulating the creative gifts of the people he worked with, and his drawing together of the major talents of his era was a catalyst for much of the art and music of the period.
		Diaghilev commissioned many musical scores from the Russian-born composer Igor Stravinsky, including The Firebird (1910), Petrushka (1911), The Rite of Spring (1913), Les Noces (1923), and Apollon musagète (1928).
	www.danceworksonline.co.uk /sidesteps/people/diaghilev.htm (411 words)

	Ballets Russes
		Serge Diaghilev (1872-1929) was an impresario, the manager of the Ballets Russes that created a sensation in Western Europe in the early years of the 20th century.
		Third, Diaghilev was a superb spotter of talent, a master showman, and a man who knew his audiences.
		After Diaghilev's death the company's properties were claimed by creditors (he himself died in poverty), and the dancers were, more or less, scattered.
	www.cmi.univ-mrs.fr /~esouche/dance/dance1.html (692 words)

	Telegraph \| Arts \| Sale of the week: Serge Diaghilev's handkerchief
		A checked silk handkerchief still bearing the sweat of the dying Serge Diaghilev, and the thermometer that measured his temperature at 106F the night he died in Venice in August 1929, were among a hoard of items owned by his last star and lover, Serge Lifar, that sold at Sotheby's for £120,000 (estimate £120,000-£150,000).
		Lifar was one of the most glamorous and significant dancers in ballet history, outshining even the ballerinas of Diaghilev's Ballets Russes, and the first muse for the choreographic genius George Balanchine, who evolved his radical neoclassical style by creating the seminal ballets Apollo and The Prodigal Son for Lifar.
		Diaghilev formally kissed Lifar's leg after the 1928 premiere of Apollo, commenting that he had only ever kissed the leg of Nijinsky before.
	www.telegraph.co.uk /arts/main.jhtml?xml=/arts/2002/12/09/baib09.xml (378 words)

	Serge Leonovich Grigoriev (1883-???) (Site not responding. Last check: 2007-11-07)
		To most of the world, Serge Grigoriev is a name on a birth certificate in Tichvin, Russia, but when we go to the ballet today we are in debt to him for the classic ballets from the repertory of Serge Diaghilev's Ballets Russes.
		After the death of Diaghilev in 1929 the company disbanded; Grigoriev and his wife joined Colonel de Basil's Ballet Russe in 1932, restaging the original choreography of Diaghilev's repertoire and remaining until 1948.
		Diaghilev was willing to lose Pavlova, when she resented his preference for the male dancers.
	michaelminn.net /andros/biographies/grigoriev_serge.htm (407 words)

	Dancing Times Magazine - July 2004
		Diaghilev had with him an outstanding choreographer in Mikhail Fokine, whose ballets, over the years, such as Shéhérazade, Les Sylphides, Firebird and Petrushka, are still in the repertoire of companies all over the world, including St Petersburg where he was originally seen as a rebel.
		Diaghilev could call on such artists as Roerich, Golovin, Bakst and Benois and, above all, he had the cooperation of composer Igor Stravinsky, who was commissioned to write the music for Firebird, Petrushka, The Rite of Spring and Les Noces.
		Diaghilev also brought Westerners into his company, such as the British Alicia Markova and Anton Dolin (who had to Russianise their names for Diaghilev) and the Irish Ninette de Valois.
	www.dancing-times.co.uk /DT200407/dancingtimes200407-3.html (1477 words)

	Serge Prokofiev: Diary 1907-1933. Photo Album. Page 13
		I've long been interested in Diaghilev's ballet company and don't deny that I should very much like to be associated with this splendid enterprise but the question is whether the enterprise now wants to be associated with me. Even the prospect of meeting him was alarming.
		Diaghilev as a personality has always interested me; I knew that he had great charm.
		He was terribly smart, in evening dress and top hat and offered me a white-gloved hand, saying that he was very pleased to make my acquaintance, something he'd long been anxious to do and invited me to attend any performances...
	www.sprkfv.net /diary/page13.html (116 words)

	Sergei Diaghilev : Serge Diaghilev (Site not responding. Last check: 2007-11-07)
		Sergei Pavlovich Diaghilev (March 19, 1872 - August 19, 1929), often known as Serge, was a Russian ballet impressario and founder of the Ballets Russes[?] from which many famous dancers and choreographers would later arise.
		Born in Perm[?], Russia, in 1910 Diaghilev organised the first of 20 ballet seasons in Paris, France.
		Diaghilev used ballet music which he commissioned from composers such as Claude Debussy (Jeux, 1913), Maurice Ravel (Daphnis et Chloé, 1912), Erik Satie (Parade, 1917), Richard Strauss (Josephs-Legende, 1914), Sergei Prokofiev (Ala and Lolly, rejected by Diaghilev and turned into the Scythian Suite, and Chout, 1915) Francis Poulenc (Les Biches, 1923) and others.
	www.city-search.org /se/serge-diaghilev.html (555 words)

