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Topic: Standards Trio

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	Review \| Keith Jarrett and Brad Mehldau
		Their use of the standard songbook for their performances and recordings has been as a jumping-off point, an opportunity to examine the music afresh and enter fully into it, subverting it with both a technical prowess and a singularity of purposes born of their individual skills and their long association.
		In full flight, the Trio plays almost as a single instrument, finding a psychic awareness of one another in which all ideas of hierarchy and leadership vanish in the face of a collective experience of this particular moment, this particular note, this particular phrase.
		While they're not at the level of Keith Jarrett's Standards Trio yet, there is a collective spontaneity to the playing on Progression, the intuitive interplay that only comes with musicians who have spent years working with one another.
	www.bluecoupe.com /jazz/whispernot.html (1146 words)

	EETimes.com - Asserting trio of standards (Site not responding. Last check: 2007-11-07)
		A property is a statement about a characteristic of a design, such as, "an acknowledge always follows a request within two cycles." An assertion allows that property to be directly tested in simulation or formal verification, as opposed to hoping you'll hit it with a random testbench.
		Standardizing assertions is important because, as I said in an earlier column, we now have a "Tower of Babel" situation, in which multiple vendors are pushing their own assertion formats and languages.
		The eventual standard will allow engineers to describe complex temporal properties, and it will most likely be used by systems engineers, not RTL designers.
	www.eetimes.com /story/OEG20020318S0014 (645 words)

	Evolution
		While the original intention of the Standards was to directly influence the classroom practice of teachers, the Standards came to have more indirect and far-reaching effects.
		The Standards 2000 writers faced the challenge of building on and clarifying existing documents while at the same time responding to what the field had learned in ten years.
		A key question with regard to standards is whether the point is to provide resources for teacher reflection, discussion, and learning; or to provide paradigm examples of the “right way” to teach a particular mathematics lesson.
	mathedology.ed.asu.edu /nctm/Evolution.htm (662 words)

	Keith Jarrett - Wikipedia, the free encyclopedia (Site not responding. Last check: 2007-11-07)
		In contrast to previous concerts (which were generally a pair of 30-40 minute continuous improvisations), the 2002 concerts consist of a linked series of shorter improvisations (as short as a minute and a half, none over a quarter of an hour).
		The Standards Trio undertakes frequent world tours of recital halls (the only venues in which Jarrett, a notorious stickler for acoustic sound, will play) and is one of the few truly lucrative "straight" (as opposed to smooth) jazz acts in the world.
		A related recording, At the Deer Head Inn (1992), is a live album of standards recorded with Paul Motian replacing DeJohnette, at the venue in Jarrett's hometown where he had his first employment as a jazz pianist.
	www.peekskill.us /project/wikipedia/index.php/Keith_Jarrett (1631 words)

	Falling Grace - Liner Notes
		While a jazz pianist may work in many different settings, the trio of piano/bass/drums is perhaps the most familiar to the audience as well as to the pianist.
		The image of a piano trio playing standards is one of the first things that comes to mind when many people think of "jazz", and when people come to see me play in clubs, chances are good that this is what they will hear.
		I suppose my particular selection of "standards" is a bit quirky; it may not be in my nature to conform too much to expectations.
	www.outsideshore.com /recordings/falling/liner.htm (1360 words)

	trioricochet.com
		TRIO RICOCHET, Nobu Stowe (Piano), Tyler Goodwin (Double-Bass) and Alan Munshower (Drums), is dedicated to exploring 'post-fusion'.
		Yet, TRIO RICOCHET encompasses not only other modern jazz forms including world-fusion, free-jazz and ECM, but also different world music from Europe (classical), Brazil (bossa-nova), Japan, and the Middle-East, etc. The music of TRIO RICOCHET is characterized by spontaneous improvisation, group interaction, high-energy dynamism and lyrical melodicism.
		Since their public debut in September 2004 TRIO RICOCHET has appeared at some of the top jazz-oriented venues on the East Coast, including An die Musik (Baltimore), Bohemian Caverns (DC), Twins Jazz (DC), Kavehaz (NYC), The 55 Bar (NYC) and The Knitting Factory (NYC).
	www.trioricochet.com (187 words)

	CD Baby: SEARCH RESULTS - from robertb (Site not responding. Last check: 2007-11-07)
		Fresh interpretations of jazz standards and lyrically evocative originals, delivered with a fluid, full-bodied jazz guitar tone, paying homage to the great jazz masters of the past while maintaining a personal style with a contemporary edge.
		Jazz standards and contemporary jazz compositions, primarily in a trio setting.
		Trio jazz as it was meant to be played on guitar, bass and drums.
	www.cdbaby.com /found/from/robertb?soundlike=HALL,TOMT. (1177 words)

