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Topic: Stephane Mallarme

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	Mallarme, Manet, and the Belle Epoch in Paris
		Lloyd wrote “Mallarme’s move to Paris did not bring the sudden and abrupt transformation in his situation that he had imagined during his years [in Tournan], but living in Paris meant that that he was able to become more rapidly aware of changes in the artistic world than he had in the provinces.
		Mallarme, however, went into dept in Tournan in order to fill his home with expensive furniture reminiscent of the bourgeoisie lifestyle, married in the 1960s and had two children and continued to live the same lifestyle in Paris.
		Mallarme wouldn’t become a famous poet until the mid-1880s (after Manet) had died, and that was most likely the reason why both of his articles didn’t have much of an impact on other critics.
	www.julielorenzen.net /paris.html (1692 words)

	Stephane Mallarme Article, StephaneMallarme Information (Site not responding. Last check: 2007-10-31)
		Mallarmé was a major French symbolist poet and rightly famedfor his salons, occasional gatherings of intellectuals at his house for discussions of poetry, art, philosophy.
		His fin-de-siecle style is anticipatory of many of thedevelopments in fusions between art and poetry which were to blossom in the Dadaist, Surrealist and Futurist schools,where the tension between the words on the page and the way in which they were displayed was paramount.
		Mallarmé's poetry has been compared to music, and has been the inspiration for several musical pieces, notably Claude Debussy 's Prélude à l'après-midi d'un faune (1894), afree interpretation of Mallarmé's poem L'Après-Midi d'un faune (1876) which creates powerfulimpressions by the use of striking but isolated phrases.
	www.anoca.org /mallarm/poetry/stephane_mallarme.html (496 words)

	Stéphane Mallarmé
		Mallarmé's language defies traditional syntax and is frequently so obscure that it must be read with commentary.
		"Un fil visible": poetry and reportage in Stephane Mallarme's "Un Spectacle interrompu".
		Was Mallarme a transcendental philosopher?: the place of literature in the 'Divagations.' (poet Stephane Mallarme)
	www.infoplease.com /ce6/people/A0831387.html (250 words)

	Richard Wagner - Wikipedia, the free encyclopedia
		Eliot's The Waste Land, which quotes from Tristan und Isolde.
		Charles Baudelaire, Stéphane Mallarmé and Paul Verlaine worshipped Wagner.
		Many of the ideas his music brought up, such as the association between love and death (or Eros and Thanatos) in Tristan, predated their investigation by Sigmund Freud.
	en.wikipedia.org /wiki/Richard_Wagner (6857 words)

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