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| | Research in African Literatures--The Interface of Orality and Literacy in the Zimbabwean Novel |
 | | One observes the conflict in the writer's use of Shona vocabulary in English discourse to capture the uniqueness of certain concepts and experiences to the Shona people, such as names of medicines, greetings, religious personages, concepts of time,foodstuffs, domestic paraphernalia, and other items that he feels faithfully capture the mood of the time. |
 | | The people leaped high in ecstasy to the clatter of the jingling magavhu and the monotonous rattle of the hosho. |
 | | While the images derive from Shona oral traditions, the bipolar images of good and evil, peace and war, love and hate are consistent with British settler myths about the Shona and Ndebele, which depicted the Shona as cowards and the Ndebele as brave or bloodthirsty. |
| iupjournals.org /ral/ral29-2.html (9495 words) |
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