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| | Holy Terror: Philippe Grandrieux's Sombre |
 | | The film instantly took me back to a mid-1970s text by video artist Thierry Kuntzel (a former collaborator with Grandrieux) in which he proposed that the 'ideal film' would be "a film of sustained terror " ( Camera Obscura 5, 1980) - sheer, unmitigated, ceaseless terror. |
 | | Grandrieux has made, finally, not a modish serial killer movie or an advertisement for a neo-gothic subculture, but a truly experimental 'walk on the wild side', using the crucible of emotions, actions and sensations inherent in his slender, mythic fiction as a bridge to compose a new language of image and sound, figure and gesture. |
 | | It is, all at once, an image from a fairy tale, a horror movie, a suspense thriller, and a film fantastique set in a science-fiction landscape. |
| www.sensesofcinema.com /contents/00/1/sombre.html (189 words) |
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