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Topic: Studio Rivbea

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	Sam Rivers - Impulse! Records
		Studio Rivbea became a prominent performance space in Manhattan until it's closing in 1979.
		Many of the musicians that comprise the current Rivbea Orchestra are veterans of theme parks and related venues that flourish in the Central Florida area and many have been involved since the band's Orlando inception.
		Sam Rivers' Rivbea Allstar Orchestra, comprised of Sam's regular rhythm section and augmented by members of his previous bands, recorded and released two cds for RCA-Victor- "Inspiration" and "Culmination"-both receiving Grammy nominations in 1999 and 2000, respectively.
	www.vervemusicgroup.com /artist/default.aspx?aid=2815 (666 words)

	Assata Speaks - Hands Off Assata - Let's Get Free - Revolutionary - Pan-Africanism - Black On Purpose - Liberation - ...
		Many of the musicians that comprise the current Rivbea Orchestra are veterans of theme parks and related venues that flourish in the Central Florida area and many have been involved since the band's Orlando inception.
		Rivbea Sound released it's debut- Sam Rivers "Concept", with Doug Mathews and Anthony Cole as sidemen.
		Sam Rivers' Rivbea Allstar Orchestra, comprised of Sam's regular rhythm section and augmented by members of his previous bands, recorded and released two cds for RCA-Victor- "Inspiration" and "Culmination"-both receiving Grammy nominations in 1999 and 2000, respectively.
	www.assatashakur.org /forum/showpost.php?p=16664&postcount=1 (691 words)

	SAM RIVERS, jazz musician / composer
		In 1969, Rivers became an Associate Professor and artist in residence at Weslyan University and Connecticut College, and a year later he and his wife Beatrice opened Studio Rivbea as a living and rehearsal space for music and dance.
		In 1996 Rivbea Sound Company was formed to release recordings by Rivers and released its debut album, Concept with Mathews and Cole as sidemen.
		The Rivbea Allstar Orchestra, comprised of River's regular rhythm section and augmented by members of his previous bands, recorded and released two albums for RCA-Victor.
	www.atlanticcenterforthearts.org /artresprog/resschedule/sept/s_rivers.html (650 words)

	Sam Rivers -- Artist Profile (Site not responding. Last check: )
		In search of a means to be more creative, Sam and his wife, Beatrice, opened Studio Rivbea as a living and rehearsal space for music and dance.
		Studio Rivbea became a prominent performance space in Manhattan until its closing in 1979.
		Many of the musicians that comprise the Rivbea Orchestra are extremely talented veteran players culled from the various theme parks that flourish in the Central Florida.
	www.southfloridajazz.org /jazz/sambio.htm (505 words)

	Vision Festival.ORG \|\| Vision Festival XI (Site not responding. Last check: )
		Rivers' loft space Studio RivBea (opened in 1970 with his late wife Beatrice) was one of the primary launching pads for the New York loft scene.
		Studio Rivbea became a prominent performing space in Manhatten and inspired many other musicians to open similar spaces during this period.
		The movement of musician-organized activities in lower-Manhattan became known as the "loft scene" and Rivbea remained a primary center of the movement until its closing in 1979.
	www.visionfestival.org /festival/vfxi/SamRivers.asp (1181 words)

	Untitled Document
		In 1969, Rivers became an Associate Professor and artist in residence at Weslyan University and Connecticut College, and a year later he and his wife Beatrice opened Studio Rivbea as a living and rehearsal space for music and dance.
		In 1996 Rivbea Sound Company was formed to release recordings by Rivers and released its debut album, Concept with Mathews and Cole as sidemen.
		The Rivbea Allstar Orchestra, comprised of River's regular rhythm section and augmented by members of his previous bands, recorded and released two albums for RCA-Victor.
	atlanticcenterforthearts.org /artresprog/resschedule/sept/s_rivers.html (650 words)

	RIVERS, Sam : MusicWeb Encyclopaedia of Popular Music (Site not responding. Last check: )
		Taught in Harlem; played and recorded with Cecil Taylor late '70s; opened Studio RivBea '71 in Manhattan with his wife Bea, played there with his own group, guests incl.
		He was often absent from the recording studio, developing his extemporization; Backgrounds For Improvisors '95 on FMO was made in Berlin, a nonet incl.
		Alexander Von Schlippenbach on piano improvising freely over a set of compositions for that purpose, an interesting attempt to fuse the free and the conventionally swinging, and trio Concept '95- -6 on Rivbea was a focused and satisfying example of his latest style.
	www.musicweb-international.com /encyclopaedia/r/R96.HTM (310 words)

