| |
| | Social and Political Novel III |
 | | Wood thinks novelists should use less information and less social reality and abstraction because such phenomena do not function aesthetically in fiction, since they are not closely related to the essence and depths of character and the human condition, at least not in revealing ways. |
 | | In the last analysis, what we ask of the social novelist is not so much that he should reflect our view of society, but that he should make us see society his way…[and that such novelists] look beyond [the national experience] to the universal human experience of which it is inevitably a part…. |
 | | This is great writing, great art, great satire, as far as it goes, lively and deeply social engaged, and important in ways that Edmund Wilson and scores of other critics and novelists have understood fiction to be effective, as a living, enlightening and influential mode of knowledge and experience. |
| www.politicalnovel.org /socialandpoliticalnovelIII.html (3234 words) |
|