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| | Wellington Film Society - SHANGHAI EXPRESS |
 | | Like many of Sternberg's films, SHANGHAI EXPRESS follows the evolution of a sexual obsession, in this case the revival of an extinguished affair between elegant doctor Donald Harvey and the woman, known only as Magdalen, whose love he lost some years previously after a disastrous though unspecified test of faith. |
 | | Now she is "Shanghai Lily, the notorious White Flower of China," en route to Peking on the Shanghai Express which, unknown to all on board, will be the scene of their downfall as an incognito bandit leader discovers their weaknesses, which he exploits to rob them of both dignity and self-esteem. |
 | | Only the lovers remain untouched, united by a bond of mutual need for immolation, and as the train arrives, Lily, in a suggestive and incomparably subtle scene of presenting her lover with a watch and taking in return his whip and gloves, signals that the all-powerful woman has won. |
| filmsociety.wellington.net.nz /db/screeningdetail.php?id=338&sy=2005 (430 words) |
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