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| | [No title] (Site not responding. Last check: 2007-10-09) |
 | | Stella's desire (her sexuality, taste, and joie de vivre) is shown to be cheap, narcissistic and uncouth, and the film would therefore appear to treat female desire as a classically disruptive threat to these social orders. |
 | | Stella eats no apple, and the final shot of her is of her in movement, the sign, Rothman might suppose, of a different relationship to aloneness, one which accommodates it, even courts it. |
 | | Now the fact that Stella's otherness requires a space to be born is enough to supply us with the terms of feminism, since it is clearly a patriarchal order (also an order of class) that places her in the position of needing this space in order to be born. |
| www.hanover.edu /philos/film/vol_02/herwitz.htm (5595 words) |
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