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| | Fidelio Article - LaRouche on the Mozart Revolution |
 | | Each of these three is defined as a "revolution" in its own right, in the same sense we attribute that quality to a valid discovery of principle in physical science. |
 | | Once the 1781-1786 Motivführung revolution had been established, by Haydn, Mozart, and then Beethoven, the polyphonic medium of performance must be brought into conformity, in form and application, with the requirements of that new principle of composition. |
 | | The natural rules of polyphony flowing from singing voices of the most natural training (i.e., bel canto) are the basis for defining an anomaly, and, thus, are the basis for the generation of a musical thought-object. |
| www.schillerinstitute.org /fid_91-96/fid_924_lar_mozart.html (14082 words) |
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