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| | The Age of Sinan, by Gülru Necipoglu |
 | | Sinan's most influential buildings were his mosque complexes, where his inventive experimentation with light-filled centralized domes, often compared with parallel developments in Renaissance Italy, produced spaces in which the central dome appeared weightless and the interior surfaces bathed in light. |
 | | Seen from this perspective, Sinan's works, with their highly standardized pattern of forms, used in ingeniously varied combinations, acquire dimensions of meaning that had not been previously recognized. |
 | | Sinan was also a successful self-publicist, dictating several versions of an authorised account of his own life to an assistant, and these have remained a key source on his work and his attitudes to it. |
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