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Topic: Stuttgart Radio Symphony Orchestra

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	Faszination Musik - SWR.de (Site not responding. Last check: 2007-08-19)
		Today the Stuttgart Radio Symphony Orchestra is one of the state’s most important musical ambassadors, giving about 80 concerts a year in Stuttgart, in the area covered by SWR broadcasts, and in musical centres in Germany and abroad.
		The enthusiasm with which the "Stuttgart Sound" is received by audiences can be experienced not only at the regular concerts given by the RSO in the Liederhalle in Stuttgart but also at the numerous guest appearances it makes in the area covered by SWR broadcasts as well as on concert tours throughout Germany and abroad.
		In summer 2002, Sir Roger Norrington and the RSO performed the cycle of all nine symphonies by Beethoven at the "European Music Festival Stuttgart" in the context of concerts with accompanying lectures and as part of a master class for conductors.
	www.swr.de /swr2/faszination-musik/orchester/rso/en (1641 words)

	Biography of
		Among the high points in the history of the Stuttgart Radio Symphony Orchestra are the concerts conducted by Sergiu Celibidache.
		His performances of the former's Symphony of Psalms had an archaic austerity to them, while the ballet The Fairy's Kiss was of enchanting lightness and airiness.
		However stubborn and difficult Celibidache may have been as a result of his spontaneity, directness and ebullience and however much he may have wanted to be the constant centre of attention, he was no star conductor in the modern sense of the term but a performing artist in the service of his art.
	www.deutschegrammophon.com /artist/biography.htms?ART_ID=CELSE (927 words)

	Domain of Culture - Cultural Events (Site not responding. Last check: 2007-08-19)
		One of the most prominent orhestras in Germany, the SWR Stuttgart Radio Symphony Orchestra, welcomes Georges Pretre at its podium, the high acclaimed conductor of international fame.
		The orchestra's repertoire ranges from the classic-romantic orchestras repertoire of the 18th and 19th century to classic modern to contemporary music.
		Unusual for a radio orchestra is the inclusion of opera as part of the "Schwetzinger Festspiele" (Schwetzingen Festival) and the maintenance of ancient music with authentic performance practice.
	www.cultureguide.gr /events/details.jsp?Event_id=42604&catA=1 (386 words)

	INKPOT#90 CLASSICAL MUSIC REVIEWS: R.STRAUSS Don Juan. Tod und Verklärung. Ein Heldenleben. RESPIGHI Pini di Roma. SWR ...
		Unlike the two previous issues, of Brahms symphonies and Russian showpieces, this set offers evidence of Daniel Barenboim's description of Celibidache as "part magician and part gypsy" in ample measure.
		Celibidache is almost a full ten minutes longer than Fritz Reiner on his famous Chicago Symphony Orchestra recording (1954, RCA 09026 61494-2) and the only other recording to approach Celibidache's 50+ minutes is Barbirolli's LSO account on EMI (CZS5 69349-2).
		The Celibidache performance shares a great deal with Barbirolli's version: a sumptuous sound from the orchestra highlights the opulence of Strauss' writing, there is greater tension and electricity in the battle scene, and the acerbic wind writing is more keenly articulated.
	inkpot.com /classical/celi-dg3.html (839 words)

	Gramophone - Gramofile - The world's best classical music magazine
		Indeed, listening to these performances given with Carl Schuricht for Stuttgart radio in 1952 and 1956 it is difficult to imagine a finer Mozartian.
		Ad lib flourishes are delightfully ebullient and if there is a sudden slip of the finger at her first entry in K459 that is, perhaps, reassuring evidence that even she, with her matchless dexterity, could momentarily lose her concentration.
		Schuricht and the Stuttgart Radio orchestra are totally in sympathy with their inimitable soloist and the recordings have come up remarkably well.
	www.gramophone.co.uk /gramofilereview.asp?mediaID=204072&reviewID=200210537 (407 words)

