| |
| | Ferrin Gallery The Arts of Slipcasting and Jitterbugging: |
 | | Swanson's slipcast, limited-edition teapots, now twelve in number-the first created in 1991, the latest from 2001-are graceful, but also irrepressibly playful. |
 | | While these works proved successful, even powerful, Swanson still wasn't satisfied; he wanted to achieve what he was coming to admire in Yixing ware: a purity of material, where no decoration beyond the sculptor's modeling is necessary. |
 | | Swanson first encountered the notion of sculptural pots as limited editions in his study of Picasso's ceramics, and for his teapots, he found slipcasting to work beautifully, allowing him to create editions of up to twenty-two (the more complex pieces, like Fish Rider, have as few as twelve in an edition). |
| www.ferringallery.com /dynamic/exhibit_artist.asp?ExhibitID=8 (1442 words) |
|