	Standard Deviation
		In jazz parlance, a "standard" is a song in the collective repertoire, rendered familiar by years of interpretation.
		The answer was yes and no — yes because the Standards Trio has continued to serve as Jarrett’s primary outlet, and no because the trio’s exploratory methods transcend any repertory agenda (placing it worlds apart from, say, Wynton Marsalis’ Lincoln Center Jazz Orchestra).
		The experience of playing without structure also revives an aspect of the pianist’s solo performances: the interplay of pure improvisation with what he calls "spontaneous composition." Jarrett has long maintained that one of his unrecognized strengths as a musician is programming — deciding how to steer the course of a performance.
	www.citypaper.net /articles/022802/mus.jarrett.shtml (995 words)

	Keith Jarrett, Gary Peacock, Jack DeJohnette to Perform at UC... 3/2/2005
		In a concert celebrating one of the premier trios in jazz history, UCLA Live presents the acclaimed piano master Keith Jarrett with longtime collaborators bassist Gary Peacock and drummer Jack DeJohnette in an evening furthering their extraordinary artistic partnership.
		They came together as a permanent trio in 1983, when Jarrett invited the other two to join him in New York for a recording session dedicated to playing "standards," the rich body of American popular songs from the 1930s, '40s and '50s.
		By the late 1960s, Jarrett was leading his own trio with bassist Charlie Haden and drummer Paul Motian (soon to be a quartet with saxophonist Dewey Redman) and recording as a leader for Atlantic, Columbia and Impulse Records.
	newsroom.ucla.edu /page.asp?RelNum=5942 (1925 words)

	Keith Jarrett: Whisper Not - PopMatters Music Review
		Musical standards and the trio provide obvious sanctuary for this musician.
		The trio, Jarrett in particular, plays with the melody like a kid with a puzzle, trying every possible combination as it works its way through the song.
		Jarrett need not prove anything at this stage of his career, but if such a goal was at the back of his mind, a desire to show that he was back on top of his game, mission accomplished.
	www.popmatters.com /music/reviews/j/jarrettkeith-whisper.shtml (889 words)

	NewMusicbox Sitemap
		Standards they may be playin', but never do the performance fall prey to predictability.
		The trio formed up in 1983, named appropriately for their focus on reinterpreting the standards (excepting work such as that heard on Inside Out, for which the group turned to free improvisation).
		Many critics and fans have since praised the near telepathic performances the Trio seems to turn in.
	www.newmusicbox.org /st_result.nmbx?id=65st06 (198 words)

	Amazon.com: Music: Standards Live [LIVE] (Site not responding. Last check: 2007-11-07)
		"Standards Live" is a 1985 Standards Trio album, the first live recording with standards only as far as I know.
		That aside, "Standards Live" is actually one of the better recordings with the trio.
		On the whole, "Standards Live" is not like any other of the albums by the Standars Trio I have heard.
	www.amazon.com /exec/obidos/tg/detail/-/B0000261DQ?v=glance (884 words)

	Keith Jarrett Trio :Always Let Me Go (Site not responding. Last check: 2007-11-07)
		The group came to be known as the “Standards Trio” because they performed mostly jazz standards, though the pieces often became jumping-off points for the group’s explorations.
		Still, a sense had developed in some quarters that the group was not expanding its vocabulary and that the constant exploration of standards at the expense of new material was somewhat limiting.
		That sense, along with the “Standards Trio” moniker, when out the window last year with the release of the incredible Inside Out, on which the group returned to free improvisation.
	www.jazzitude.com /jarrett_always.htm (503 words)

	Jazz Bulletin Board - Keith Jarrett Recommendations
		It maintains the high standard (ooof) of the earlier trio recordings.
		June 8th, 2004 07:41 PM According to Jazzmatazz a new trio record is due August 31.
		(although paul motian, not jack dejohnette appears on the record, which means it's not the usual "standards trio.") the open-ended "inside out" was a welcome breath of fresh air after all those standards recordings.
	forums.allaboutjazz.com /printthread.php?t=4685 (1065 words)

	Jazz Bulletin Board - Keith Jarrett recommendations
		I am very familiar with the standards trio, and I only need 2 more titles to have all of their releases (Norway and Standards Live).
		The only stuff I listen to is his standards material and the famous "Koln Concert," which reminds me of George Winston.
		That said, among his standards discs, I like the live set recorded at the Deer Head Inn and the "Bye, Bye Blackbird" disc that was a tribute to Keith's former boss, Miles Dewey Davis.
	forums.allaboutjazz.com /printthread.php?t=6542&pp=40 (842 words)

