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	steve beresford (Site not responding. Last check: 2007-10-09)
		around the time alterations began steve was a member of one of the earliest versions of company and also performed at one of the last london events in 1994 with shaking ray levis and roger turner.
		steve has been involved in the conduction ensembles of butch morris, appearing on conduction 31 and also arranged the arts councill sponsored tour of an ensemble in 1997.
		in 1997 steve played in den haag with piet noordijk, ernst glerum and michael vatcher, and later in the same year appeared at the empty bottle festival in chicago in a duo with paul lovens.
	www.kabukikore.net /steveberesford/biog.html (498 words)

	Steve Beresford - Wikipedia, the free encyclopedia
		Steve Beresford (born 1950) is a British musician.
		Beresford was born in Wellington, Shropshire in England, studied at the University of York, and stayed in York after graduating, becoming involved in theatre as well as arranging various free improvisation concerts in the city.
		Beresford has continued to play free improvisation with a number of prominent musicians, including Evan Parker, Lol Coxhill, John Zorn and Han Bennink.
	en.wikipedia.org /wiki/Steve_Beresford (283 words)

	CMT.com : Steve Beresford : Biography
		Steve Beresford is an accomplished multi-instrumentalist in jazz and avant-garde music.
		Beresford remained in York after graduating, where he worked in theater groups and played improvised music, and booked and promoted improvised music concerts -- he brought the duo of Han Bennink and Derek Bailey to York during this time.
		Beresford moved to London in 1974 and got involved with scoring music for films and dance, while he also played music ranging from free improv to reggae.
	www.cmt.com /artists/az/beresford_steve/bio.jhtml (273 words)

	EMANEM 4092: ALAN TOMLINSON / STEVE BERESFORD / ROGER TURNER
		Beresford is a brilliant pianist and arranger, but here he concentrates on tiny electronic effects, while Turner largely gives his drum kit the day off and contents himself with a grab-bag of sound-producing objects.
		Steve Beresford has deliberately limited himself to primitivist electronics, setting up pulses, tiny wrenches and singing tones, often operating on the level of what sounds like sensitive lead-waggling.
		Steve Beresford's 'electronics and objects' are a constant, intelligent and evocative presence from top to bottom, painting beautiful contrasts and adding more than a stratus of pluri-dimensional ambiences to the set.
	www.emanemdisc.com /E4092.html (2120 words)

	EMANEM 4064: STEVE BERESFORD / PAT THOMAS / VERYAN WESTON
		Beresford, Thomas and Weston have succeeded in creating a recording that is dense and intriguing because it does not thrash you about the room trying to keep up with all 264 piano keys.
		Steve Beresford, on the other hand, has a penchant for lyricism and an intermittent desire to bring the intensity of the group to explosive levels; his voice seems to occupy the extremes of the dynamic and emotional range.
		Beresford can be jokey and lays claim to a sort of anti-technique, but he's also technically very accomplished, and much of this music also walks that line.
	www.emanemdisc.com /E4064.html (1764 words)

	Avantgarde Music. Steve Beresford: biography, discography, reviews, links
		After being initiated to music playing the Hammond organ in a soul group, Steve Beresford (1950) moved to New York and mingled with the jazz improvisers.
		Steve Beresford ha inciso numerosi dischi per piccoli ensemble, tutti improntati alla piu' iconoclasta originalita' e a una comicita' clownesca.
		Beresford ha pero' disperso il suo talento in operine raffinate ma piuttosto inconcludenti.
	www.scaruffi.com /oldavant/beresfor.html (559 words)

	www.jazzweekly.com \| Reviews
		In 2001, however, Beresford is one of three improvisers recorded on three grand pianos in a London studio.
		In duo Honsinger and Beresford are almost as out-of-control, but at least the later has a bigger, many-keyed, metaphoric stick with which to beat off the cellist's lunacy.
		Beresford's response is flugelhorn blasts and a few smashes of the piano lid.
	www.jazzweekly.com /reviews/sberesford_imitation.htm (1334 words)

