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| | Ralph Dumain: "The Autodidact Project": Review: "Springtime for Hitler: Irony Lost-and-Found" |
 | | The Producers (1968), and I remember little, but I am impressed with how prophetic Brooks was in predicting the entertainment value of fascism. Springtime for Hitler predicted the advent of Evita. |
 | | Leo Bloom in his dreary accounting office, being terrorized along with his fellow employees by his boss (scene 3), had its funny moments, but after the surprise of the female dancers in his producer-fantasy popping out from between the cubicles wore off and they settled into their song-and-dance routine, I began to be bored. |
 | | Opening Night (scene 3) had its moments, but the performance of Springtime for Hitler (scene 4) itself was the climax of the production—a tawdry, tasteless, brilliantly staged spectacle, without peer. |
| www.autodidactproject.org /my/producers.html (528 words) |
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