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Topic: Sofinisba Anguissola

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	Monmouth College - Electronic Portfolio - Internship
		Anguissola is credited as being the only female artist of her time with the ability to permeate life into an image.
		Her father was Amilcare Anguissola, a nobleman and widower who decided to train his children in the ways of the arts.
		Sofinisba studied under Bernardino Campi and Bernadino Gatti for a total of three years as opposed to the minimum four years that male artists were forced to spend apprenticing.
	department.monm.edu /portfolio/cata2005/emitsdar/WAFpaper.htm (1478 words)

	The Tudor Costume Page
		Sofinisba painted this self-portrait in 1554, when she was twenty-two.
		Although the date is bang on correct for this year's Kentwell, the location - Italy - is not and, as Sofinisba was of far higher social standing than the peasants I usually portray, it's unlikely I'll ever be able to wear this costume on the manor.
		I'm sure when Sofinisba was painting herself she would never have dreamt that, four hundred years down the line, someone would attempt to recreate her clothing.
	freespace.virgin.net /f.lea/sof1.html (1616 words)

	rgrudin - Robert Grudin's Current Works in Progress (Site not responding. Last check: 2007-10-22)
		Anguissola’s illustrious career gives testimony to the sweeping cultural renewal of the high Renaissance.
		From early on Sofinisba showed signs of a talent so remarkable that it impressed Michelangelo himself.
		During the 1560’s she achieved international fame as court painter to Philip II of Spain, and she spent the rest of her long life enjoying affluence and renown.
	rgrudin.googlepages.com /home (3705 words)

	Sofonisba Anguissola (Site not responding. Last check: 2007-10-22)
		Sofonisba Anguissola (1532 - 1625) was a female portrait painter from Genoa.
		Sofonisba Anguissola: Un "pittore" alla corte di Filippo II (L'altra metà dell'arte)
		Juni, Stereochemistry, Simultaneity, Spacetime, Stephen Hawking, SimCity, Sofonisba Anguissola, SameGame, Sather, Serotonin, Lawrence Alma-Tadema, Surrealism, Statics, Southern Cross, Ship transport, Isles of Scilly, St.
	www.freeglossary.com /Sofinisba_Anguissola (195 words)

	studentSG
		In this liberal city, women outnumbered men and had the opportunity to study painting if they came from a wealthy family or had a father who valued education for his daughters or had a father who was an artist, himself.
		Sofonishba Anguissola, Lavinia Fontana, and Artemesia Gentileschi were noted female artists who were able to help set the stage for later female artists.
		These women artists all fit a narrow set of requirements: live later in the 15th century; be from the north were some women were still allowed to attend the university; be wealthy; be married; have a father who is a artist and believes all citizens should be educated.
	web.cocc.edu /cagatucci/classes/ws101/assgnmnts/studentsg.htm (11393 words)

	Gender Issues Bibliography - Renaissance, Italy,Art History & Theory Programme, University of Otago
		Fredricka H. Jakobs, ‘Woman’s Capacity to Create: The Unusual Case of Sofonisba Anguissola,’ Renaissance Quarterly, 47 (1994): pp.
		Mary Garrard, "Here's Looking at Me: Sofinisba Anguissola and the Problem of the Woman Artist" Renaissance Quarterly, 47 (1994): 556-662
		Rose Marie San Juan, 'Mythology, Women and Renaissance Private Life: the Myth of Eurydice in Italian Furniture painting,' Art History, 15 (1992) pp.
	www.otago.ac.nz /arthistory/gender/renaissanceItaly.html (457 words)

	Renaissance Woman - Suggested Topics (Site not responding. Last check: 2007-10-22)
		Women Artists, esp. Sofinisba Anguissola or Artemesia Gentilleschi.
		Any one image will raise larger issues and invite comparisons to other literary or visual works.
		This page is part of a course in progress.
	webpub.alleg.edu /employee/a/acarr/art330/topics.html (321 words)

	WSD - Courses - Humanities 25
		Panel Two: Christine de Pisan; Sofonisba Anguissola; Saint Theresa of Avila; Navajo woman weaver; European lacemaker
		Reader: "Christine de Pisan" (2 selections); "Sofinisba Anguissola"; "Political Fabrications: Women's Textiles in Five Cultures"; "Saint Theresa d'Avila"; "d"Avila: Prelude to Middlemarch" IHOI: (54-55; 86-92)
		Panel Three: A girl from a Venetian Conservatory (Anna); Sor Juana Inés de la Cruz; Elizabeth Jacquet de la Guerre; Artemesia Gentileschi; Phyllis Wheatley
	www.ccsf.edu /Departments/Women_Studies/main/courses/hum25.htm (999 words)

	Guestbook, second quarter, 1999
		How delightful to be able to send a postcard!
		I am interested in Sofinisba Anguissola (1531-1625) Thank you!
		The only thing is I really wish that you could have it so that it would allow me to print some of the pictures out with my color printer.
	gallery.euroweb.hu /guestbook99_2.html (4362 words)

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