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| | Synoptique - Dorothy Davenport: : From Social Conscience to Exploitation Pioneer |
 | | Moreover, the film’s strong emphasis on the more lurid details of the white slave racket, the heroine’s descent into Storyville and the murder of the husband/pimp, were signs of the shift from the pathos and melodrama of the social conscience films to the sensationalism and titillation of the burgeoning exploitation industry. |
 | | Her films are exemplary of certain narratives, aesthetic forms, and themes that were developed in the silent era, all of which, as abandoned by the new technology-seeking Hollywood studios, were maintained by the filmmakers of the low-budget independent cinema of the 1930s. |
 | | Hence, when examining Davenport’s film work, I think that rather than focusing on her antiquated reliance upon silent film aesthetics, we should see these lagging old-fashioned techniques as evidence that these films were open to a new aesthetic discourse, one that leads to the fringes of the surreal. |
| www.synoptique.ca /core/en/articles/dorothy_davenport (2460 words) |
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