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Topic: Silvertone Records

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	Silvertone Records - Wikipedia, the free encyclopedia
		The oldest Silvertone Records was a record label manufactured for Sears Roebuck, and Co. for sale in their chain of department stores and through mail order.
		Early releases were single-sided lateral-cut gramophone records; in the late 1910s double-sided discs began to be released.
		Most discs were manufactured by Columbia Records, while some were made by Paramount Records and Gennett Records.
	en.wikipedia.org /wiki/Silvertone_Records (178 words)

	About Silvertone
		Utilising a Silvertone Mark 1 proportional transmitter, the chair was actually a prototype dual control (buddy box) system with the chair control pots wired directly into the encoder.
		The Silvertone keyboard is to this day still used in almost every R/C club in Australia and has since been declared the Australian National Standard Frequency Control System.
		All Mark 22 transmitters and receivers are now rated for 10kHz operation in preparation for the introduction of this frequency spacing in early 2002, thereby maintaining the long tradition of being in the forefront of developments in narrow band operations in Australia.
	www.silvertone.com.au /about.htm (1056 words)

	The Universal - Artists - Stone Roses (Site not responding. Last check: 2007-10-01)
		However, the band was never able to capitalize on the promise of their first album, waiting five years before they released their second record and slowly disintegrating in the year and half after its release.
		By the fall of 1988, the band secured a contract with Silvertone Records and released "Elephant Stone," a single that set the band's catchy neo-psychedelic guitar-pop in stone.
		For the next two years, the band fought Silvertone Records while they allegedly prepared the follow-up to their debut album.
	www.the-universal.com /artist.asp?id=stoneroses (970 words)

	Madchester - Free net encyclopedia (Site not responding. Last check: 2007-10-01)
		However, sales of their two albums for Sire Records, Stutter in 1986 and Strip-Mine in 1988, were disappointing and, at the time Madchester hit, the band was using t-shirt sales to fund its own releases through Rough Trade Records.
		This didn't chart, but was well received and the band were looking like they were on the brink of being the biggest thing in the country by the time they release their eponymous debut album (produced by John Leckie) in March.
		James, Inspiral Carpets, 808 State and The Charlatans continued to record, with varying degrees of success, during the 1990s, but ceased to be seen as part of a localised scene.
	www.netipedia.com /index.php/Madchester (3316 words)

	The Stone Roses - Wikipedia, the free encyclopedia
		In their early days the Roses had an aggressive, punky sound, and their influences ranged from The Clash and The Sex Pistols to Manchester band Slaughter and the Dogs.
		Released in 1987 on FM Revolver records, "Sally Cinnamon" contained chiming guitar hooks and a strong melody, and sounded more like The Byrds than the Pistols.
		Eventually they wrangled themselves out of their contract with Silvertone and signed a large contract with Geffen Records.
	en.wikipedia.org /wiki/Stone_Roses (3231 words)

	TAXI A&R Interview: Jeff Fenster, Jive / Silvertone Records
		It is very, very common now in the rap world, and has almost become necessary, that for a new artist to be successful, that artist must be associated in some way with other artists that have already been successful.
		Silvertone is a label that started as kind of a roots rock-oriented label, signing people like Buddy Guy and John Mayall.
		They are selling records without that much going on because they have that street appeal.
	www.taxi.com /faq/ar/fenster.html (3207 words)

	The Stone Roses - Biography - AOL Music
		Garner was replaced by Mani (born Gary Mounfield) and the group recorded its first single, "So Young," which was released to little attention by Thin Line Records.
		Two months later, the Stone Roses won their case against Silvertone and signed a multi-million deal with Geffen Records.
		Finally, in the spring of 1994, Geffen demanded that the group finish the album and the band complied, completing the record, titled Second Coming, in the fall.
	music.aol.com /artist/the-stone-roses/5537/biography (1074 words)

	NIPP: Artists: Indigenous
		With their new self-titled album—their first release for Silvertone Records—the band called Indigenous delivers on the rich promise of previous albums and years of roadwork.
		The making of Indigenous found the band between record contracts and thus in complete creative control: Indigenous were liberated from any expectations beyond their own desire to record themselves the way they wanted to be heard.
		Recorded and mixed at Pachyderm Studio in Cannon Falls, Minnesota, Indigenous was co-produced with British brothers Jesse and Robin Davey.
	www.nipp.com /artists/detail/indigenous (766 words)

