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	Stuart Brisley - Wikipedia, the free encyclopedia
		Stuart Brisley (born in 1933 in Haslemere, England) is widely regarded as the godfather of British performance art.
		Obtaining notoriety during the 1960s and 1970s, his work dealt with challenging the human body in a physical, psychological and emotional manner, and often used faeces as the subject or a material in the construction of his work.
		In 1976, Brisley initiated an archive of the living memories of the inhabitants of Peterlee in County Durham, a project which has recently been revived with the help of fellow artist Tim Brennan.
	en.wikipedia.org /wiki/Stuart_Brisley (185 words)

	Stuart
		Stuart, Iowa Stuart is a city located in 2000 census, the city had a total population of 1,712.
		Stuart, Nebraska Stuart is a village located in 2000 census, the village had a total population of 625.
		Stuart, Oklahoma Stuart is a town located in 2000 census, the town had a total population of 220.
	www.brainyencyclopedia.com /topics/stuart.html (1301 words)

	Red Pepper archive (Site not responding. Last check: 2007-11-05)
		In an artwork using text by Stuart Brisley, well known performance artist, professor at the Slade School of Art, and enduring influence on the present generation of young British artists, a famous national figure is engaged in a telephone conversation:
		Stuart Brisley's piece was made three or four years ago yet, as so often, art is two jumps ahead of reality.
		Stuart Brisley's artwork wonderfully caught the middle-aged man playing two roles, the dull apparatchik speaking the lines that others had written, and the passionate human being involved in an affair of the heart.
	www.redpepper.org.uk /cularch/xartpol.html (1257 words)

	Telegraph \| Arts \| Suffering for the sake of their art
		THIRTY years ago, the artist Stuart Brisley lay for 10 days in a bath with only his nose and mouth above the water, which was full of floating debris.
		Eventually, the other artists participating in the mixed exhibition, of which this performance was part, asked him to stop (perhaps because, in various ways, including olfactory, the rest of the show was being upstaged).
		Brisley was part of an international wave of performance art, or body art, which broke over the art world in the late Sixties and early Seventies.
	www.telegraph.co.uk /arts/main.jhtml?xml=/arts/2002/03/16/baperf16.xml&sSheet=/arts/2002/03/16/ixartleft.html (1029 words)

	[No title] (Site not responding. Last check: 2007-11-05)
		In 1976 Stuart Brisley was invited to take up the post of Artist in Residence of Peterlee New Town, and he began work on one of the first contemporary artworks that relied on participation with the general public.
		Since the early sixties Stuart Brisley's work has greatly informed the development of performance art in the UK and Europe.
		Stuart Brisley was drawn to the possibility of creating an archive of the living memory of Peterlee’s residents, in a place with very little recorded history.
	www.sunderland.ac.uk /caffairs/204feb8.htm (403 words)

	Intimations of Abfall - Works & Texts by Stuart Brisley - 1960 - 2000
		Hence the radical practice of Stuart Brisley can appear to be overlooked despite the manifest influence – not least in terms of a focus on the human body and the body politic – that his work has exerted.
		This small selection of work from 1960 to the present is concerned with the expressive power of Brisley's oeuvre and focuses on works where the human body, albeit sited in conditions of degradation, articulates involuntary expressions of being alive.
		This piece stemmed from a long study of the human figure and from an engagement with material as subject, concerns relevant to the painting Mairead Farrell, Dirty Protest (1995) and to Pinpointing Ordure (2000) which concentrates on the breakdown of ordure into universally distributed particles (from shit to nosodes, the homeopathic extract from excreta).
	www.coverup.org.uk /events/sbrisley/sbrisleyindex.html (222 words)

	c h a p t e r (Site not responding. Last check: 2007-11-05)
		Stuart Brisley, widely regarded as the godfather of British performance art gives a performance reading from his new book ‘Beyond Reason: Ordure’.
		For over 40 years Brisley’s work has greatly informed the development of international contemporary art in the UK and Europe.
		His cultural renown and notoriety stems largely from his experiments of the 60s and 70s, which challenged the body's points of psychological, material and emotional resistance and flow.
	www.chapter.org /dsp_cinema_detail.cfm?showid=2100 (154 words)

