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	Stan Douglas: David Zwirner. (Reviews: New York).(video installation Suspiria, 2002/2003 originally created for ...
		Stan Douglas's latest work, the video installation Suspiria, 2002/2003, is as visually weird and conceptually sophisticated as anything he has ever produced.
		This is familiar ground for Douglas, who involves the spectator as an agent of contingency: His viewer is a singular subject, and each of his works is always many works.
		In the Documenta catalogue, Douglas suggests that late capitalism's powerblocs "seem intent on dividing the world into these same two species of being." The Grimms' tales of ghosts in the world, struggling in vain to find shortcuts to happiness and wealth, indeed seem bizarrely contemporary.
	www.encyclopedia.com /doc/1G1-103989803.html (664 words)

	CMCP/MCPC - Exhibitions: Stan Douglas: Le Détroit (Site not responding. Last check: 2007-10-30)
		Douglas interprets the social conditions that give rise to urban decay in modern cities, of which Detroit is an extreme example.
		Stan Douglas is based in Vancouver; his photographs and multi-media installations have been included in major international group shows such as Documenta X, Skulptur Projekte Münster, and 97 Kwangui Biennale Korea.
		Douglas has been the recipient of many prestigious awards, and his work is the subject of numerous publications, including a recent Phaidon monograph.
	cmcp.gallery.ca /english/exhibitions/2000/00-3.jsp (180 words)

	Douglas, Stan
		Douglas, Stan, video and installation artist, photographer (b at Vancouver 1960) Douglas graduated from the Emily Carr College of Art and Design in 1982, and was included the following year in the Vancouver Art Gallery's important survey Vancouver: Art and Artists 1931-1983.
		This contrast of salon sensibility and blues lament is jarring and acute, a challenge to both identity and cultural assumptions or standards.
		As a fl growing up in a predominantly white culture, Douglas has noted his sense of underlying alienation, a self unreflected in the surround of popular images.
	www.thecanadianencyclopedia.com /index.cfm?PgNm=TCE&Params=A1ARTA0010260 (116 words)

	Museum De Pont: the collection :: Stan Douglas : more information
		It looks very real, but the ‘broadcasts’ are actually construed by Douglas with the help of actors and on the basis of archive material, whereby the reliability of news is brought into question.
		With such images Douglas attempts to break through established visual habits and to make the viewer aware of the way in which images on television are used and manipulated.
		Stan Douglas, however, is clearly part of a younger generation.
	www.depont.nl /nc/en/collection/the-collection/kunstenaar/15/info (810 words)

	Review: Stan Douglas, Serpentine Gallery \| Arts critics \| Guardian Unlimited Arts
		The Vancouver artist Stan Douglas meditates on just such conundrums, and the best of his work has a peculiar weight and effectiveness.
		This is Douglas at his best, which is very good indeed.
		Like Beckett's writing, which has long fascinated Douglas, the stories do not progress towards resolution; rather, they present a state of being within which the wordplay is reduced to painful, endless returns.
	arts.guardian.co.uk /critic/feature/0,1169,728606,00.html (1296 words)

	Morris and Helen Belkin Art Gallery (Site not responding. Last check: 2007-10-30)
		Douglas’ prints are immaculate and technically flawless, in obvious contrast to the ruin and entropy they portray.
		Douglas’ film relocates Sergio in 1980, the year of the Mariel boat exodus, when Castro allowed tens of thousands of Cubans to leave the island on a procession of boats arriving from Florida.
		Douglas involves us in an absorbing phenomenon, in which the usual signposts are shifted, in which things veer in and out of synchronicity, and in which we can safely lose our bearings.
	www.belkin-gallery.ubc.ca /webpage/pastex/stan_douglas.html (411 words)

	Stan Douglas and Douglas Gordon: Double Vision (Site not responding. Last check: 2007-10-30)
		Stan Douglas presents a work entitled Win, Place or Show, which takes as its point of departure a fundamental transformation in the organization of North American civic space in the 1960s.
		Stan Douglas was born in 1960 in Vancouver, where he currently lives and works.
		Douglas Gordon was born in 1966 in Glasgow, where, in addition to Cologne, he continues to live and work.
	www.diacenter.org /exhibs/douglasgordon/double (494 words)