	[No title]
		For Silvertone Records, the alternative music label that represents them, it's a chance to tap the large but somewhat self-contained Christian Music Market.
		Silvertone may be hoping for more tolerance than either audience has to offer.
		None of the Silvertone bands claim that proselytizing is a priority.
	www.jarchives.com /vault030.htm (1153 words)

	[No title] (Site not responding. Last check: 2007-10-01)
		Essential Records/Brentwood Music recently announced details of a partnership with sister label Silvertone Records that will bring the self-titled debut of Jars of Clay to the mainstream market through extensive promotion and distribution.
		Silvertone firmly believes that Jars of Clay is both unique enough and talented enough to appeal to a secular audience."
		Silvertone will be marketing Jars of Clay at the mainstream level through radio, advertising, publicity and video promotion.
	www.jarchives.com /vault010.htm (411 words)

	: : : WWW.ANTONES.NET : Austin, TX : : :
		SHOW 09:00 PM With their new self-titled albumâ”their first release for Silvertone Recordsâ”the band called Indigenous delivers on the rich promise of previous albums and years of roadwork.
		Â The making of Indigenous found the band between record contracts and thus in complete creative control: Indigenous were liberated from any expectations beyond their own desire to record themselves the way they wanted to be heard.
		It bears the stamp of their previous recordings but unleashes the band's most primal, elemental instincts.
	www.antones.net /index.cfm?Fuseaction=EventDetail&EventID=4260 (863 words)

	Buddy Guy CD Review
		He was also one of Chess Records early stars and has served as a mainstay for Silvertone Records in the 1990's and the new millennium where he has received numerous gold records and Grammy Awards.
		As the king of electric guitar blues and the Chicago sound, the release of Sweet Tea on Silvertone Records marks a dramatic change for Buddy Guy as he seeks to meld his electric Chicago blues with the "new" electric blues of the Mississippi Hill Country.
		Of the nine songs recorded for Sweet Tea, four are written by the late Junior Kimbrough one each by T-Model Ford, Cedell Davis and Robert Cage; and one co-written by Jimmy McCracklin and the late Lowell Fulson.
	www.mnblues.com /cdreview/2001/buddyguy-tea-dp.html (702 words)

	BBC - Radio 1 - Keeping It Peel - Stone Roses
		A contract with the Silvertone Records label in 1988 produced "Elephant Stone", and showed its makers to have grasped the essence of classic 60s pop.
		As if this was not enough, Stone Roses were back in court when they tried to leave Silvertone, who took an injunction out against their valuable protégés.
		The tour they undertook in late 1995 dispelled any further gossip about loss of form or break-ups and nudged them back into the minds of critics who were beginning to see the band in a less than favourable light.
	www.bbc.co.uk /radio1/johnpeel/artists/s/stoneroses (1086 words)

	Feb/Mar 97 - Quickies: a little bit on a lot of records
		Metal Molly • Surgery for Zebra • Silvertone Records • They aren’t metal the way metal was when it died, but they’re as good a representative for 90’s metal as it gets.
		Records • Power pop’s driving guitars and melodic hooks have their roots in the early days of rock.
		Records, one of power pop’s main supporters during the 70’s, has released this collection of power pop classics, featuring such acts as the Romantics, the Plimsouls, and the Flaming Groovies.
	www.impactpress.com /music/febmar97/feb97mus.htm (2130 words)

	Jars World : Discography : EP's
		The Jars were undecided for a while as to which one of their non-Christmas songs would get an acoustic workup on this EP, deciding upon He late in the recording process.
		But the demand was great, and the album saw many reissues, including a 1997 release on Silvertone records that featured a different track list.
		As it says in the liner notes, "A portion of the proceeds from this project are being donated to The Child Abuse Prevention Center of Middle Tennessee", a ministry that the Jars did many benefit concerts for in later years.
	www.jarsworld.com /music/discography/eps.shtml (231 words)

	discog2.htm (Site not responding. Last check: 2007-10-01)
		Recorded at Bad Animals Studios in March/April of 1994, Seattle, Washington.
		Recorded at World Axis Recording studio in Austin, Texas.
		Recorded at World Axis Studio in May of 2000, Austin, Texas.
	www.chrisduartegroupfans.org /discog2.htm (254 words)