	Sam Rivers - Wikipedia, the free encyclopedia
		During the 1970s, Rivers and his wife, Bea, ran a noted jazz performance loft called Studio Rivbea in New York City's NoHo district.
		In 1998 he recorded two big-band albums for RCA Victor with the RivBea All-Star Orchestra, Culmination and Inspiration (the title-track is an elaborate reworking of Dizzy Gillespie's "Tanga": Rivers was in Gillespie's band near the end of the trumpeter's life).
		In 2006, he released Aurora, a third CD featuring compositions for his Rivbea Orchestra and the first CD featuring members of his working orchestra in Orlando.
	en.wikipedia.org /wiki/Sam_Rivers (634 words)

	William Parker
		Studio We was run by James Dubois and Juma Sultan.
		Studio Rivbea was run by Sam Rivers and Sam did festivals in 1972, '73, again, self-produced.
		By then things were set up and we had to go to the next level, beginning to get write ups, record companies, and beginning to go to Europe, so the loft scene died out.
	www.50milesofelbowroom.com /articles/wparkerinterview.html (2401 words)

	The Vision Festival: On the Fringe and Reveling in Rhythm - New York Times
		In 1970, the saxophonist Sam Rivers and his wife, Beatrice, opened Studio Rivbea in a loft on Bond Street in Lower Manhattan.
		For nearly a decade, Studio Rivbea served the city's avant-garde jazz community as a performance space committed to an ethos of independence.
		Founded in 1996 by Patricia Nicholson Parker, a dancer whose husband, the bassist William Parker, is a Studio Rivbea alumnus, the Vision Festival has evolved into an impressively vibrant and well-organized affair.
	www.nytimes.com /2006/06/17/arts/music/17visi.html?ex=1308196800&en=6d086aae69c4cdb2&ei=5088&partner=rssnyt&emc=rss (759 words)

	SpiderMonkey Stories » Blog Archive » Firehouse
		Bebop wouldn’t have happened with Minton’s or the 52nd Street clubs; the creative ferment of the 70’s was dependant on lofts like Studio Rivbea and Ali’s Alley; the 80’s and 90’s downtown scene was centered on the Knitting Factory.
		Firehouse 12’s performance room also doubles as a state-of-the-art recording studio, which offers another useful convenience and tool for the musician to record live and in studio.
		But in all seriousness, by combining a good venue, a good studio, and a good hang in one place, and by combining that with a new record label, Firehouse 12 has the potential to become an important home, a real physical space, for creative music.
	taylorhobynum.com /applications/wordpress/?p=4 (464 words)

	Jazz legend Sam Rivers
		He was the proprietor (with his wife Bea) of the world famous Studio Rivbea on Bond Street, in what is now called Noho.
		Wildflowers, a five record set, recorded during a single week of performances, is a Who's Who of the free jazz movement of the day, documenting the importance of the venue.
		Not long after the release of the records, Rivers closed the Rivbea and moved to New Jersey.
	www.rivbea.com (1412 words)

	THE MUSIC ENSEMBLE 1974-1975
		Saxophonist Sam Rivers was one of those who took part in expanding the presentation of the music, opening the Studio Rivbea on Bond Street in 1972, hosting concerts by the cream of the American/ International community of Improvisers rooted in the FreeJazz esthetic.
		STUDIO RIVBEA became the center of this activity during the 1970s, with Rivers teaching, advising and inspiring a whole generation of Improvisational Free thinkers, as well as stressing the ultimate in instrumental craftsmanship!
		The activity that spilled out in the area around Rivbea could be seen by NYC historians as the spark that got the Bowery rolling, and may have been the inspiration for the area's first 70s revival as home to NYC's music community!
	www.aural-innovations.com /issues/issue21/mensembl.html (829 words)