	Stan Douglas at David Zwirner.(New York, New York)(Review of Exhibitions)(Brief Article) - Encyclopedia.com
		Stan Douglas at David Zwirner.(New York, New York)(Review of Exhibitions)(Brief Article)
		Stan Douglas, a finalist for the 1996 Hugo Boss Prize, created a new work for the SoHo Guggenheim's exhibition of short-listed artists [see A.i.A., Apr. `97].
		Narrating an early moment of European contact with the native Mowachat of British Columbia, Nutka was a video montage of two clashing films and soundtracks which occasionally intersected in moments of clarity before returning to counterpoint.
	www.encyclopedia.com /doc/1G1-19488691.html (506 words)

	Museum De Pont: information :: Stan Douglas
		As an artist he is fascinated by the way in which these media are used for registration and reporting and by the stratification that images can have in terms of their meaning and potential interpretations.
		For more than ten years Douglas has been working with photography, film and video; he manages to register and to stage images in such a way that there arises a doubt as to the alleged objectivity of the camera and the reporting.
		By using the techniques and the methods of film and television for his own work, Douglas analyzes these media from the inside out, as it were, on the basis of their communicative effect.
	www.depont.nl /en/press/press-releases/release/pers/38 (1317 words)

	Witte de With - Project - Stan Douglas and Diana Thater
		The exhibition of Stan Douglas and Diana Thater investigated the similarities and the differences between film and video.
		Canadian artist Stan Douglas (1960) represents and analyzes the history of television and cinema.
		Douglas presented five installations including Hors-champ which acted as the exhibition’s keynote piece, transforming his exhibition spaces into a cinema theater.
	www.wdw.nl /project.php?id=97 (548 words)

	Liberal Arts
		Douglas Yeo is the Bass Trombonist of the Boston Symphony Orchestra and a member of the Faculty at Boston University School for the Arts.
		Douglas Yeo, Bass Trombonist of the Boston Symphony Orchestra, has recently published a new book called "Mastering the Trombone." Written with his former teacher Edward Kleinhammer, retired bass trombonist of the Chicago Symphony Orchestra, the book is a significant addition to trombone pedagogy.
		Douglas Yeo, Bass Trombonist of the Boston Symphony Orchestra and member of the faculty at Boston University School for the Arts, is heavily involved in influencing public education and policy in his community, Lexington, Massachusetts.
	www.leaderu.com /menus/arts.html (8203 words)

	VOX - Stan Douglas
		Every Building on 100 West Hastings by Stan Douglas (2001) depicts a section of Hastings Street in Vancouver that has been radically transformed in recent years by crime and poverty, and is now populated by homeless people as well as sex workers, drug dealers and their clients.
		Douglas casts a critical gaze—allusive rather than directive—on this urban setting where social dramas and conflicts have been and continue to be played out.
		Stan Douglas is represented in New York by David Zwirner Gallery.
	www.voxphoto.com /en/exhibitions/allusions_en/stan_douglas_en.htm (359 words)

	Stan Douglas - Art - Review - New York Times
		Douglas is not the only artist breaking free from the constraints of linear narrative.
		Douglas includes a scene of the thief telling the judge that he saw the Indian murder the constable, and another in which his account is shown in real time.
		Douglas, it is not only ego that prevents humans from telling a coherent story, but also cultural differences, oppressive governments, racism and information-age overdose.
	www.nytimes.com /2007/02/03/arts/design/03doug.html?ex=1328158800&en=0b6cb1b9986486f0&ei=5090&partner=rssuserland&emc=rss (1207 words)

	ArtandCulture Artist: Stan Douglas (Site not responding. Last check: 2007-10-30)
		But Douglas' focus is the moment when "happy talk" came into being; the era when news anchors developed a style that they hoped would create a happier experience for their audience.
		For Douglas, the moment is always split into simultaneous events, a multiplicity which forms a singular.
		Born in 1960 in Vancouver, Douglas is considered one of the foremost Video artists of the 1990s.
	www.artandculture.com /cgi-bin/WebObjects/ACLive.woa/wa/artist?wosid=NO&id=722 (533 words)