	Stuart Brisley - Result for Stuart Brisley - Meaning of Stuart Brisley - Definition of Stuart Brisley - Dictionary of ...
		Stuart Brisley - Result for Stuart Brisley - Meaning of Stuart Brisley - Definition of Stuart Brisley - Dictionary of Meaning - www.mauspfeil.net
		Obtaining notoriety during the 1960 s and 1970 s, his work dealt with challenging the human body in a physical, psychological and emotional manner, and often used faeces as the subject or a material in the construction of his work.
		There you find a list of all editors and the possibility to edit the original text of the article Stuart Brisley.
	www.mauspfeil.net /Stuart_Brisley.html (252 words)

	Occupation Waugh Thistleton London - Pressrelease
		Often using examples close to their homes or places of origin, Brisley and Hulusi separately explore the significance of abandonment and decay in ways that poignantly portray urban deterioration, through conflict, occupation and the irresponsible exercise of power.
		Stuart Brisley established his reputation with performance and a series of seminal installations throughout the 70s and 80s that dealt with the state of the individual in relationship to political reality.
		Brisley?s photograph and text work Dechaumage, 2004 shows driftwood washed up on the shore of Little Cumberland Island on the Georgia/Florida border, the point where the last slave ship began its journey from America.
	www.undo.net /cgi-bin/undo/pressrelease/pressrelease.pl?id=1109764438 (755 words)

	The Collection of Ordure
		We are fortunate that Stuart Brisley, who has worked for many years with Sirb, brought the Collection of Ordure to our attention.
		The Freud Museum is very grateful to Stuart Brisley for suggesting this show to us.
		We also acknowledge Stuart Brisley’s indomitable efforts to bring this publication into being.
	www.freud.org.uk /Brisley.htm (958 words)

	trace: artists (Site not responding. Last check: 2007-11-05)
		Stuart Brisley will be giving a performance reading from his new book "Beyond Reason:Ordure"
		Stuart Brisley is widely regarded as the Godfather of British performance art.
		His seminal practice has, for over forty years, greatly informed the development of international contemporary art in the UK and Europe.
	www.tracegallery.org /artists/stuart_brisley/index2.htm (167 words)

	Stuart Brisley Video (Site not responding. Last check: 2007-11-05)
		Stuart Brisley is perhaps best-known for his disturbing physical performances which pushed his body to extremes.
		Brisley’s art remains challenging and provocative, not least in the recent project in which he has orchestrated works centred on a Museum of Ordure.
		The museum has a curator and a collector, and, at least as it was shown at the Freud Museum, London, an apparent display of human excrement.
	www.illumin.co.uk /products/03eye/bris/prtext03_27.htm (136 words)

	The Peterlee Project - Stuart Brisley (Site not responding. Last check: 2007-11-05)
		Stuart Brisley is the founder of the Artist Project Peterlee in 1976-77.
		It was re-activated and renamed The Peterlee Project in 2004 by Stuart Brisley and Tim Brennan to accomodate the last quarter of the last century and to produce a living history of the area entitled The Peterlee Project.
		For further information please see the 2005 adaption of the 1977 Peterlee report by Stuart Brisley.
	www.peterlee-project.com /go/Stuart+Brisley (80 words)

	Tate \| APG: Artist Placement Group \| Chronology
		The APG is formed in London by Barbara Steveni in collaboration with John Latham; they are joined by Jeffrey Shaw, Barry Flanagan, Stuart Brisley, David Hall, Anna Ridley and Maurice Agis, as well as Ian McDonald Munro.
		Other placements successfully negotiated by the APG include: Stuart Brisley working for Hillie Co Ltd, Leonard Hessing working with ICI Fibres Ltd, Lois Price working with Milton Keynes Development Corporation, Ian Monro and Marie Yates joining Brunei University.
		Stuart Brisley also takes a placement with the Peterlee Development Corporation.
	www.tate.org.uk /learning/artistsinfocus/apg/chronology.htm (1216 words)