	Steve Beresford (Site not responding. Last check: 2007-10-09)
		Steve Beresford started playing piano at age 7, studied the classical repertoire of the instrument and was encouraged to investigate orchestral music (through the trumpet) at age 15 in preparation for reading music at university.
		At around the start of Alterations, Beresford was a member of one of the earliest versions of Company and he also performed at one of the last London events, in 1994, with The Shaking Ray Levis and Roger Turner.
		Steve Beresford has also contributed to several sleeve notes, including: Ogun CD 005, Corner to corner, with the great opening, 'They lie there in a state of apparent relaxation, but you know that they're ready to move instantaneously if necessary.
	www.shef.ac.uk /~ps/efi/mberes.html (2229 words)

	INTUITIVE RECORDS - IRCD 001
		Steve Beresford's statement seems to hit the point: "The improvised music performances which don't work for me are those which are exactly trying to project an image of pure music which doesn't have the same problems that most music has and that most life has".
		The quartet (Steve Beresford, piano; Peter Cusack, guitar; Terry Day, percussion; and David Toop, flutes) used to perform extended improvisations drawing on every possible genre, with each musician intentionally trying to destroy what the others were constructing - "irreverent musical collisions" in which "nothing was held sacred," to quote Day 's liner notes.
		One is reminded of a comment made by Evan Parker to Beresford, to the effect that the pianist was perfectly capable of playing properly, but chose to sound like a child or a complete novice.
	www.angelfire.com /ut/irecords/001.htm (1367 words)

	From Tech to Sawtek to Tech - June 22, 2000 (Site not responding. Last check: 2007-10-09)
		During his senior year, Steve was also the business manager for the "Three of Us" folk singing group and coordinated a concert tour of South Dakota high schools to promote SDSM&T. After graduation, Steve married Kathleen L. Casey of Madison, South Dakota, and was employed by Texas Instruments in the summer of 1969.
		When Texas Instruments decided not to pursue commercial SAW device business opportunities, Steve and three of his co-workers seized this window of opportunity; they wrote a business plan to raise venture capital financing for a new company to be formed in Texas.
		Steve Miller served as President of Sawtek since its formation in 1978, Chief Executive Officer since 1986, and Chairman of the Board since 1996.
	www.hpcnet.org /sdsmt/SiteID=162217 (1115 words)

	EMANEM 4090 (Site not responding. Last check: 2007-10-09)
		There are a couple of fantastic moments that alone are worth this CD, the top being a fantastic Concerto for Paul Rutherford (conceived by Steve Beresford) where the master trombonist draws lots of beautiful sketches, his instrument indicating trajectories and concepts to the very few who will be able to reach such heights.
		Steve Beresford's Concerto for Paul Rutherford is a 'conduction', with Beresford steering the improvising ensemble while trombonist Rutherford plays without external guidance of any kind.
		Steve Beresford contributes Concerto for Paul Rutherford to welcome the trombonist's return to health.
	www.brucesfingers.co.uk /catalogue/emanem4090.htm (1389 words)

	Steve Beresford -- Facts, Info, and Encyclopedia article (Site not responding. Last check: 2007-10-09)
		Steve Beresford (born 1950) is a (The people of Great Britain) British (Someone who plays a musical instrument (as a profession)) musician.
		He has also worked with a number of (Any genre of music having wide appeal (but usually only for a short time)) popular musicians, including (Click link for more info and facts about The Slits) The Slits, Frank Chickens and (Click link for more info and facts about The Flying Lizards) The Flying Lizards.
		Along with David Toop, Beresford was also a prime mover of the (Click link for more info and facts about London Musicians Collective) London Musicians Collective.
	www.absoluteastronomy.com /encyclopedia/s/st/steve_beresford.htm (217 words)

	EMANEM 4017: NIGEL COOMBES & STEVE BERESFORD
		Beresford also plays a little trumpet, prepared piano, and generally dances all over the keyboard.
		Beresford also uses percussive techniques, not only on the keyboard, but on [the piano lid].
		Beresford suffered a classical training and throughout the five 15 minute pieces, he constantly shifts from more typical free improv passages to rhythmically and harmonically-structured snippets, often mocking concert pianists and doing subtle pastiches of Haydn, Mozart, Beethoven, Schubert, even Ives.
	www.emanemdisc.com /E4017.html (1149 words)

