| |
| | Society of Biblical Literature |
 | | In classic film noir (what the film industry itself termed the "psychological thrillers" of the early 1940s and 1950s), ambiguity appears in many forms: for example, its visual style (unusual and unexpected camera angles with unconventional frame composition), narratorial judgment (or rather lack of it), story gaps, and linguistic play. |
 | | Ambiguity answers "the need for expressivity under a regime ofÂ…formal rationalities, and the need to protect privacy in a world of extended central controls" (40, my italics). |
 | | To "read" them closely is to engage with ambiguity borne not of "sloppy thinking," but of rigor, tolerance of multivocality, and willingness to question conventions and norms. |
| www.sbl-site.org /Article.aspx?ArticleId=393 (1944 words) |
|