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	Smells Like Records - Wikipedia, the free encyclopedia
		Smells Like Records is an independent record label based in Hoboken, New Jersey formed by Sonic Youth drummer Steve Shelley in 1995.
		Groups that have recorded under the label include Sonic Youth, Blonde Redhead, Cat Power, The Raincoats and The Rondelles.
		This page was last modified 02:54, 16 June 2006.
	en.wikipedia.org /wiki/Smells_Like_Records (92 words)

	Lee Hazlewood
		SLR wanted to bring these gems to the compact disk legitimately, and affordably, for the first time, in order to raise the profile of this singular American artist.
		The series commenced with the 1970 release Cowboy In Sweden, the first of a series of albums recorded in Sweden, and Farmisht, Flatulence, Origami, ARF!!!, and me, a collection of popular standards recorded in 1997, which was the first new Lee Hazlewood album released domestically in nearly two decades.
		Over the next six months, SLR released Trouble is a Lonesome Town, his spare and simple solo debut, Requiem for an Almost Lady, an aural anatomy of a bittersweet breakup, and 13, a barnstorming, brass-laden funk record.
	www.smellslikerecords.com /leehazlewood (240 words)

	Smells Like Records - SYR - Sonic Youth
		Smells Like Records - SYR - Sonic Youth
		All three records feature an updated mastering supervised by the band and Sonic Youth's eponymous record features never-before-heard live and studio tracks and notes by drummer Richard Edson, Neutral record label founder Glenn Branca and Byron Coley.
		This CD edition of the SYR series is a recording of the benefit concert held at and for The Anthology Film Archives on April 12, 2003.
	www.smellslikerecords.com (410 words)

	Midheaven Mailorder \| Browse by Label: Smells Like
		Recorded in his prime, “Cowboy” is a singular Hazlewoodian synthesis of rambling cowboy wisdom, moody, rockabilly-inflected rhythms, dark, poetic lyrics, hard luck tales, esoteric images, pragmatic politics and wry love odes.
		Moments like the single-string Verlaine-on-'ludes riffage of "Love Is On Fire On High," the infectious gang vocal coda of "For Me For," the vacuum-sealed unison stutters of "New One," and the Beefheartian bramble of "Beefy" all point to the same conclusion: Radio Giddy-Up is by a band at the top of their sound.
		Having collaborated with artists like Steve Shelley (Sonic Youth), Christina Rosenvinge and Dave Motamed (Cell) on previous releases, The Wear And Tear Of Fear is almost entirely a solo affair, closer in spirit to his original, mid-'90s recordings for Smells Like Records.
	www.midheaven.com /labels/smells.like.html (5292 words)

	Browse by Label: SMELLS LIKE RECORDS
		"Recorded in Tempe in 1997, this is the first Lee Hazlewood solo album released domestically in over two decades.
		Like Faulkner's mythical Yowkapa-tonka, Lee's Trouble (loosely based on his birthplace) brims with baroquely American people, places and stories: the debonair undertakers, embalming fluid-quaffing Indians, ugly ducklings, unattainable ice-queens, and assorted jokers, cowards, heroes are all extravagantly named, with histories and exploits that unfold in 10 short, spare musical portraits.
		"Smells Like Records continues its Lee Hazlewood reissue series with perhaps the strangest of Lee Hazlewood's recordings -- his album of duets with actress Ann-Margaret (star of Tommy, Carnal Knowledge, Speedway, and The Flinstones).
	www.forcedexposure.com /labels/smells.like.records.html (906 words)

	Gammon Records (Site not responding. Last check: 2007-11-01)
		The town is a cultural void, yet inexplicably the kind of place that historically produces angst-ridden legends like Lou Reed, who grew up only a couple of towns over twenty years prior.
		Soon after, the band signed with Geffen Records and released their second album Tales of Great Neck Glory, a satirical ride down the "mean" streets of Hartman's adolescent stomping grounds (Christgau gave it an "A", NME called it "brilliant").
		At the same time, he wrote a screenplay by the same name, which is currently in pre-production with producer Chris Roberts, who recently produced the controversial The Believer (winner of Sundance in 2001) to be directed by Hartman.
	www.gammonrecords.com /artists/laptop/bio.html (777 words)