	Agit Prop, International Performance Art Series (Site not responding. Last check: 2007-11-05)
		Brisley is a soft-spoken British artist who began his career as a painter and sculptor.
		While a tape of Brisley's soliloquy was played, the artist performed his grisly role behind a glass wall.
		Continually contorted in pain, Brisley seemed to be trying to sum up in his movements the anguish and hopelessness that comes with poverty and neglect.
	collections.ic.gc.ca /mercer/121.html (3045 words)

	Anatomy of Disgust
		A 'curator of shit', Brisley has been an anti-hygiene artist for 30 years.
		The feelings of disgust aroused by the process of giving birth and by that of dying, illustrate just how far we try to protect ourselves from the physical reality of life.
		Stuart Brisley: Leaching out at the Intersection, Institute of Contemporary Art, London 1981.
	www.learning.channel4.co.uk /culture/microsites/A/anatomy_disgust/art_gallery.html (551 words)

	The Felix Trust for Art (Site not responding. Last check: 2007-11-05)
		Beneath Dignity was performed once in 1977 in Bregenz Austria for Englische Kunst der Gegenwart and was the culmination of Brisley's 18 months spent in Peterlee, a new town created for mining communities in County Durham in the north of England, as part of his work with the Artists' Placement Group.
		In the work Brisley travels across the Gallery and back through five frames made of of wood and string, the first frame is empty, the others contain chalk pieces, chalk powder, fl paint and white paint in succession.
		This performance at the Whitechapel was one of the first occasions on which Brisley has performed a work for a second time.
	www.felixtrust.com /shop.htm (693 words)

	Peterlee Report 1977 by Stuart Brisley (Site not responding. Last check: 2007-11-05)
		Stuart Brisley was one of several artists approached by APG to consider the possibility of working in Peterlee.
		In August as Stuart Brisley left the project prior to the agreed hand over, parts 2 and 3 were dispensed with, including the following documents: 1:A history of the Peterlee Development Corporation by Fred Robinson, Rowntree Trust, University of Durham, commissioned by the project.
		On the transference of the project to the Easington District Council John Porter the first local person to be employed was appointed to run what was left of the project at Easington District Council This document has been adapted from the original proposal titled Observations: Stuart Brisley.
	www.peterlee-project.com /edit/Peterlee%20Report%201977%20by%20Stuart%20Brisley (2128 words)

	BBC - BBC Four Documentaries - Art & the 60s: Ep 3
		Ono herself was involved in the early days of performance art, as was Stuart Brisley.
		In the late Sixties, Brisley vomited on the audience at his shows at the ICA and the Royal Court.
		Others whose work is covered in the film include kinetic artist Liliane Lijn, impromptu performer David Medalla, best known for his bubble machines, and Bruce Lacey, whose work with robots expressed much of the anger and political feeling shared by many of the artists working away from the commercial mainstream.
	www.bbc.co.uk /bbcfour/documentaries/features/art-sixties3.shtml (332 words)

	CIRCA Art Magazine - Back Issues (Site not responding. Last check: 2007-11-05)
		I was talking to Stuart Brisley during Inner Art and he told me about a piece of wood a gallery in Sweden had kept.
		Stuart recently discovered that the gallery still has this piece of wood.
		With good curation Stuart Brisley's plank will not end up on a gallery wall in Sweden.
	www.recirca.com /backissues/c88/kennedy.shtml (620 words)

	films - chance, history, art (Site not responding. Last check: 2007-11-05)
		Interview footage with six practicing artists – Anne Bean and John McKeon (music and performance double act); Stuart Brisley (performance artist); Rita Donagh (painter); Jamie Reid (graphic designer); Jimmy Boyle (artist serving a life sentence) – is interspersed with materials (slides, stills, cuttings, etc.) which ‘illustrates’ their output.
		In his self-enforced confinement at the Acme Gallery, Stuart Brisley carries out his performance entitled, and lasting, “180 hours”.
		Brisley claims that there is no need for artists to make an object; in his interview, he tackles the question of institutions and art practice and argues, plausibly, that art cannot exist outside specific institutions which define certain activities as artistic.
	www.james-scott.com /films/chance2.htm (662 words)

