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Topic: Shohei Suzuki

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	Japanese Films - by Michael Grost
		Suzuki's film is in widescreen, and his compositions are often deeply asymmetrical.
		Suzuki's color schemes tend to feature one or at most two pastel colors, dominating the shot with huge expanses of solid color.
		This is the film whose eccentricities got Suzuki in trouble with his studio.
	members.aol.com /MG4273/japanese.htm (2976 words)

	Patentee Index
		Suzuki, Shigeharu; Kamata, Takeshi; Sugimura, Keigo; and Yagi, Kiyoshi 07145081 Cl. 174-112.
		Yoshida, Takehito; Suzuki, Nobuyasu; Makino, Toshiharu; and Yamada, Yuka 07145320 Cl. 324-71.4.
		Suzuki, Tatsuya; Hoshi, Nobuharu; and Yokomori, Kanji 07146115 Cl. 399-27.
	www.uspto.gov /web/patents/patog/week49/OG/patentee/alphaY_Utility.htm (4600 words)

	Japanese Films - by Michael Grost (Site not responding. Last check: 2007-10-26)
		Suzuki's film is in widescreen, and his compositions are often deeply asymmetrical.
		Suzuki's color schemes tend to feature one or at most two pastel colors, dominating the shot with huge expanses of solid color.
		This is the film whose eccentricities got Suzuki in trouble with his studio.
	hometown.aol.com /mg4273/japanese.htm (2976 words)

	Icon of Japanese cinema dies \| News \| Guardian Unlimited Film
		Shohei Imamura, pictured after winning the Palme d'Or in 1997.
		Photograph: Koji Sasahara/AP Award-winning Japanese director Shohei Imamura, known for his unsettling portrayals of life at the bottom of his country's rigid social structure, has died of liver cancer.
		The Tokyo-born director was hailed as one of the icons of Japan's New Wave movement along with Nagisa Oshima, Seijun Suzuki and Masahiro Shinoda - a group of film-makers who emerged in the late 1950s and early 60s to shake up tradition-bound Japanese cinema.
	film.guardian.co.uk /news/story/0,,1786648,00.html (414 words)

	Japanese Directors - Shohei Imamura
		Winner of the Palme d'Or at the 1997 Cannes Film Festival, this masterpiece from Shohei Imamura is a bold, frequently offbeat exploration of crime and punishment, guilt and redemption, and the elusive possibility of salvation through love.
		Shohei Imamura again demonstrates his masterful, audacious talent in this feature that is bursting with vitality and humor.
		Directed by Japanese auteur Shohei Imamura (The Ballad of Narayama, The Eel), this charmingly bizarre slice of magic realism is an engaging variation on the male mid-life crisis movie.
	www.multilingualbooks.com /foreignvids-jap-imamura.html (874 words)

	Japanese New Wave - Wikipedia, the free encyclopedia
		Suzuki had begun his career as a mainstream director of low-budget genre films like Underworld Beauty and Kanto Wanderer for Nikkatsu studios.
		Suzuki's stature as an influence upon the New Wave was cemented with two developments: the desire to enliven the formulaic screenplays he was given by Nikkatsu (a deliberately overripe pop-art stylishness introduced in 1963's Youth of the Beast and Kanto Wanderer, both key, transitional films for Suzuki), and his 1968 dismissal from Nikkatsu
		Shohei Imamura eventually became one of only four filmmakers to win the Palme d'Or at the Cannes Film Festival for multiple films - The Ballad of Narayama (1983), and The Eel, in 1991.
	en.wikipedia.org /wiki/Nuberu_bagu (2166 words)

	Slant Magazine - DVD Review: Story of a Prostitute
		Women (and, more specifically, whores) have often been the bearers of wartime traumas in Suzuki's Japan, and the heroine's seduction of the young soldier at first is just a way to turn her tormentor "to pieces"—at one point literalized on the screen, Narita's image shredded in a remarkable example of Suzuki's disjunctive lyricism.
		As her feelings for Mikami grow, however, she becomes determined to pierce through his militarist armor and, in another flight-of-fancy stunner, tries to rouse his rebellion by racing to the adjutant's bed, kimono dropped as the screen becomes drenched in atomized brightness.
		A seamless Seijun Suzuki movie is a contradiction of terms, though Criterion's restoration has made the images crisp despite the occasional grain, while the mono soundtrack is acceptable.
	www.slantmagazine.com /dvd/dvd_review.asp?ID=700 (540 words)

	Peace of Cake - Bali Jazz Festival 2005
		Shohei NOMURA sejak usia tiga tahun pernah tinggal di Indonesia(Jakarta dan Surabaya)selama kl.10 tahun, sehingga dia anggap Indonesia sebagai tanah air kedua !
		Terpengaruh oleh Shohei NOMURA mulai bermain guitar pada usia 15 thn dan thn.1997 bergabung dgn "ZISTY" sebagai Guitarist.2001 mulai main drum dan sejak itu bersama dgn Shohei ikut aktif mengadakan Live show di Tokyo dan juga ikut Rock Festival di Korea Selatan pada thn.2003.Cita2nya ingin menjadi pemusik yg mampu menyenangi banyak orang.
		Juli 2005 bersama dgn Shohei NOMURA mengadakan Live Show di Wayang Cafe Sanur dan Jazz Cafe di Ubud bersama Balawan.
	www.balijazzfestival.com /artists-peaceofcake.html (210 words)