	Music: Lee Hazelwood (Weekly Alibi . 10-25-99)
		Smells Like Records chief and Sonic Youth drummer Steve Shelley has done just that with his label's reissues of pop luminary Lee Hazelwood's solo work.
		And he did so relying on a dusky, baritone style generally reserved for country artists of the day, but with little physical or otherwise innate connection to the worrisome music of his brethren.
		Like Hazelwood's penchant for on-air schizophrenia as a DJ (he was known for embodying several distinct radio personalities -- sometimes all at once -- during the course of his broadcast time slot), his music lends itself to a narrator-as-actor aesthetic that can be a mind-bending day at the amusement park for those listeners so inclined.
	weeklywire.com /ww/10-25-99/alibi_tinytune2.html (568 words)

	SAUCER-LIKE SONIC YOUTH
		The whole thing was recorded and mixed straight to 24 track and the results are what you have in your hands.
		Each record comes alongside an original acrylic painting by Roberto Opalio (one half of My Cat Is An Alien) on 30x30cm proper canvas, with a unique Polaroid installed on each piece, representing 100 different perspectives of a same subject.
		The band were joined in 1985 by drummer Steve Shelley, and have now recorded 14 albums together, as well as many side and solo projects.
	www.saucerlike.com /index.php?x=news&article=32 (953 words)

	Splendid: Departments: The Essential Albums
		As strong as that album was (and continues to be), it was only after I had the opportunity to see the band play live that I realized how powerfully unique their sound really was.
		At fleeting moments within the mix, Healy's voice is accompanied by multi-tracked harmonies, the melody carried by angels into a falsetto range that drips with sadness and perfectly expresses the sense of loss that permeates the ballad.
		I'll argue to the very end that it is not just one of the most perfectly realized albums of the 1990s, but a treasure to be coveted by listeners, no matter when they are fortunate enough to stumble upon it.
	www.splendidezine.com /departments/essential/ea81803.html (856 words)

	In Music We Trust - Chris Lee: Chris Lee
		North Carolina's Chris Lee writes such big songs that are full of so much life, it doesn't sound for a minute like it was released by a small indie label like Steve Shelley's Smells Like Records.
		Like Marshall, Lee's two main principal components, his voice and guitar, are captured beautifully in "In Yellow Moonlight", overlapping two layers of both, that maintain the same intensity that Jeff Buckley's Grace was drenched in.
		Yet, the most stunning work on this record would have to be the instrumental "Mount Venus".
	www.inmusicwetrust.com /articles/46r09.html (216 words)

	Carrot Top Records
		Since Carrot Top Records is a VERY small label, the chances of getting signed as a new artist from an unsolicited demo submission are less than minuscule.
		The record collection is full of records loved but not released.
		Because of time and financial constraints, we are only able to release 2-3 records a year on average.
	www.carrottoprecords.com /contact.html (289 words)

	Sonic Youth Records (Site not responding. Last check: 2007-11-01)
		If you were wondering "who the fuck is Jim O'Rourke?" well he has been associated with these bands: Gastr del Sol, Faust, Tony Conrad, John Fahey, Smog and Henry Kaiser...none of which I've ever heard of but if you can tell me anything about those projects please tell me.
		I talked to someone at Smells like Records and he said that the future of the SYR series is in doubt or at least is on the back burner due to the release of the new album on geffen and My So-Called records.
		Smells Like Records po box 6179 Hoboken NJ 07030 201-659-1556 OilCity2@aol.com
	members.tripod.com /~societyisahole/syr.html (248 words)

	Tucson Weekly: Soundbites (February 17 - February 23, 2000)
		Comprising their debut single, "Lost Bird," was the scraping of an unrosined violin, percussion from Shelley and autobiographical lyrics from Folijahn; subsequent albums have remained experimental (incorporating pedal steel, blues harp, free jazz and delta blues elements) while honing the band's sound into something more cohesive than its early forays.
		Nineteen-ninety-eight saw the release of two 2DG-related projects: a solo album by Foljahn (recorded under the name La Lengua Asesina) and Train Songs, a Two Dollar Guitar album consisting of improvisational instrumentals, a move which could be interpreted as an attempt to refine the band's two essential elements of song and sound by isolating them.
		Fat Mike, El Hefe and the boys consistently skewer targets like the status quo, the punk rock and riotgrrl elite, and (like any self-respecting punk band) the government in songs which on average clock in at two minutes or less.
	www.tucsonweekly.com /tw/2000-02-17/sbites.html (876 words)