	Tate Britain \| A Century of Artists' Film in Britain \| Programme 4: In Extremis
		Stuart Brisley's work takes its title from the terrible irony of the motto above the gates of the Auschwitz concentration camp, ' Work Makes Free '.
		Active as a performance artist since the mid-60s, Brisley has made several films, some collaboratively with Ken McMullen.
		He was formerly Professor of Media Fine Art Graduate Studies at the Slade School of Art, London.
	www.tate.org.uk /britain/artistsfilm/programme4/inextremis.htm (359 words)

	Stuart Brisley ( - ) Artwork Images, Exhibitions, Reviews
		Wenceslas Hollar, Mary Stuart, Countess of Portland, 1650
		Gilbert Charles Stuart, William Rufus Gray, circa 1807
		Stuart Brisley (1554 - 1626) Biography, Artwork Images, Exhibitions, Reviews
	wwar.com /masters/b/brisley-stuart.html (360 words)

	28 Years After It Was Begun Peterlee Artwork Nears Completion - 24 Hour Museum - official guide to UK museums, ...
		The project began in 1976 when Stuart Brisley was appointed artist in residence at the town.
		But as a brand new development, Stuart Brisley felt that with a lack of a history of its own he had to look to the story of the people who would make it their home.
		Now, as Stuart explained, working with the Vardy Gallery and artist Tim Brennan, he hopes to redevelop the project and bring it up to date.
	www.24hourmuseum.org.uk /nwh_gfx_en/ART20111.html (899 words)

	Spitalfields - Wikipedia, the free encyclopedia (Site not responding. Last check: 2007-11-05)
		The area is well known for its arts scene.
		Whitechapel Gallery is located at the bottom of Brick Lane, and amongst the many well known artists living in the Spitalfields are Gilbert and George and Stuart Brisley.
		This page was last modified 23:55, 3 Jun 2004.
	www.encyclopedia-online.info /Spitalfields (124 words)

	Stuart Brisley, Contributor - Banff Centre Press
		Stuart Brisley was born in Haselmere, England and lives in London, England.
		He attended the Guildford School of Art, the Royal College of Art, the Akademie der Bildenden Kunst in Munich and the Florida State University in Tallahassee.
		He has staged many exhibitions, events and live works, mostly in Europe, and contributed articles to several publications.
	www.banffcentre.ca /press/contributors/abc/brisley_s (56 words)

	Stuart Brisley ( - ) Artwork Images, Exhibitions, Reviews
		Stuart D. McKee, Preparing to Bury a Memory, 1984
		Frederick Stuart Church, Spring Concerts- The Opening of the Season, 1877
		Jacobus Houbraken, James Stuart Duke of Richmond and Lenox, 1740
	wwar.world-arts-resources.com /masters/b/brisley-stuart.html (360 words)

	South London Gallery
		From May 29th the South London Gallery stages the first exhibition for several years by Stuart Brisley.
		At the forefront of British Installation Art, Brisley will use the exhibition to state his strong and forceful view of the state of Britain and some of its most enduring institutions.
		His art is powerful and savage and in this exhibition sculpture and installation carry the full force of his artistic and personal expression.
	www.southlondongallery.org /docs/exh/exhibition.jsp?id=61 (198 words)

	paul brown - art < > technology : networks and artworks
		Many of the formats developed in the 60's and 70's were intended to create art that could not be venerated by the establishment or turned into investment fodder by the guru's of Green Street, Bond Street and the Latin Quarter.
		Stuart Brisley's 70's performances, where he immersed himself in a bath full of offal or vomited over himself, were specifically designed to be unmarketable.
		Now, as pension day becomes inevitable, Stuart sells limited edition prints of those performances via the same art market he so earnestly confronted thirty years ago.
	www.paul-brown.com /WORDS/NETART.HTM (4996 words)

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