	Suzuki Katana - Wikipedia, the free encyclopedia
		The original Suzuki Katana was a sports motorcycle produced in the early 1980s at the instigation of Suzuki Deutschland specifically for their market needs, and designed at the instigation of Suzuki Deutschland by an outside design team which the project was farmed out to.
		The Katana name was later applied to a range of sports-touring motorcycles in North America (also offered in Europe but without the Katana moniker) see Suzuki GSX Series, and to a line of 49cc/50cc scooters in Europe.
		Suzuki produced a 750cc version, visually almost indistinguishable from the 1100cc, and a 1000cc version intended for racing.
	en.wikipedia.org /wiki/Suzuki_Katana (788 words)

	Shohei Imamura Passes Away - Movie News - Playfuls.com - Fun & Entertainment (Site not responding. Last check: 2007-10-26)
		One of the most preeminent directors of post-war Japan, Shohei Imamura, passed away yesterday in Tokyo, at age 79.
		Along with Nagisa Oshima, Seijun Suzuki and Masahiro Shinoda, Mr.
		Imamura was the founder of the Japanese New-Wave, a movement that would emerge in the late '50s and reinvent the over-convervative Japanese cinema.
	www.playfuls.com /news_0001151_Shohei_Imamura_Passes_Away.html (727 words)

	DBLP: Shohei Abe
		Masayasu Suzuki, Yohei Hasegawa, Vu Manh Tuan, Shohei Abe, Hideharu Amano: A cost-effective context memory structure for dynamically reconfigurable processors.
		Yohei Hasegawa, Shohei Abe, Katsuaki Deguchi, Masayasu Suzuki, Hideharu Amano: Time-multiplexed execution on the dynamically reconfigurable processor: a performance/cost evaluation.
		Yohei Hasegawa, Shohei Abe, Hiroki Matsutani, Hideharu Amano, Kenichiro Anjo, Toru Awashima: An Adaptive Cryptographic Accelerator for IPsec on Dynamically Reconfigurable Processor.
	www.vldb.org /dblp/db/indices/a-tree/a/Abe:Shohei.html (212 words)

	Amazon.com: Black Rain: DVD: Shohei Imamura,Yoshiko Tanaka,Kazuo Kitamura,Etsuko Ichihara,Shoichi Ozawa,Norihei ... (Site not responding. Last check: 2007-10-26)
		The movie, shot in fl and white, tells the story of a couple of survivors and their struggle to stay alive and be part of the new japanese society born after the emperor's surrender.
		One could say that BLACK RAIN's rythm is slow but I think it's a courageous choice of Shohei Imamura in order that we feel the fear of these people waiting their whole life for the first signs of the inevitable diseases provoked by radioactivity.
		Like Brecht, Shohei Imamura's "Black Rain" refuses to remain silent in the face of the 20th century's great horrors, choosing instead the far riskier route of giving voice to them and of painstakingly documenting the devastating effects radiation has on a community while never once imagining that this message, if received, will be heard.
	www.amazon.com /Black-Rain-Shohei-Imamura/dp/B00000FYQO (2667 words)

	Endurance World Championship - Suzuka entry list
		7 — SB Akira RYO Yukio KAGAYAMA - Suzuki GSX-R750
		20 - SB Takuro SASAKI - Akira OHNISHI - Suzuki GSX-R750
		26 - SB Kouzou MINAMIKAWA - Reiji SAKAKIBARA - Suzuki GSX-R750
	www.mcnews.com.au /MotorcycleRacing2001/WorldEndurance/Suzuka_Entry.htm (919 words)

	Shohei Imamura
		American film critic and translator Audie Bock is interviewing Shohei Imamura at the offices of Imamura's film school (which has since moved to Shin-Yurigaoka, just outside Tokyo).
		Imamura is speaking of the shrines dedicated to the fox god Inari that modern Japanese corporate bosses install on the rooftops of their modern corporate office towers: “You may think all that is real,” [he said], gesturing toward the dreary cityscape outside, “but to me it's all illusion.
		The Nuberu Bagu (after the French Nouvelle Vague) was the name given to the remarkably talented generation of filmmakers that arose in the late 1950s and 1960s as the old studio system was weakening.
	www.sensesofcinema.com /contents/directors/03/imamura.html (4678 words)

	Midnight Eye feature: The Best of 2001
		2001 was the year of Battle Royale, Takashi Miike, Brother, Eureka, Kiyoshi Kurosawa, the demise of Suncent films, the record-breaking success of Hayao Miyazaki's Spirited Away, and the welcome return of veterans like Seijun Suzuki and Shohei Imamura.
		Maybe it wasn't the film for those who cling to retroactive mythmaking about its director, but as in the case of ED80,000V, Pistol Opera was a film that stepped beyond narrative to become thoroughly cinematic.
		That it was theatrical at the same time only proves Suzuki's accomplishment.
	www.midnighteye.com /features/bestof2001.shtml (2177 words)