	UALR Presents - The Arkansongs Music Festival: Delta Roots Music and a Tribute to Robert Palmer - April 11 & 12, ...
		He and his wife, Beatrice, founded Studio Rivbea, a prominent performance space in Manhattan.
		In the 1960s, Rivers recorded four LPs for the Blue Note label, led the Harlem Ensemble, and was composer in residence for the Harlem Opera Co. In the 1970s, he led various ensembles and was artist in residence at Dartmouth University and Cornish College.
		He moved to Florida, forming the Rivbea Orchestra as well as a trio, where he continues to play in the area’s numerous venues.
	www.ualr.edu /arkansongs/bios/samriverstrio.html (169 words)

	harris eisenstadt - 'vista'
		Part of the reason is his dutiful stewardship during the 1970s of Studio RivBea, an important center for contemporary jazz, but one suspects also a drain on Rivers' creative resources.
		He soon recorded two classic albums for Blue Note, two more with Tony Williams, ran the Studio Rivbea on Bond St. during mid-to-late seventies and recorded a number of classic avant jazz gems with his trios (Dave Holland and Barry Altschul at first) and various big bands.
		One of his first studio gigs was as sideman with Fred Anderson on the Chicago tenor’s belated debut The Missing Link (Nessa) back in 1979.
	www.harriseisenstadt.com /pages/vista.html (2233 words)

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	www.studio3.green-search.info /new-york-city-tattoo-studio.htm (424 words)

	Jazzcorner's Speakeasy - Loft Scene, on Record
		The setup at Rivbea was that there was usually, but not always 2 groups, and often the Rivers trio (or sometimes an extended ensemble) was one of them.
		When a young guitarist in a group performing at Studio Wis asked for advice on sight-reading exercises after a gig in 1979, Smith's response was typical of the man's generous nature.
		It was in 1972 when he started performing in the so-called Loft Scene at Studio WE, the East, Ornette Coleman’s Artist House, and Sam Rivers’ place, Studio Rivbea, which is where he met and performed with many musicians he would go on to play with, including saxophonist Jemeel Moondoc.
	www.jazzcornertalk.com /speakeasy/printthread.php?t=2802 (4318 words)

	Somnambule ~ Review of Sam Rivers, London Jazz Festival 2004
		He ran a performance space in the ‘70s in NYC called Studio Rivbea, has been at the core of the avant-garde for three decades and has now reached the grand old age of 81.
		The Queen Elizabeth Hall is packed and in the moments before the lights dim the weathered faces and careful steps of the old guard are notable alongside more than a smattering of the slender and youthful.
		As he plays he dances with just a little shake, a little wriggle and the effect of music and movement is decidedly funky.
	www.eleventhvolume.com /reviews/concerts/files/sam_rivers.html (858 words)

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		Understanding the continued growth of online commerce studio city tattoo online merchants continue to learn more about selling on the Internet There are many benefits for this for studio city tattoo outlets have over the long established, studio city tattoo is great flexibility.
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	www.studio4.main-search.org /studio-city-tattoo.htm (396 words)

	ColumbianTalk.com - Lifestyles
		Rivers and assisted in running the avant garde loft Studio Rivbea in NY during the seventies, as written about with regards to my treatise on the avant jazz scene many years ago, which for the record, I consider one of my defining pieces of work.
		The Rivbea served a valuable purpose as a venue which welcomed musicians who either refused to compromise and those who just couldn’t.
		I’m proud to share a small slice of music history with her, Sam, and the many others who made the Rivbea the unique musical and educational experience auditory experience.
	www.columbiantalk.com /read/blogs/viewBlog.cfm?blog=18 (6289 words)

	21 Jahre INNtoene Jazz Festival
		From the late '60s through the late '70s, Rivers ran Studio RivBea in New York.
		Originally intended for teaching and rehearsals, Studio RivBea evolved into a vibrant performance space for avant-garde music when musicians such as Oliver Lake and the Art Ensemble began giving concerts there because there were few other places in New York that welcomed their performances.
		According to Rivers, the studio filled such an obvious vacuum that the New York State Council on the Arts, on its own initiative, provided funding to support its activities.
	www.inntoene.com /?Festivalprogramm_05:13._Mai:Sam_Rivers&print (345 words)

	New York '77
		The sheer diversity of projects filled studios big and small, as this was the era when both disco and punk/new wave were going strong, in addition to all the mainstream pop, rock, jazz and classical that had always brought business to New York studios.
		Everything was designed for the technology, and the studio took off right away.” It also helped that Bongiovi managed to lure some of the top young engineers in the city to his new facility, including future recording giants Bob Clearmountain and Neil Dorfsman.
		That's one of the things we're losing now with the home studio environment — that thing where you walk into a studio and there are six different acts working there and you all hang out in reception together and you talk about what you're doing and you get a vibe.
	mixonline.com /recording/tracking/audio_new_york (3015 words)