	INTERNATIONAL OLYMPIC COMMITTEE - ATHLETES
		British rower Jack Beresford's five Olympics medals is an Olympic record, only recently equalled among men by Britain's Steve Redgrave.
		Beresford won gold medals in the single sculls (1924), coxless fours (1932) and double sculls (1936), and added silver in the single sculls (1920) and the eights (1928).
		His father, Julius Beresford (né Wisniewski), won an Olympic silver medal in the eights in 1912.
	www.olympic.org /uk/athletes/heroes/bio_uk.asp?PAR_I_ID=53255 (167 words)

	Amazon.com: Cue Sheets, Vol. 2: Music (Site not responding. Last check: 2007-10-09)
		Performed by Sylvia Hallett, Sylvia Hallett, Patrick Thomas, Steve Beresford
		Performed by Sylvia Hallett, Philip Sheppard, Steve Beresford, Hans Reichel
		Beresford's teeming imagingation, touching on such musical vistas as East Indian ("Sari and Trainers"), avant-New Age ("Paris, Brixton"), New Music ("Watermark," featuring Hans Reichel on his own invented instrument, the daxaphone, my personal favorite), and jazz-elegiac ("Going Going," a minute and 13 seconds of pure magic).
	www.amazon.com /exec/obidos/tg/detail/-/B00005UF3E?v=glance (456 words)

	Conduction programme notes (Site not responding. Last check: 2007-10-09)
		Steve Beresford started off playing Hammond Organ in a Shropshire soul band, circa 1965.
		He currently plays regularly with Evan Parker, Elton Dean and Steve Beresford; and with composer Steve Blake for the dance company The Cholmondeleys and The Featherstonehaughs.
		He has a long-established duo with Mark Sanders and plays regularly in numerous contexts with Tony Oxley, and is a trio with Steve Beresford and France Lucia.
	www.l-m-c.org.uk /archive/conduction.html (4825 words)

	Results
		Class newcomers, Matt Searle and Steve Beresford, showed the way home flying their kite through the extreme conditions for an excellent debut victory.
		After a delayed start due to sea fog three races were held in a breeze which started as a very shifty offshore westerly but backed and built to a glorious force 15-20 knot southerly by the third race of the day.
		Race one saw Steve Fisher and Neil Barber make the most of a heavily port biased beat to establish a lead which they held until Tim Fells and Richard snatched victory on the final jybe to the line.
	homepages.interalpha.net /b14/results.htm (2225 words)

	[No title]
		Beresford has done a ton of other stuff, some of it quite silly (and in my opinion only occassionally effective) like the couple of 10" records that I used to have by him on Chabada: "L'Extraordinaire Jardin de Charles Trenet" and the one about Doris Day (can't remember the exact title).
		There was also a record with Tristan Honsinger from 1980 which was just too dificult for me (and which I'm pretty sure is still in my box full of sale records, not that anyone would be interested).
		But by far my favorite Beresford record was the old General Strike cassette on Touch (about '84, but recently reissued on CD, though I haven't seen it yet).
	www.xmission.com /pub/lists/zorn-list/archive/v02.n052 (5052 words)

	Steve Beresford duos with John Butcher and Richard Sanderson, I Shall Become A Bat, Qbico, LP
		Steve Beresford duos with John Butcher and Richard Sanderson, I Shall Become A Bat, Qbico, LP Home
		Steve Beresford duos with John Butcher and Richard Sanderson
		Side A: Steve Beresford - electronics & objects / John Butcher - tenor and soprano saxophone (rec.
	www.secondlayer.co.uk /index/p783.htm (83 words)

	Boomkat - Your independent music specialist
		Urban Myth is a Brighton-based, electroacoustic, free-improv quartet that is often joined by Edyta Was on improvised visuals.
		This gig with Steve Beresford was the first in the UM+1 series, in which the group is joined by a guest improvisor.
		Beresford is an experimental luminary who has contributed a catalogue of work for label’s like Manchester’s very own Hot Air.
	www.boomkat.com /tellafriend.cfm?id=12169 (205 words)

