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| | T Balasaraswati on Bharatanatyam |
 | | Even so, the dancer, who dissolves her identity in rhythm and music, makes her body an instrument, at least for the duration of the dance, for the experience and expression of the spirit. |
 | | I believe that the traditional order of the Bharatanatyam recital viz., Alarippu, Jatiswaram, Sabdam, Varnam, Padam, Tillana and the Sloka is the correct sequence in the practice of this art, which is an artistic yoga for revealing the spiritual through the corporeal. |
 | | At first, mere meter; then, melody and meter; continuing with music, meaning and meter; its expansion in the centerpiece of the varnam; thereafter, music and meaning without meter; in variation of this, melody and meter; in contrast to the pure rhythmical beginning a non metrical song at the end. |
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