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Topic: Stefano Landi

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	stefano landi (Site not responding. Last check: 2007-11-05)
		Such is the case with Stefano Landi, the soberly titled but dazzling new release by the European ensemble L'Arpeggiata.
		Landi joined the ranks of the Palazzo Barberini in 1595, began publishing his own music in 1616, and within two years was appointed maestro di capella to the court of the Bishop of Padua.
		Landi paid particular attention to lyrics that suggested a dark side to their conventional, often frivolous, subject matter.
	www.renaissancemagazine.com /music/stefano.html (293 words)

	L'Arpeggiata (Site not responding. Last check: 2007-11-05)
		It looks into Landi's 'double life, the reverse side of life at court and its struggle for recognition...so we can discover in Stefano Landi's Libri di Arie pieces that on closer inspection lead the way into a universe all his own.
		The liner notes establish a useful human context for Landi's music: Landi was an alto in the papal choir, job-sharing with Grigorio Allegri, and one of the many musical employees of the wealthy and influential Barberini family.
		Also, Landi's arie are taken from a number of sources, and we are not told which works are from where.
	www.arpeggiata.com /bbc.html (593 words)

	Journal of Seventeenth-Century Music \| Vol. 9 No. 1 \| Margaret Murata: Singing, Acting, and Dancing in Vocal Chamber ... (Site not responding. Last check: 2007-11-05)
		Landi’s aria section concludes with a two-line refrain saying (transparently) that the bird has flown the coop: “The flbird has already flown away over the Po.
		In the six strophes of Landi’s “T’amai gran tempo,” the fifth stanza represents the apex of freedom from his faithless lover that the poet has gained.
		For an example see Stefano Landi’s Aria da cantar sestine” in his 1620 book of Arie (Venice: Gardano, 1620; reprint, New York: Garland, 1986), which provides music in the equivalent of 9/2 throughout for Petrarch’s “A qualunque animale alberga in terra.” Each eleven-syllable line is set to a phrase lasting eight dotted semibreves.
	sscm-jscm.press.uiuc.edu /jscm/v9/no1/Murata.html (6000 words)

	DR. Stefano Landi - Web Site (via CobWeb/3.1 planet03.csc.ncsu.edu) (Site not responding. Last check: 2007-11-05)
		Stefano Landi, fatte salve le spettanze di diritto.
		Stefano Landi e sono protetti dalle leggi italiane ed internazionali a tutela del diritto d'autore.
		Stefano Landi si riserva inoltre il diritto di apportare cambiamenti e/o miglioramenti, senza preavviso e in qualsiasi momento, alle presenti note e modalità di utilizzo, ai servizi, prodotti e/o programmi descritti in questo sito.
	www.stefanolandi.it.cob-web.org:8888 /copy.php (713 words)

	Gaspare Landi ( - ) Artwork Images, Exhibitions, Reviews
		Madonna and Child with Saints Michael and Bernardino of Siena Neroccio de" Landi and Workshop
		Neroccio de' Landi - Portrait of a Lady c.
		Neroccio de' Landi - Madonna and Child with Saint Anthony Abbot and Saint Sigismund c.
	www.wwar.com /masters/l/landi-gaspare.html (319 words)

	taliesin's log (voices of women)
		Marco Beasley, tenor, thus added a personal view, dated Genoa, 25.09.2001, to round off the programme notes provided with a wonderful recording of works by a singer, harpist, guitarist and organist previously unknown to me, Stefano Landi, who first turned up in Rome as a choirboy in 1595.
		Landi went on to become a teacher, part-time member of the papal choir, and rich patron's composer.
		Like the audience in the concert hall at the end of the movie, we are outsiders, mere survivors perhaps, looking in on the edge of a place where hell strangely meets heaven.
	radio.weblogs.com /0120356/2004/week28.html (2716 words)

	Recent Researches: B 98 (Site not responding. Last check: 2007-11-05)
		This edition presents Stefano Landi's earliest opera, La morte d'Orfeo, for the first time in a modern edition.
		The edition is based on the only source for the score, a print in the collection of the British Library.
		This volume includes the full text and English translation, as well as a discussion of Landi's unique solutions to the subtle art of balancing text and music to enhance the unfolding drama.
	www.areditions.com /rr/rrb/b098.html (124 words)

	'+alt+'
		Seems to be something lacking in PCI bus control w/ win98.
		Stefano Landi - 10:37am Apr 21, 2004 EST (#12 of 12)
		I checked on the HP site and they don't seem to list drivers for the a250N for anything but Win XP.
	talk.transom.org /WebX?50@621.33ufamTcwZE.0@.ee7e74a (276 words)

	The Early Muse - November 2005
		The beautiful music of Stefano Landi introduces a rare version of the Orpheus myth in opera –; his remorse and violent death after the loss of Eurydice.
		century, Landi is best known for his melting Italian love songs, and deserves greater recognition for his pioneering operas.
		Landi: La Morte d’Orfeo – John Elwes, Harry van der Kamp, Michael Chance, Johanna Koslowski, the vocal ensemble Currende and players of Tragicomedia, director Stephen Stubbs.
	www.hawaiipublicradio.org /muse_1105.htm (348 words)

	guern's Profile – Users at Last.fm
		Motorpsycho – Walkin' With J. Stefano Landi – Dirindin
		Stefano Landi – Homo fugit velut umbra (Passacaglia della Vita)
		Stefano Landi – A che più l'arco tendere
	www.last.fm /user/guern (116 words)

	Castle Classics Landi, Stefano (c 1590-1655)
		Castle Classics > Classical CD > Composers - L > Landi, Stefano (c 1590-1655)
		S Landi: Homo fugit velut umbra... - L'Arpeggiata; Christina Pluhar
		S Landi: La Morte d'Orfeo - Instrumental Ensemble 'Tragicomedia' & Vocal Ensemble 'Currende', Prepared by Erik Van Nevel, Stephen Stubbs, direction
	shop.castleclassics.co.uk /acatalog/Landi.html (248 words)

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	www.linkedin.com /pub/0/6b2/675 (31 words)

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