	Jean-Michel Pilc: Cardinal Points - PopMatters Music Review
		The "Trio Sonata" is the most focused work on the album, and presents a strong case for the popularity of Pilc's trio work.
		The "Trio Sonata" ends the album on a very high note, and leaves one wishing to hear much more of the trio work.
		One senses that Pilc is ready to move beyond the amazing work that he's been doing with his trio, but at times it seems that he doesn't quite know where he wants to go next.
	www.popmatters.com /music/reviews/p/pilcjeanmichel-cardinal.shtml (1072 words)

	SH Forums - Gary Peacock (Site not responding. Last check: 2007-11-07)
		What's truly amazing though is that he was in Albert Ayler's trio with Sunny Murray in the sixties, and those sessions are available on the ESP label in CD reissue.
		The amazing part is the difference between the work he's done on ECM both under his name and with Keith Jarrett and the band with Ayler.
		Tales of Another is a Peacock lead session recorded in '77 that's the same personnel as the Jarrett trio.
	www.stevehoffman.tv /forums/showthread.php?t=8094 (597 words)

	Amazon.ca: Music: 2002 UP FOR IT LIVE AT JUAN [Live] (Site not responding. Last check: 2007-11-07)
		Bill Evans' famous trio with Scott LaFaro and Paul Motian may have set the mold, but Jarrett, Peacock, and DeJohnette have broke it in their own sweet, swinging, and soulful way.
		Returning to the traditional standards format that the originated in 1982, this is another beautiful musical experience to be cherished and shared.
		In terms of form, this is just another night of sublime piano trio playing by a master combo that has been together for twenty years.
	www.amazon.ca /exec/obidos/ASIN/B00008ZPBU (1423 words)

	Jazzmatazz Review - Keith Jarrett - Inside Out
		's Standards Trio has released a third album of free improvisations (rather then their usual fare of standards.) (The others were Changes (1983) and Changeless (1987)).
		He also became more interested in exploring the bebop repertoire of his youth, which he did marvelously on the trio's previous release, Whisper Not.
		His solo performances were always free improvisations, but even with his "standards trio" his free improvising never really went away—it was hidden in the structure of his standards playing, which often featured long introductions or extended middle passages that were improvised.
	home.att.net /~lankina/jazz/Reviews/R0202d.html (709 words)

	KeepMedia \| JazzTimes: Inside Out
		In the liner notes for this wholly absorbing release, pianist Keith Jarrett makes the point that his now famous standards trio, with bassist Gary Peacock and drummer Jack DeJohnette, is less about the standards themselves, and more about where the group can take them.
		Even at their first session in January 1983, which produced Standards: Volume One and Volume Two, they revealed a parallel universe by recording the Changes album that, all taken together, can now be seen as a manifesto of the group's intentions.
		Certainly, as the trio evolved, its ability to move out of the standard song form and back again created a powerful duality between the competing elements of freedom and form, such as on 1994's At the......
	keepmedia.com /pubs/JazzTimes/2002/02/01/290449?extID=10037&oliID=229 (161 words)

	Amazon.com: Music: Standards in Norway (Site not responding. Last check: 2007-11-07)
		As for all music fans, I would also like to say that this concert, to me, is one of the best, musically, waxed on record, in the more than 10-year lifespan of this band.
		The tunes, standards, of course, are given their new life, just as one expects from Keith Jarrett, Gary Peacock and Jack DeJohnette.
		The three gentlemen and incredible players are giving themselves totally to the music, swinging, in and out of the form, in a waving manner of conversation, elegant, fluent, strainless, simply beautiful.
	www.amazon.com /exec/obidos/tg/detail/-/B000024HUL?v=glance (659 words)

	MAEOPP (Site not responding. Last check: 2007-11-07)
		Charge: To assist the state and institutions in implementing CAS TRiO Standards; and to provide training on the standards for the state; to monitor the extent of implementation of the Standards in the state; to attend COE Professional Standards workshops to acquire training and information.
		Charge: To ensure that the process of selecting MAEOPP and SAEOPP scholarship recipients from the state is fair and equitable; and to solicit, collect and edit appreciation letters received from award recipients/TRiO sponsors to be forwarded to the President and the Development Chair.
		Charge: To monitor the implementation of the MAEOPP Strategic Plan and revise the plan as needed; to evaluate the Board relevant to fulfilling the mission of the Association; and to assist in orienting and training Board members.
	www.saeopp.org /maeopp/appointments.htm (681 words)