	ROSSBIN
		All other pieces recorded by Steve Beresford in west London - pieces beginning with 'L' on August 7 2003 and the rest on June 12 2003.
		Tania Chen and Steve Beresford coax a galaxy of timbres from toys and unidentified objects to produce a series of astonishing tableaux.
		Chen and Beresford are quick-change artists on the fly.
	www.rossbin.com /rs018.htm (455 words)

	technique and improvisation
		Most people who have instrumental technique have also got performance technique, but certain people without instrumental technique can still bring off a performance by other techniques which aren't actually to do with articulating ideas on the instrument; which might not even be defined as music by most of the people here.
		DT: I think it is. Steve (SB) has used that as an image to illustrate a point of his in his interview with Steve (SL).
		You don't mind offering some continuing version of what 'Steve Beresford' music is? You can imagine certain types of performers being interested in having as little connection as possible with previous performances and setting out quite determined to cancel out whatever idea of their music they'd made in the last performance.
	www.whi-music.co.uk /atechnique.htm (7348 words)

	URBAN MYTH & STEVE BERESFORD Live At The Friends Meeting House
		The music was played by Urban Myth whose members are Jim Black (guitar), Adam Bushell (vibraphone), Henry Collins (laptop) and Kirsten Elliott (flutes, melodica) and their guest Steve Beresford (piano and electronics).
		Beresford is the name party here: he has played with all manner of people, from African Head Charge to Flying Lizards, from The Slits to Jah Wobble.
		However this may not be the best starting point for Beresford novices as the music proves to be rather unremarkable, particularly when compared to classic recorded examples of free improvisation such as AMM, Derek Bailey’s now discontinued Company Weeks and Spontaneous Music Ensemble.
	www.themilkfactory.co.uk /reviews/urbanmyth_live.htm (412 words)

	Beresford, John on Encyclopedia.com (Site not responding. Last check: 2007-10-09)
		He advocated both a commercial treaty that emphasized economic dependence on England and the parliamentary union of England and Ireland, the eventual passage (1800) of which he steered through the Irish Parliament.
		The extent of his personal power and patronage provoked his brief dismissal (1795) by the 2d earl of Fitzwilliam, who was attempting to reassert the role of the lord lieutenant, but Fitzwilliam was recalled and Beresford reinstated.
		Avec les Anglais Steve BERESFORD (claviers) et Tony HYMAS (PAR41679)
	www.encyclopedia.com /html/b/beresforj1.asp (421 words)

	* Dusted Reviews - Alan Tomlinson / Steve Beresford / Roger Turner *
		The lapse should not be misconstrued as lethargy, mind you, as he has been a member of both the London Jazz Composers’ Orchestra and Beresford’s London Improvisers Orchestra in addition to working with the likes of Peter Brötzmann and John Stevens.
		Refusing to settle into a particular groove, several of the pieces on Trap Street are surprisingly quiet — both “N2” and “W7” are not afraid to play within the confines of both lower decibels and silence.
		The three gel together as one, refusing to upstage one another, instead choosing to focus on a cohesive end result.
	www.dustedmagazine.com /reviews/967 (414 words)

	DISCOGRAPHY OF STEVE LACY
		Steve Lacy, who helped us to clarify some obscure references and showed a strong interest in this project.
		------------------------------------------------------------------------------ 025 - THE FOREST AND THE ZOO: Steve Lacy 1/ Forest 20:07 2/ Zoo 20:07 Recorded in Buenos Aires, Argentina on October 8, 1966 Steve Lacy: soprano; Enrico Rava: trumpet; Johnny Dyani: bass; Louis Moholo: drums.
		George Lewis: trombone; Steve Lacy: soprano; Misha Mengelberg: piano; Arjen Gorter: bass; Han Bennink: drums.
	www.wnur.org /jazz/artists/lacy.steve/discog.html (5398 words)

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