	DanceWorks SideSteps - People: Serge Grigoriev (Site not responding. Last check: 2007-11-07)
		Serge Grigoriev studied at the Imperial Theatre School, St. Petersburg and graduated in 1900.
		However, as a link between Diaghilev and the company, he sometimes had unpleasant duties, including the dismissal of Vaclav Nijinsky and Léonide Massine.
		Diaghilev remained resolute and it was only through Grigoriev's diplomacy that a major catastrophe was averted.
	www.danceworksonline.co.uk /sidesteps/people/grigoriev.htm (474 words)

	Ballet Russes to Balanchine (Site not responding. Last check: 2007-11-07)
		Serge Lifar was Diaghilev’s last great male dance protégé, and the one most responsible for keeping the great impresario’s genius alive for future generations.
		During the company’s first tour of the United States in 1916, Leon Bakst, inadvertently gave Serge Diaghilev the best and most accurate epitaph in an interview with the Boston Evening Transcript: “It doesn’t matter who the principal stars are, if Diaghilev is with the troupe.
		When Diaghilev is on the ground he is the bright particular star – although the public never sees him and he avoids all personal publicity.
	www.antiquesjournal.com /Pages04/Monthly_pages/oct04/ballet.html (1406 words)

	Comus
		The status of copyright on the materials of the Serge Diaghilev / Serge Lifar collection is governed by the Copyright Law of the United States (Title 17, U.S.C.).
		Sergei Pavlovich Diaghilev is born in Novgorod province, Russia, the only child of Pavel Pavlovich Diaghilev and Evgeniia Nikolaevna Essipova; SD's mother died as a result of the birth.
		He was neither a painter, nor a dancer, nor had extensive musical training, yet by means of his great organizational and managerial skills, as well as by a keen aesthetic sense and an unerring sense of style, Serge Diaghilev had a profound influence on the course of music, ballet and art in the twentieth century.
	lcweb2.loc.gov /music/eadmusic/eadmusictest/mu003011/mu003011.sgm (1905 words)

	Danilova Collection Comes to the Library (Site not responding. Last check: 2007-11-07)
		Diaghilev was the visionary who put a stop to the idea that ballets must be full-length or complement an opera.
		Diaghilev sought out talents in all the artistic media, such as Igor Stravinsky, Pablo Picasso and Coco Chanel, to work on his productions.
		By 1933 she was dancing with Colonel de Basil's Ballets Russes, and in 1938 she became prima ballerina with Serge Denham's Ballet Russe de Monte Carlo, which toured across America during World War II.
	www.loc.gov /loc/lcib/0007/ballerina.html (1545 words)

	MSN Encarta - Search Results - Diaghilev
		Diaghilev, Sergey Pavlovich (1872-1929), Russian ballet impresario who, with the Ballets Russes (1909-1929), revived ballet as a serious art form.
		The year 1979 was a notable one in dance for various reasons, not least of which was that it marked the 50th anniversary of the death of Serge Diaghilev, influential director of the Ballets Russes.
		Ballets Russes, Russian émigré ballet company that toured outside Russia from 1909 to 1929 under the direction of Russian impresario Sergey...
	ca.encarta.msn.com /Diaghilev.html (84 words)

	ICP - Stravinsky (Site not responding. Last check: 2007-11-07)
		Serge Diaghilev (1872 –; 1929) –; impresario and director of the Ballets Russes.
		Diaghilev did not have so much a good musical judgement as an immense flair for recognizing the potentiality of success in a piece of music or work of art in general.
		So far from weeping and reciting Pushkin in the Bois de Boulogne as the legend is, Diaghilev’s only comment was, “Exactly what I wanted.” He certainly looked contented.
	www.bsmny.org /icp/02-03/stravinsky/sergediaghilev.html (149 words)

	Additional Reading (from Diaghilev, Sergey Pavlovich) -- Encyclopædia Britannica
		Lifar, Serge Diaghilev (1940); and Arnold L. Haskell and W. Nouvel, Diaghileff: His Artistic and Private Life (1955), are authoritative biographies.
		Other studies are John Percival, The World of Diaghilev (1971), a succinct, popular study; and Charles Spencer, The World of Serge Diaghilev (1974).
		As the founder of the legendary Ballets Russes, impresario Sergei Diaghilev revolutionized ballet in the early 20th century.
	www.britannica.com /eb/article-1804?tocId=1804 (789 words)

	Arts Gallery (Site not responding. Last check: 2007-11-07)
		The collection of papers and artefacts, relating to the Paris and Monte Carlo-based ballet founded by the celebrated Russian impressario Serge Diaghilev, goes under the hammer at Sotheby's auction house on Friday.
		From inside he takes out a metal thermometer which was used to take Diaghilev's temperature, as the founder of the Ballets Russes lay on his deathbed in 1929.
		Lifar, a Ukrainian by birth, was taken on by Diaghilev as a dancer in the Ballets Russes in 1923, then went on to a brilliant career as choreographer.
	www.artukraine.com /dance/lifar2.htm (487 words)