	Jars World : Discography : Albums
		Recorded in stages starting with Fade to Grey in October 1993, Jars of Clay spent their spring break week (most likely March 18 - March 27, 1994) at Greeville College in the CCM Studios on Fourth Ladue furiously recording and polishing up old recordings to complete Frail.
		He recorded the song and sent the tape to Greenville College, and they gave him a $300 scholarship to attend Greenville College for the song.
		Hand (Dan Haseltine, Stephen Mason, Jonathan Noel) A different version of this song was recorded with Charlie on keys and background vocals, Steve on guitar and background vocals, and Jonathan on lead vocals on Jonathan's album Hand.
	www.jarsworld.com /music/discography/albums.shtml (2311 words)

	Billboard.BIZ (Site not responding. Last check: 2007-10-01)
		Applying his formidable chops and soulful voice to this unlikely repertoire, Guy has crafted what may be his most exciting and dramatic record since his 1991 Silvertone bow "Damn Right, I've Got the Blues," which re-established him internationally.
		According to Michael Tedesco, director of Silvertone Records North America, "Sweet Tea" was an attempt to break the mold for Guy's albums, which for a decade has involved pairing the singer/guitarist with established rock, pop, and blues performers and songwriters.
		That city is also the home of Fat Possum Records, which has made a name for itself over the last decade with a series of primal but widely praised blues albums by Kimbrough, Ford, Davis, Cage, and the latter-day alternative-rock favorite R.L. Burnside.
	www.billboard.biz /bb/biz/newsroom/printable_display.jsp?vnu_content_id=853586 (1074 words)

	Joe Louis Walker \| Silvertone Blues (Site not responding. Last check: 2007-10-01)
		Silvertone Blues is his most intimate album to date.
		No matter which guitar Walker wields, his solos are succinct enough so that they don't overpower his songs, but fiery enough to satisfy.
		Recorded live in the studio, this music is raw and emotional — just the way the blues ought to feel.
	www.allaboutjazz.com /php/article.php?id=4638 (359 words)

	Bad Dog Blues Radio
		They recorded several albums, beginning with songs recorded throughout the 1960s and 1970s for Fortune Records, a well-known label in Detroit.
		They recorded their first album in 1987 for Blue Suit records and later on with several other record companies, including Mr.
		In the 1950s The Treniers released several recordings and were featured in disc jockey Alan Freed's shows and films, including "Don't Knock the Rock," co-starring Bill Haley and His Comets, and "The Girl Can't Help it." They also toured England with Jerry Lee Lewis and the late Johnnie Ray.
	www.baddogblues.com /archives/12.03/news.htm (1847 words)

	John Mayall
		The album is his tribute to the people and forces that shaped his career, and may be one of the best blues records of the year.
		Mayall finds time with this new record to reminisce about the past, and remember what it means to him.
		Mayall wanted Harris to be part of this new recording, but soon found terrible news.
	www.penduluminc.com /MM/articles/mayall.html (1151 words)

	Silvertone Records Press Release
		It was many moons ago that a young John Mayall raided his dad's record collection and got hooked on Albert Ammons and Big Bill Broonzy.
		From the twelve-year old in Manchester mastering the ukelele to the first incarnation of the Bluesbreakers in London, 1963, Mayall has seen, soaked up, learned, loved, played and pushed his beloved blues to new sound horizons.
		For all that you know, all that you are and have been and all that you've seen and heard, Wake Up Call is bound to be just that for your spirit.
	www.johnmayall.net /press-4.html (852 words)

	The Daily Vault Album Reviews : Plan B
		When VH-1's "Behind The Music" featured them in 2001, it was announced that they would be releasing an album of new material later in the year.
		When Plan B was released, there were two differences for the band: First, they were on a new record label, Silvertone.
		Cover art is the intellectual property of Silvertone Records, and is used for informational purposes only.
	www.dailyvault.com /2002_04_09-ee.html (591 words)