	Riversteppingstones
		Studio Rivbea's Spring Music Festival 1976 could not be considered an unqualified success, since the atmosphere lent by the circumstances of the open recording session and long delays between sets seemed excessive and may have been responsible for the less than fully inspired performances given by several of the groups.
		A few days before Rivers made the record, I visited him at Studio Rivbea, and he said something that might serve as his credo, if he believed in such things: "You can come out here and be an intuitive musician and be really happening, but your dreams and visions won't last forever.
		About the music contained herein, Sam Rivers says, "When I had my studio (Studio Rivbea), one of the reasons I had it was because I had all this music and I needed a place to rehearse it and perform it.
	www.bb10k.com /RSS.html (12575 words)

	miaminewtimes.com \| News \| Improvise or Shut Up
		Undeterred by negative pressure from the music industry, Rivers went on to almost single-handedly found the downtown free-jazz loft scene with the opening of his performance space, Studio Rivbea.
		Although Studio Rivbea was to close by the end of the Seventies, Rivers asserts it was harsh weather, and not the equally brutal music industry, which prompted him to return to Florida.
		This dedication to inventiveness is in full view on Rivers's latest project, the Rivbea All-Star Orchestra's recent recording, Inspiration, and the soon-to-be-released companion disc, Culmination.
	www.miaminewtimes.com /issues/1999-12-09/music_2.html (851 words)

	Studio Rivbea (place)@Everything2.com
		(all of Studio Rivbea, no other writeups in this node)
		Due to the lack of gigging opportunities for avant-garde musicians in the NYC jazz clubs, many Great Moments of the decade took place in lofts - Ornette Coleman, et al, used theirs to host concerts, rehearsals, and jam sessions.
		Our hearts were hard, but they were warm
	www.everything2.com /index.pl?node_id=111799 (102 words)

	[No title]
		Studio Rivbea was the venue for the Wildflowers sessions documented on Douglas, and provided an essential meeting point and platform for adventurous musicians.
		Rivers was very much celebrating throughout the evening and thrived on the goodwill of the audience.
		The 16 piece Rivbea Orchestra, assembled from Rivers’ current base in Orlando, Florida, blasted out the opening set.
	www.allaboutjazz.com /php/review_print.php?id=22897 (1368 words)

	REVIEWS: JAZZ - Sam Rivers Trio & Rivbea Orchestra UK CBSO Centre \| Independent, The (London) \| Find Articles at ...
		Then he moved to New York, signing to Blue Note and creating his Studio Rivbea loft space.
		His Rivbea sound is constructed with relentless energy.
		He conducts from his stool, initiating brief solos that jump from horn to horn, forcing each player to compress their ideas.
	findarticles.com /p/articles/mi_qn4158/is_20041112/ai_n12822237 (505 words)

	KJ 10,000 Things: The Vision Festival
		Rivers' loft space Studio RivBea (opened in 1970 with his late wife Beatrice) was one of the primary launching pads for the New York loft scene.
		Like other lofts such as Studio WE and Studio WIS, RivBea provided an essential meeting point for adventurous musicians.
		This spring, Rivers, now an octogenarian, and his RivBea jazz orchestra released their latest CD, "Aurora" – gorgeous blasts of rich dense, atonal layers fused with stunning improvisational solos.
	www.kyotojournal.org /10,000things/056.html (1941 words)

	Downtown Music IV: Loft Jazz, 1972-79
		In addition to Sam Rivers' Studio Rivbea, other key Soho and Noho venues included: Ali's Alley, run by drummer Rashied Ali, a veteran of the John Coltrane quartet; pianist John Fischer's Environ; and The Ladies' Fort, run by singer Joe Lee Wilson, just down the street from Studio Rivbea.
		Studio We was on Eldridge Street, on the Lower East Side, and percussionist Warren Smith's Studio WIS and The Brook were located in Chelsea.
		Other venues that occasionally featured the same musicians included the Tin Palace, a club at Bowery and 2nd Street, Jazzmania Society, a loft in the East 20s, and La Mama theatre on East 4th.
	www.nyu.edu /library/bobst/research/fales/DowntownMusic/cherches8.html (758 words)

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