	The Rondelles - Wikipedia, the free encyclopedia
		The Fox (TeenBeat Records; CD/LP; 1999) made by Trevor Kampmann
		In Their Eyes: 90's Teen Bands vs 80's Teen Movies (Rhino Records; CD; 1998) I'll Melt With You
		Oakley is in a New York garage band called The Witnesses.
	en.wikipedia.org /wiki/The_Rondelles (286 words)

	magic and accident + accidental, soundslike, lifelike, matthew herbert
		World: PM confirms legitimacy of tape recording in which he says his government 'lied in the morning; lied in the evening'.
		NEWS: Matthew Herbert does the locomotion on his latest single, 'Moving like a train' a hyper-funky fusion of supple rythums and sumptuous melodies.
		The spark that lit “Everything” into a fully-fledged album was Accidental Records boss Matthew Herbert, who met Gaugh while the latter was dry-humping a speaker-stack at the Triptych Festival in Scotland.
	www.accidentalrecords.com (762 words)

	Matador Records \| News September 2000
		Drummer Daniel Coughlin and his 2-man band, Throttle, have completed the 4th (and “absolutely last”) mastering of their new LP ‘Transporter,’ which will be released by Curve Of The Earth and celebrated with a record release performance on Friday, October 13 at the Middle East in Cambridge, MA.
		His name on the show was “Mark.” I’ve not seen the program, but apparently it isn’t one those shows where anyone gets voted off or banished or anything, so if you don’t see Mark on TV again anytime soon, it isn’t because the other cast members hate him.
		We’d also like to say we are sorry for all the subliminal messages we’ve included in recent consumer advertisements, as well as the religious messages scrawled in the run-off grooves of our vinyl releases (this was merely our way of trying to thank those of you who still purchase vinyl).
	www.matadorrecords.com /news/2000-09.html (2203 words)

	DOTSHOP.SE - Special Music For Special People (Site not responding. Last check: 2007-11-01)
		When The Hungry Ghosts imploded in 2000 soon after the release of their acclaimed Smells Like Records debut "Alone, Alone", Brooks entered a fl hole.
		During the three years Brooks spent at the center reaffirming his interest in Tibetan Buddhism, he recorded his musical ideas, often working only by candlelight, onto a four-track cassette recorder kindly donated by a fellow resident and music lover.
		Having collaborated with artists like Steve Shelley (Sonic Youth), Christina Rosenvinge and Dave Motamed (Cell) on previous releases, "The Wear And Tear Of Fear: A Lover’s Discourse" is almost entirely a solo affair, closer in spirit to his original, mid-‘90s recordings for Smells Like Records.
	www.dotshop.se /ds/browse.php?lid=203 (693 words)

	Matador Records \| News May 2000
		His in-the-making Matador 12" is shaping up to be an extremely damaged recording (and we mean that in a good way, not like when you get hit in the head with a cinderblock.
		Anyhow, as you may have heard elsewhere, Fuck are making a new album for Smells Like Records, and we, along with all other lovers of great music, are looking forward to it’s release in a big way.
		After a steady stream of concussion-inducing recordings for the Vinyl Communications label, knocking around the globe as the 3rd wheel in the Matmos van, knocking around the other parts of the globe on the just completed Lesser/Kid 606 “Spice Up Your Wife” tour, Lesser is preparing his Matador debut full-length Gearhound.
	www.matadorrecords.com /news/2000-05.html (3595 words)

	GRAHAM PARKER
		GP’s acclaimed career has produced albums that have traversed all musical terrain, but none could be called “country” like his latest offering.
		Your Country, GP’s first album since 2001’s Deepcut to Nowhere — his first in 3 three years and first release for Bloodshot Records (home to Neko Case, Ryan Adams, Waco Brothers and more) — is a warm and melodic masterpiece, fit to be called his best album yet.
		The country influence has always been there — I merely decided to lean on it heavily for this latest recording.
	www.smellslikemusic.com /artist/pages/0305/graham.html (401 words)

	The Austin Chronicle Music: Review - Lee Hazlewood Trouble Is a Lonesome Town (Smells Like Records) / Lee ...
		Just because these three titles by Lee Hazlewood are unremarkable overall doesn't mean that the future ones won't be worthy of note.
		The problem with these, the first in a series of Smells Like Records' reissues of Hazlewood's work, is that the songs aren't as strong as those in the pop years.
		He had split from partner Duane "Rebel Rouser" Eddy, and in 1963, recorded this 10-song album that tracks the characters of the town of Trouble via spoken intros and song sketches.
	austinchronicle.com /issues/dispatch/1999-12-10/music_recviews9.html (554 words)

