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| | | Medieval Identity: A Sign and a Concept | The American Historical Review, 105.5 | The History Cooperative |
 | | In analyzing the diffusion of seals along the axes of regionalism, politics, and gender, I have come to rethink four previous assumptions that have long, almost axiomatically, dominated the field of medieval sigillography, or sphragistics, that is, the study of seals, |
 | | The sealed charter, heretofore interpreted solely as an act of individual or familial will, must now be reconsidered as a text and artifact articulating cultural and ideological models ambient in specific scriptoria. |
 | | A fourth prejudice, indeed a paramount force that has focused seal scholarship on artistic considerations and legal functionality, and has, more generally, shaped traditional sigillography as an antiquarian discipline, is its heuristics, based on casts. |
| www.historycooperative.org /journals/ahr/105.5/ah001489.html (15272 words) |
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