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| | SEE Magazine: December 2, 2004 (Site not responding. Last check: 2007-10-22) |
 | | Sharon Pollock, the strikingly unpretentious grande dame of Canadian playwrights, is performing with the graduating class of the U of As drama school in her own play, Moving Pictures, a study of Canadian Nell Shipman, one of Hollywoods forgotten ingénues from its silent film era. |
 | | Although Pollock explicitly denies ever having had a nationalist agenda, she is part of the generation that came of age in the 1970s that established "Canadian" playwrighting. |
 | | Pollock has divided Shipman into three charactersHelen, her youngest self just embarking on an acting career; Nell, the actress at the height of her creative and financial powers; and Shipman, the now-obscure, former actress, near the end of her lifeto explore a lifes devotion to art, flying in the teeth of financial considerations. |
| www.seemagazine.com /Issues/2004/1202/cover.htm (1541 words) |
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