	Edmonton Art Gallery - Current Exhibitions
		As you experience all three of Stan Douglas' installations you will come to appreciate why this 38 year-old Vancouverite is one of the leading contemporary artists in the world today.
		Douglas opted to show his work at The EAG because it is one of a handful of Canadian galleries large enough to accommodate his installations.
		Douglas himself has come a long way in a short time since graduating from Emily Carr School of Art in 1982 where he studied photography.
	www.edmontonartgallery.com /exhibitions/past/1999/stan_douglas.html (1040 words)

	Eye Weekly - Stan Douglas - 04.13.06
		Critics sometimes describe the work of Vancouver's Stan Douglas as complex and leave it at that; indeed, there's often no better tack when faced with word limits, time constraints and an artist's boggling commitment to allusion and permutation.
		Inconsolable Memories, Douglas' new film installation (or, to use the artspeak that's been devised for his other, comparable forays, "recombinant narrative projection"), is, um, complex -- damn complex.
		Douglas' film (printed intermittently on two reels of unequal length, which are then projected concurrently in an abstruse, changeable weave of scenes) transfers Alea's conceit to the Mariel boat expulsions of the early '80s, yet the general spirit remains intact: to put it much too simply, it's all just a little bit of history repeating.
	www.eye.net /eye/issue/issue_04.13.06/arts/eyecandy.html (222 words)

	Guggenheim Collection - Artist - Douglas - Biography
		Stan Douglas was born on October 11, 1960, in Vancouver.
		In video works of the 1980s, Douglas addressed such complex subjects as the lasting repercussions of historical events, issues of racial and class difference, how film and media operate as modes of communication, and the impact of linguistics.
		In 1996, Douglas was a finalist for the Guggenheim Museum's inaugural Hugo Boss Prize, and in 2001 he was awarded the Arnold Bode Prize.
	www.guggenheimcollection.org /site/artist_bio_41A.html (508 words)

	Stan Douglas and Douglas Gordon: Double Vision Essay (Site not responding. Last check: 2007-10-30)
		In this way Douglas not only deconstructs the conventions and values integral to the style, the genre, the medium, and even the art form he employs but, by highlighting devices of disidentification, foregrounds the conditions and terms of spectatorship and, by extension, indicts as false any encompassing ideology.
		Stan Douglas, conversation with Diana Thater, in Stan Douglas (London: Phaidon Press, 1998), pp.
		Stan Douglas, project proposal, Dia Center for the Arts, New York, 1998.
	www.diacenter.org /exhibs/douglasgordon/double/essay.html (1326 words)

	Douglas County Sheriff's Office
		It is an honor to serve as your sheriff, and I sincerely want to thank each of you for the trust and support you have given me throughout the years.
		Your input and suggestions are important, and we will continue to be available to you, while working diligently to protect the lives and property in Douglas County.
		Our motto is to "serve and protect the citizens of Douglas County." You have a dedicated group of men and women in the Sheriff’s Office who work together to meet the challenges of day-to-day life in a growing and prosperous community.
	sheriff.douglas.ga.us (359 words)

	CBC.ca - Arts - Art & Design - Reimagining Cuba
		Douglas has made a career out of tending to such thorny philosophical dilemmas.
		Douglas makes Sergio Afro-Cuban and implies that the revolution made him a successful architect, rather than spelling the end of his career.
		The effect is uncanny and hypnotic — sequences begin to resemble undulating waves or, as Douglas puts it, segments of a choral canon.
	www.cbc.ca /arts/artdesign/douglas.html (2099 words)

	Douglas Milburn's Magellan's Log: Culture Counterculture Anticulture
		The Fly-bottle and I. Douglas Milburn, soberly and with dangerously little irony, re-visits his distant home on the metaphyical range, where words end.
		Douglas Milburn speculates fairly wildly in the direction of what he, either far-sighted or myopic, calls a meteorology of consciousness.
		Douglas Milburn takes us on a mind trip, using good words from across the ages to get at a certain stillness which, he argues, we all carry with us all the time but which we often forget about.
	texaschapbookpress.com (2874 words)