	Program Notes
		The Firebird was first given by Serge Diaghilev's Ballets Russes at the Opéra in Paris on June 25, 1910.
		It was first given in America by Diaghilev’s company on January 17, 1916, at the Century Theatre in New York, with Ernest Ansermet conducting.
		Serge Diaghilev, whose Ballets Russes turned around the visual taste of cultivated Europeans in the first decade of the twentieth century, was a great producer partly because he was a talent scout of uncommon fantasy and daring, yet in the case of The Firebird his instinct took time to find its target.
	www.sfsymphony.org /templates/pgmnote.asp?nodeid=2940&callid=117 (1135 words)

	BALLET, Essays Club, Essays, 051020
		A history of Serge Diaghilev and his ballet company, Ballets Russes, and its influence on the world of ballet.
		The paper gives a history of Russian-born Serge Diaghilev and explains how his unconventional ideas of ballet led to the creation of the Ballets Russes in France.
		"Serge Diaghilev was born of Russian nobility in Perm, Russia, on March 19, 1872.
	www.essaysclub.com /lib/essay/Ballet.html (1514 words)

	THE THIRD INTERNATIONAL SERGE DIAGHILEV COMPETITION OF CHOREOGRAPHY ART (Site not responding. Last check: 2007-11-07)
		The International Serge Diaghilev Competition of Choreography Art has a form of a professional competition in which professional choreographers and choreography students of art colleges may take part.
		The main aim of the competition is to single out, award and render assistance in the development of, as well as to promote, the most talented choreographers and their work in the country and abroad.
		The Third International Serge Diaghilev Competition of Choreography Art will take place at Danuta Baduszkowa Music Theatre in Gdynia, one of the biggest and most modern theatres in Poland.
	www.amberfaun.com /2004/competition_rules.php (1137 words)

	Theremin Vox - Ballets Russes
		Ballets Russes was established by the impresario Serge Diaghilev in 1909 who ran it until his death in 1929.
		A list of the ballets premiered by Diaghilev include Les Sylphides (1909), The Firebird (1910), Le Spectre de la Rose (1911), Petroushka (1911), Afternoon of a Faun (1912), The Rite of Spring (1913), The Song of the Nightingale (1920) and The Prodigal Son (1929).
		After Diaghilev's, death the company's property was claimed by creditors, and the dancers were scattered.
	www.thereminvox.com /article/articleview/89 (243 words)

	serge diaghalev biography: essays-helper.com- essays helper, term papers helper, book reports helper, research papers ... (Site not responding. Last check: 2007-11-07)
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	Markova Alicia Engels
		On her fourteenth birthday Alicia was accepted into the Ballets Russes, where she was renamed Alicia Markova and where she danced until Diaghilev's untimely death in 1929.
		In her years with Diaghilev she created the role of the Nightingale in Balanchine's Le Chant du Rossignol (see picture) and danced in most of the repertory; by the time Diaghilev died in 1929 she was an established name on the international scene.
		In the early days her name was as valuable as her talent: she brought with her the sophistication and glamour of the Diaghilev company, and attracted those balletomanes who thought only Russian ballet worth watching.
	www.maurice-abravanel.com /markova_alicia_engels.html (927 words)

	Amazon.com: Books: The Ballets Russes and Its World (Site not responding. Last check: 2007-11-07)
		As impresario, Serge Diaghilev marshalled the best of the artistic forces of the early 20th century in the Ballets Russes, which embraced not only dance luminaries like Nijinsky, Balanchine, and Adolph Bolm but also musical innovators like Stravinsky, Prokofiev, and Rimsky-Korsakov and visual artists like Picasso, Matisse, and Leger.
		First, she notes, ``he transformed the character of ballet music, putting the final nail in the coffin of the specialist tradition exemplified by such composers as Ludwig Minkus and Cesare Pugni.'' He instead used music that was performed in concert, most notably working with Stravinsky on Firebird, Petrouchka, Le Sacre du Printemps.
		Diaghilev also ``invented'' the one-act ballet, took costume and set design out of the hands of specialists and handed the entire production to one artist with a unifying vision, elevated the role of male dancers, and built on a classical foundation to explore new types of movement.
	www.amazon.com /exec/obidos/tg/detail/-/0300061765?v=glance (1548 words)

	The Newtown Bee (Site not responding. Last check: 2007-11-07)
		The exhibition is also a showcase for selections from the Atheneum's unrivalled Serge Lifar Collection of set and costume designs, most of them for Serge Diaghilev's Ballets Russes.
		From 1909 until Diaghilev's death in 1929, the Ballets Russes incited a revolution in the scenic and performing arts whose influence and legend time has not diminished.
		The Serge Lifar Collection was acquired by Austin for the Wadsworth Atheneum in fall 1933 when Lifar, the last of Diaghilev's protégé male dancers, met with financial disaster on his troupe's American debut tour.
	www.newtownbee.com /Features.asp?s=Features-2004-10-07-12-10-01p1.htm (1575 words)

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