Silver (Johnny Cash album)

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Topic: Silver (Johnny Cash album)

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	jdisc1a.html
		This was Cash's Silver Anniversary album, but, as he remarked himself, his name was put so big on the cover that there was not enough room for the complete title.
		Cash also gives his treatment to the A. Carter classic "Engine 143" here, which he was to record again almost forty years later for a Carter Family tribute album.
		Cash had high hopes for this project but the record company could not be convinced that gospel music would sell.
	de.geocities.com /rolf03de/jdisc1a.html (3239 words)

	Berman takes Silver Jews on a new level
		Berman offering such a solidly dulcet counterpoint to his deadpan drollery, the Silver Jews could become the Johnny and June Carter Cash of the indie era and even beyond.
		It isn't quite a feel-good effort, but like the finest vintage Johnny Cash, this version of the Silver Jews draws out the details of our potentially hopeless existence and finds glory in there somewhere.
		Meanwhile, as he explained to Harp magazine, he applied something of an "Opposite George" (from "Seinfeld") approach to his songwriting for the new Silver Jews album, "Tanglewood Numbers," and, working with his old pal Stephen Malkmus (ex-Pavement, natch), he has come up with what may become something of a benchmark for indie rock.
	www.courier-journal.com /apps/pbcs.dll/article?AID=/20051029/SCENE04/51028016/1011/SCENE (356 words)

	CMT.com : Johnny Cash : Artist Main
		Watch a trailer of the movie starring Joaquin Phoenix as Johnny Cash and Reese Witherspoon as June Carter Cash.
		Quite possibly, the most recognizable voice in all of country music belongs to "The Man in Black," John R. Cash.
		This is your chance to hear all of the full-length tracks from the album.
	www.cmt.com /artists/az/cash_johnny/artist.jhtml (168 words)

	Lyrical gems amid Silver Jews' muddle - Entertainment - The Washington Times, America's Newspaper
		Berman is no conventional singer, and the Nashville-based Jews were at their best on albums such as 1996's "The Natural Bridge," on which his wavering, talky baritone -- it's a crossbreed of Lou Reed, Tom Waits and Johnny Cash -- hung out there in all its ironizing tone-deafness.
		"Tanglewood Numbers," the fifth album from beloved indie-country-alt rockers Silver Jews, probably wasn't meant to sound like such a jumble.
		Problem is, all the synths, fiddles and guitars (there's even a string arrangement here) crowd out what's best about Silver Jews: singer-songwriter David Berman.
	www.washtimes.com /entertainment/20051024-094722-4679r.htm (623 words)

	Gritz Onstage Reviews
		Silver Travis, a Spartanburg, SC based band that was a reigional favorite in the early 1980’s, recently reformed after 20 years to record a new album and perform again.
		He was joined by Bonnie Bramlett on Shaver’s “Gerogia On A Fast Train,” and Bonnie and Rick Cash sang backup on “Into the Light” and “Something Heavy,” the title track from Smith’s new album.
		Bonnie Bramlett, alone, would have been royalty enough, but her backing band was the recently reformed Capricorn Rhythm Section consisting of Johnny Sandlin, Paul Hornsby, Billy Stewart, Scott Boyer, and Tommy Talton.
	www.gritz.net /subscribers_area/features/onstage.html (13641 words)

	Chico News and Review - Music - February 17, 2005
		Haggard's cover of Johnny Cash's "Folsom Prison Blues" was no imitation, though, just a great version of a classic.
		After singing the opening line "I wish a buck was still silver," he stopped the song and said, "Do you want to hear this or not?" causing the "yee-haw" part of the crowd to cool it for a bit before the band glided back into the tune like a well-oiled machine.
		Haggard has a new album of standards out, in the vein of Willie Nelson's Stardust.
	www.newsreview.com /issues/chico/2005-02-17/music.asp (670 words)

	Julian Schnabel : Every Silver Lining Has a Cloud - Listen, Review and Buy at ARTISTdirect
		Renowned painter/filmmaker Julian Schnabel's Every Silver Lining Has a Cloud, however, confounds expectations by working both as a "serious" piece of art and a very listenable album of left-of-center music.
		Musically, although it's safe to say that Schnabel sounds unlike anyone else (his slightly out of tune warbling is a distant cousin to Johnny Cash), the closest stylistic touchstones are Leonard Cohen, Lou Reed, and the more adventurous work of Suzanne Vega.
		Whenever an album is released by an artist well-known for his/her work in a non-musical medium, one is tempted to quickly dismiss the project as just another example of labels' crass attempts to move some product with the help of celebrity clout rather than musical talent (Dogstar, anyone?).
	www.artistdirect.com /nad/store/artist/album/0,,208034,00.html (341 words)

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Topic: Silver (Johnny Cash album)

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In the News (Tue 29 Dec 09)