	Visual Arts \| Stan Douglas: Inconsolable Memories \| Straight.com Vancouver
		A culture hangs in the balance, and it is this fragile, waning condition that Douglas mines in Inconsolable Memories.
		The crisp, expansive photographs document buildings, neighbourhoods, and businesses in Havana whose physical structures tell the story of the country's difficult past: lavish buildings built pre-revolution have been deserted by their original owners-banks, hotels, churches-and modified to fit the needs of existing people and communities.
		Douglas recasts the context of Alea's original work (the American embargo of 1961, not the Mariel Boat Lift, inspires the exodus) and one gets the feeling that history, like Sergio's existential angst, repeats itself.
	www.straight.com /article/stan-douglas-inconsolable-memories (532 words)

	Biobibliography - Stan Douglas
		Stan Douglas: Le Détroit, Kunsthalle Basel, Bâle, Suisse, 31 mars-27 mai 2001.
		Stan Douglas, Salzburger Kunstverein, Salzbourg, Autriche, 5 août-27 sept. 1998.
		Stan Douglas, Musée d'art contemporain de Montréal, Montréal (QC), Canada, 2 févr.-7 avril 1996.
	media.macm.org /biobiblio/histoires_ameriques/douglas_e.html (1243 words)

	Seeing double - video artists Douglas Gordon and Stan Douglas Interview - Find Articles
		Scotsman Douglas Gordon and Canadian Stan Douglas are artists in their thirties.
		Consider these artists' earlier works: In Stan Douglas's Overture (1986) a cinematic shot of a train going through a tunnel is accompanied by a seemingly unrelated voice-over reading from Proust; repetitions and loopings weave the strange pair into a jewellike enigma about time, motion through time, and memory.
		Like Stan Douglas, Douglas Gordon also uses film and broadcasting elements, altering them to free them from the original intentions of their makers.
	www.findarticles.com /p/articles/mi_m1285/is_4_29/ai_54349255?lstpn=article_results&lstpc=search&lstpr=external&lstprs=other&lstwid=1&lstwn=search_results&lstwp=body_middle (664 words)

	VOX - Stan Douglas
		When Stan Douglas remade Journey into Fear (2001), a spy drama originally filmed in 1942 by Norman Foster and then made again by Daniel Mann in 1975, he was attempting to retrace the determining economic and political factors underlying the contexts in which each film had been articulated.
		The action in Douglas’ version takes place on a freighter, and the dialogue between the person in charge of the cargo and the commander reveals this historic passage between the preeminence of politics and that of a globalized economy.
		Stan Douglas, Journey into Fear (Vancouver, Vancouver Art Gallery, 2002), p.
	www.voxphoto.com /en/exhibitions/space_of_making/stan_douglas.html (198 words)

	Artnews.info Vienna: Stan Douglas at Wiener Secession
		In his film and photo works, the Canadian artist Stan Douglas combines conceptual strategies from the 1970s with a contemporary and highly distinctive visual idiom.
		For the Secession, Douglas is working on a new film project centering on the story of a murder at the height of the gold rush in the West Canadian region of the Cariboo.
		As well as unfolding the plot through the different points of view of the protagonists, Douglas also shows deviations in the content of their versions depending on how much time has elapsed since the events and on their individual intentions.
	www.artnews.info /gallery.php?i=854&exi=2465 (253 words)

	Stan Douglas Lecture - Jeff Werner
		Douglas: remake of a remake of a film based on a book, is what I wanted to make.
		Sort of disjuncted fade editing between scenes: me. Stan: dialogue with new sequences of dialogue but same scene over and over.
		Plan of castle obtained for Douglas’ computer 3D model of the space.
	jeffwerner.ca /2007/03/stan_douglas_lecture.html (529 words)

	David Zwirner New York Stan Douglas - Pressrelease
		The exhibition at David Zwirner is concurrent with Stan Douglas: Inconsolable Memories at The Studio Museum in Harlem, on view through March 18, 2007, which features a major work: a 16mm film based in part on Toma's Gutie'rrez Alea's 1968 film, Memorias del Subdesarrollo (Memories of Underdevelopment).
		Douglas recently co-curated Beyond Cinema: The Art of Projection, Films, Videos, and Installations from 1963 to 2005 at Hamburger Bahnhof in Berlin, Germany (through February 4, 2007).
		Douglas refers to the film as a -dub western," as its multi-layered plot develops much like a musical composition, with five levels of narration that interrupt and overlap one another.
	www.undo.net /cgi-bin/undo/pressrelease/pressrelease.pl?id=1168428315&day=1168383600 (448 words)

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