	The Austin Chronicle Music: Review - Benny Goodman Carnegie Hall Jazz Concert (Columbia/Legacy)
		Goodman's popular records and radio appearances had built him a large and loyal national audience, and though it wasn't in the same class as Ellington's or Basie's, his band was a fine one.
		Corny as it sounds, history was made when Goodman played Carnegie Hall, and this recording has not only musical but also social and documentary value.
		Lee Hazlewood Trouble Is a Lonesome Town (Smells Like Records) / Lee Hazlewood Requiem for an Almost Lady (Smells Like Records) / Lee Hazlewood Cowboy in Sweden (Smells Like Records)
	austinchronicle.com /issues/dispatch/1999-12-10/music_recviews8.html (550 words)

	Smells Like Children - Marilyn Manson - Music Records Shopping at dooyoo.co.uk
		Smells Like Children - Marilyn Manson : Drastic Sturgeon
		Smells Like Children - Marilyn Manson : Paving the way to Antichristian stardom
		Mehr bei dooyoo Deutschland: Smells Like Children - Marilyn Manson © 2000-2006 dooyoo AG Register
	www.dooyoo.co.uk /music-records/smells-like-children-marilyn-manson (269 words)

	Nod - Free Music Downloads, Videos, CDs, MP3s, Bio, Merchandise and Links
		Members Joe Sorriero (guitar, vocals), Tim Pollard (bass), Brian Shafer (drums), and Hugh Edwards (guitar) have shown off their groove craziness on a series of self-produced albums since 1990, including two full-length releases, Nod in 1992 and 1995's I'm Around.
		In 1998, they released their first CD with Smells Like Records, Magnetic Anomaly, an album that seems to synthesize the styles of all of their previous releases: each song exploring different aural territories and textures.
		Their follow-up CD released in 1999 by Smells Like Records, Radio Giddy-Up, continues along the same vibe, with a tighter and more developed sound.
	www.artistdirect.com /nad/music/artist/bio/0,,473822,00.html (265 words)

	Amazon.com: Cowboy in Sweden: Music: Lee Hazlewood (Site not responding. Last check: 2007-11-01)
		Tracks like the almost whispered anti-war meditation "No Train To Stockholm", the Bacharachian coyness of "Hey Cowboy" and the honky-tonk-meets-strings of "Pray Them Bars Away" display his utterly unique muse in full splendor.
		On closer listening I realised this release of Cowboy In Sweden was mastered from very worn vinyl, which is a shame because the actual recording and mixing is very atmospheric.
		this is my favorite record of the genius hazlewood,the melodies and the superb string arrangements...when i listen the cd i am in heaven,my favorite song is "easy and me".
	www.amazon.com /Cowboy-Sweden-Lee-Hazlewood/dp/B00000IJGY (1350 words)

	EISLEY
		Even as their playing radius expanded beyond the state to include an appearance at Chicago’s Cornerstone Festival and a trip to Seattle to record some early demos, the band added another member, bassist and family friend Jonathan Wilson.
		Demo tapes quickly landed the group a series of record company showcases in New York and Los Angeles, with Warner Bros. Records winning the day.
		At the same time, word of mouth had reached the ears no less than Coldplay, who promptly recruited them as an opening act on their upcoming tour.
	www.smellslikemusic.com /artist/pages/1212/1.html (723 words)

	smells like records
		Recorded twelve years ago, 'Myra Lee' sees Marshall flirting with a sound that she would refine considerably over the coming decade; taking a lo-fi aesthetic (hello alt.folk!) and bringing it into brusque contact with raw vocals and threadbare production.
		A US college radio station's wet dream, this excellent release on Steve Shelley's (Sonic Youth) Smells Like Records label features the lo-fi musings of Lou Barlow (Dinosaur Jnr, Sebadoh), recorded back in the early nineties and previously only available from eBay shitehawks.
		The kind of music that the lexical items 'stripped' and 'down' were invented for, 'Winning Losers' shuffles into your consciousness from a dusty four-track lodged deep...
	www.boomkat.com /label.cfm?l=2234 (180 words)

	Sammy - Biography - AOL Music
		Sammy, the heavily Pavement-inspired partnership of guitarist Luke Wood and guitarist/vocalist Jesse Hartman, released three albums before calling it quits.
		Debut Album, issued in 1994, and Kings of the Island Empire, issued in 1995, were both put out by Sonic Youth drummer Steve Shelley's Smells Like Records and featured drummer Tony Maxwell.
		Their final full-length, Tales of Great Neck Glory, which was issued by Geffen, followed in 1996 shortly before the band decided to split up.
	music.aol.com /artist/sammy/20335/biography (164 words)

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