	DBLP: Hiroshi Suzuki
		Rie Hosoya, Hiroshi Suzuki: Tight distance-regular graphs with respect to subsets.
		Hiroshi Suzuki: The geometric girth of a distance-regular graph having certain thin irreducible modules for the Terwilliger algebra.
		Tutomu Murase, Hiroshi Suzuki, Shohei Sato, Takao Takeuchi: A Call Admission Control Scheme for ATM Networks Using a Simple Quality Estimate.
	www.sigmod.org /dblp/db/indices/a-tree/s/Suzuki:Hiroshi.html (389 words)

	DBLP: Hiroshi Suzuki
		Hiroshi Suzuki: The geometric girth of a distance-regular graph having certain thin irreducible modules for the Terwilliger algebra.
		Wenge Ren, Kai-Yeung Siu, Hiroshi Suzuki, Gopalakrishnan Ramamurthy: Performance of TCP in IP/ATM internetworks.
		Hongqing Li, Kai-Yeung Siu, Hong-Yi Tzeng, Chinatsu Ikeda, Hiroshi Suzuki: On TCP performance in ATM networks with per-VC early packet discard mechanisms.
	www.informatik.uni-trier.de /~ley/db/indices/a-tree/s/Suzuki:Hiroshi.html (365 words)

	TIME.com: Bakelite In Heat -- Oct. 2, 1989 -- Page 1
		One is Shohei Imamura's stark meditation on Hiroshima 1945.
		The other is a cop movie backed by some heavy Hollywood artillery: the producers of Fatal Attraction.
		An ominous bike boy threads his Suzuki around columns in a Japanese mall-cathedral.
	www.time.com /time/magazine/article/0,9171,958659,00.html (516 words)

	The Finest in Anime and Samurai Cinema - AnimEigo (Japanese Animation)
		Directed by Shohei Imamura, 2-time Palm d'Or winner (Kurosawa won only once).
		And of course, sometime in the spring, we'll release Yawara!
		Suzuki Sawa stars as a fun-loving dominatrix who's also a serious amateur actress.
	www.animeigo.com (3099 words)

	2002 Japanese Worm Meeting
		EAT-16/RGS regulates thermotaxis in olfactory neurons and the frequency of reversal movement in command interneurons
		Emiko Kuramata, Ken-ichi Ogura, Shohei Mitani, Keiko Gengyo-Ando and Yoshio Goshima
		Keiko Gengyo-Ando, Etsuko Machiyama, Sachiko Noguchi and Shohei Mitani
	elegans.swmed.edu /JWM/2002 (1558 words)

	RIBF USER GUIDE
		Tamiko Hirumachi, Toshiharu Tominaka, Toshiyuki Kubo, Hiroyoshi Sakurai, Teruyasu Nagafuchi, Kensuke Kusaka, Masahiro Okamura, Tsutomu Fujioka, Takahiro Tsuchihashi, Osamu Osaki, Tomoyuki Senba and Shohei Suzuki:
		Kimura, T. umikawa, R. Koyama, T. Ohnishi, T. Ohtsubo, A. awa, W. Shinozaki, T. Suzuki, M. Takahashi, I. Tanihata et al.
		Copyright (C) 2006 Nishina Center for Accelerator-Based Science.
	www.rarf.riken.go.jp /pub/UsersGuide/Nuclear/BigRIPS/refer.html (229 words)

	CyberMacro Daily News
		Aveline Kushi, and wish to send my sincere condolences to you and your bereaved family.
		I would also like to express my renewed gratitude for you and Aveline-sensei, for having supported and guided me in getting over my own illness 10 years ago, as well as in our efforts to save the life of Shohei Suzuki, my husband, 6 years ago.
		Although we could not save his life, I will never forget your earnest and kind supports extended to my family at our adversity.
	www.cybermacro.com /archives/00000014.html (1732 words)

	Amazon.com: Black Rain: Video: Yoshiko Tanaka,Kazuo Kitamura,Etsuko Ichihara,Shoichi Ozawa,Norihei Miki,Keisuke ... (Site not responding. Last check: 2007-10-26)
		First tag: dept collection (Sharon K. Anderson on Oct 19, 2006)
		The Intellectual's Top 26 Films about Murder on DVD or VHS: A list by Gerard D. Launay
		VHS > Directors > (I) > Imamura, Shohei
	www.amazon.com /Black-Rain-Yoshiko-Tanaka/dp/6302096251 (2708 words)

	village voice > film > by Michael Atkinson
		A ballad for the late, great New Wave master
		Dead last week at 79, the two-time Palme d'Or winner was one of the last of his slowly dying breed, survived still by Suzuki, Ichikawa, and Oshima.
		He may have also been the least categorizable filmmaker of the lot (always a handicap in an auteurist world), careless with genre and frenzied about social critique.
	www.villagevoice.com /film/0623,atkinson,73443,20.html (519 words)

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