	Drummer Boy EP
		Drummer Boy EP Drummer Boy EP (1995,1997) The Drummer Boy EP has actually been released twice, by two different record labels, with a slightly different track list on each.
		The Essential Records version was released in 1995 as a follow-up to their self-titled debut, while the Silvertone Records version was released to the general market in late 1997 as a follow-up to their sophomore album Much Afraid.
		The Silvertone Records version contains only one track ("Wicker Baskets") that had not been released previously.
	www.angelfire.com /nc/dcmoody/littledrummer.html (138 words)

	John Mayall
		Musically, I was reminded of some early Tommy McLennan records where he played in that particular key and used that sort of structure.
		To capture that feel I played a Big Maceo record to Bobby and Dave McNair and they were able to pick up on the sound of the piano and guitar.
		They did best to capture that flavor, especially the way the acoustic piano was recorded." In keeping with such memorable Bluesbreakers' recordings as "Nature's Disappearing", "The Laws Must Change" and "Accidental Suicide", "Remember This" provided a platform for Mayall to voice some social observations that were close to his heart.
	www.catalystclub.com /bios/mayall_bio.html (1574 words)

	Tower Records - Silvertone Blues - Joe Louis Walker (Site not responding. Last check: 2007-10-01)
		Tower Records - Silvertone Blues - Joe Louis Walker
		Recorded at Sounds Unreel, Memphis, Tennessee from January 18-20, 1999; Bayview Studios, Richmond, California on January 26 & 27, 1999.
		Mojo (2/00, p.100) - "...Walker [has] one of the most readily recognisable styles in the blues....this album is fine Walker Black Label, full of flavor and subtlety....a record with an emphatically modern character - and some of his most gripping perfromances yet."
	www.towerrecords.com /product.aspx?pfid=1701472 (184 words)

	The Stone Roses
		With the popularity of their second single, Sally Cinnamon, they landed a contract with Silvertone Records in '88.
		After the release of the single Elephant Stone and their self titled debut album in '89, the band was performing to sold out shows in Manchester as well as London.
		About this time, as the band seeked to end their contract with Silvertone Records for bigger and better things, Silvertone Records took out a court injunction against the group which prevented them from releasing new material.
	members.tripod.com /rant58/id382.htm (482 words)

	Classic Records Newsletter (Site not responding. Last check: 2007-10-01)
		Classic Records also sponsored the "Vinyl in the 90's" panel discussion which included myself, Chad Kassem of Analogue Productions, Joe Harley of Audioquest Music, Kai Seemann of Speakers Corner, Jorg Kessler of Audiophile Record Service, Michael Cuscuna of Mosaic Records, David Chesky of Chesky Records and led by Michael Fremer.
		The discussion was lively, with the topics ranged from how you go about reissuing a record to why audiophiles will buy a reissue LP much more readily than an LP of a new recording.
		One of the biggest surprises of the show was the "Best Re-issued Recording" award given to Classic Records for Belafonte At Carnegie Hall by The Academy for the Advancement of High End Audio.
	www.classicrecs.com /newsletter/newsletter/newsletter.cfm?Article=58 (1011 words)

	discog4.htm (Site not responding. Last check: 2007-10-01)
		Recorded at the (empty) Jelly Club in Austin, Texas.
		Not long after this was recorded, drummer Jeff Hodges was out of the group.
		Chris decided to cancel the project, but a few were made.
	www.chrisduartegroupfans.org /discog4.htm (328 words)

	A Convention Scrapbook
		The Corrs (143/Lava/Atlantic Records) won new fans with their acoustic performance uniting traditional Irish folk music and contemporary pop tunes.
		MCA Nashville’s Trisha Yearwood sang two country favorites, but won the hearts of the audience with her poignant rendition of "Somewhere Over The Rainbow," the song she said inspired her to pursue her career.
		Buddy Guy (Silvertone Records) closed the show by ripping out solos on his trademark polka-dot Fender Stratocaster guitar.
	www.narm.com /news/sb/1996/0596/4.htm (418 words)

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