	Keith Jarrett Standards Trio in Ann Arbor (Site not responding. Last check: 2007-11-07)
		The trio of Jarrett, Peacock, and DeJohnette has become almost iconic in its ability to breath new life into old chestnuts and now that Jarrett’s schedule has become leaner due to his bout with Chronic Fatigue Syndrome, it seems that every note the trio plays takes on a grander significance.
		One of only five shows scheduled for this fall, the Ann Arbor performance of the Keith Jarrett Standards Trio was a propitious and historic occasion.
		The dynamics between loud and soft passages were utilized to great effect here, with the trio managing to shift from a whisper to a loud roar simultaneously and flawlessly.
	www.allaboutjazz.com /php/article.php?id=1664 (736 words)

	Keith Jarrett: Top Recordings (Site not responding. Last check: 2007-11-07)
		That is perhaps true, but these are unusual performances for Jarrett in that they are all brief, and all based on standards with little ornamentation.
		Jarrett and the trio play a series of dedications to the jazz masters who originally performed these tunes, including Sonny Rollins ("All the Things You Are") and Bill Evans ("Solar").
		Stunning performances with the emphasis, as it often is, on standards.
	www.jazzitude.com /jarett_topalbums.htm (976 words)

	The Out-Of-Towners : Jarrett / Peacock / DeJohnette : CD Reviews : One Final Note
		While Bill Evans set the paradigm for the modern jazz piano trio, Keith Jarrett's Standards Trio with bassist Gary Peacock and drummer Jack DeJohnette has taken Evans' innovations and forged a new model with few peers.
		Perhaps the preeminent modern trio, their allure is due to their a couple of factors, including their superb musicianship, mutual trust, stunning improvisational proficiency, and perhaps most essential, their love for melodies and the nuances inherent within the song structures.
		Forging a quiet revolution, not based on a radical recasting of standards, say, like the Dutch or other madcaps, this trio expounds a seamless, unison flow of melodic development and improvisation that, frankly, is a joy to relish.
	www.onefinalnote.com /reviews/j/jarrett-keith/out-of-towners.asp (520 words)

	CD Baby: JAZZ: Traditional Jazz Combo - music you will love. - from aaj (Site not responding. Last check: 2007-11-07)
		A collection of instrumental jazz acoustic standards, ballads, and one original composition, the moods are mellow and romantic, the sounds are infectious.
		An acoustic jazz trio with piano and bass featuring jazz violin and demonstrating a wide range of stylistic influences, from swing and bebop over tango to avant-garde jazz and classical music.
		There are very few jazz singers left made of the real thing and this CD proves she is definently one of them as she swings her socks off and then continues to serenade you with her jazzy so-in-tune contralto voice.
	www.cdbaby.com /style/79/all?cdbaby=cc575c434e15a6eceacdff1bf74d51fc (9469 words)

	JR.com: Alan Broadbent Trio - Personal Standards in Music: Piano: (Site not responding. Last check: 2007-11-07)
		Such high musicianship in such a compact package is what makes this trio so special.
		Eight of the nine selections were penned by Broadbent, whose compositional style ranges from Bill Evans-like mood explorations ("Idyll") to tender ballads ("Everytime I Think Of You") and the blues ("Uncertain Terms").
		In all, PERSONAL STANDARDS is tonal poetry, as the listener is treated to an intimate portrait of three exceptional musicians.
	jr.com /JRProductPage.process?Product_Id=3836741&... (486 words)

	The St. Petersburg Times - Events Listings (Gigs) (Site not responding. Last check: 2007-11-07)
		Misha Edelshtein Trio Jazz standards and other songs.
		Alexei Samarin Trio Jazz standards and other songs.
		Igor Balakirev and Co. Jazz standards and other songs.
	archive.sptimes.ru /archive/times/679/events/gigs.htm (251 words)

	The Standards Trio In Seattle (Site not responding. Last check: 2007-11-07)
		Keith Jarrett, Gary Peacock and Jack DeJohnette — The Standards Trio — began with a pair of medium-swing, 32-bar, jazz standards (“Old Country” and “Everything I Love”) delivered in the traditional way—piano intro, opening chorus, piano solo, bass solo, drum solo, out chorus.
		The trio’s third offering was not a standard, and it provided a change of pace in the form of Peacock’s repeated, hypnotic, pedal bass note—a steady rhythmic foundation which stirred the pianist from his bench.
		Two encores followed, including a breathtaking version of “When I Fall in Love,” and it was 11pm when I found myself out on the street again, marveling at the relevance of the Standards Trio after 20 years.
	www.allaboutjazz.com /php/article.php?id=934 (936 words)

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