	:: The Flying Inkpot :: Carl Schuricht conducts Richard Wagner - Haenssler Classics
		This is the sixteenth volume to emerge from the vaults of the Stuttgart Radio Symphony Orchestra featuring the conductor Carl Schuricht, well-known by collectors but eclipsed, largely due to the scarcity of his studio recordings, by his contemporaries.
		The Stuttgart Radio Symphony Orchestra plays no worse than other orchestras of the period and sometimes better, but they yield noticeably to later recordings in terms of technical excellence.
		Siegfried Idyll’s exposed orchestration shows this up most clearly – the strings don’t have the sheen nor the brass the clarity of articulation of later orchestras (nor, it must be admitted, the accuracy), but the woodwinds fare very well indeed in their obbligato parts.
	inkpot.com /classical/hanswagsch.html (386 words)

	Winnipeg Symphony Orchestra (Site not responding. Last check: 2007-08-19)
		From 1998 until 2003 he was chief conductor/Generalmusikdirektor of the Jenaer Philharmonie as well as Principal Guest Conductor of the Vancouver Symphony and from 1998 until 2001 Principal Associate Conductor of the Russian National Orchestra.
		Previous special highlights were concerts with the Royal Concertgebouw Orchestra Amsterdam and the most successful debuts with the Berliner Philharmoniker in November 2001, with the Chicago Symphony Orchestra in October 2002 as well as with the Münchner Philharmoniker in June 2003.
		In March 2004 he conducted again the Chicago Symphony Orchestra and he toured the USA with the Czech Philharmonic, the concluding concert took place at the New York Carnegie Hall.
	www.wso.mb.ca /maestro.php (458 words)

	Sergiu Celibidache Conducts: The Italian Bootlegs, Classical Notes, Peter Gutmann
		Following Germany's defeat, the unknown music student was catapulted to the helm of the second finest orchestra in Europe; he had just won a contest to lead a radio ensemble when the temporary conductor of the Berlin Philharmonic was killed and Celibidache was promoted to its helm.
		He remained with the orchestra even after its permanent conductor, the legendary Wilhelm Furtwangler, was finally absolved of collaboration in 1947 and resumed his career.
		There are also a Dvorak Symphony # 7 (on Artists Live FED 040), a Faure Requiem (on Exclusive 52) and a set of the Schumann Symphonies (on Artists Live FED 009/10) which are excellent but not uniquely insightful.
	www.classicalnotes.net /reviews/celibidache_conducts.html (1451 words)

	ArkivMusic \| Villa-lobos: Symphony No 7, Etc / St. Clair, Stuttgart Radio
		It's a mystery to me why anyone would claim that Villa-Lobos was not a natural-born symphony composer, not just because he wrote 12 of them, but also because they sound just like everything else he wrote--busy, exotic, and wholly characteristic of his inimitable style.
		Symphony No. 7 begins like one of his Amazonian tone poems, with "bird call" glissandos, glittering percussion, celesta, harp, and piano, and loony string writing that has to be heard to be believed.
		The ensuing lento must be accounted one of the most beautiful slow movements in all of the symphonies, attractive of melody and gorgeously scored.
	www.arkivmusic.com /classical/album.jsp?site_id=CTRV&album_id=82667 (351 words)

	MSN Encarta - Search Results - Stuttgart
		Stuttgart, city in southwestern Germany, capital of the state of Baden-Württemberg, on the Neckar River.
		Marriner, Sir Neville, born in 1924, British conductor and violinist, founder of the Saint Martin-in-the-Fields chamber orchestra.
		Exclusively for MSN Encarta Premium Subscribers--quickly search thousands of articles from magazines such as Time, Newsweek, The Atlantic Monthly, and Smithsonian.
	encarta.msn.com /Stuttgart.html (61 words)

	dOc DVD Review: Beethoven: Choral Fantasy (1987, 1985)
		The orchestra then comes in with a set of variations on a simple theme in C (which also prefigures the Ode to Joy in the Ninth Symphony), concluded with choral variations on the theme, ascending from conflict into harmony and from chaos into order.
		The orchestra tends to be in all speakers and the piano primarily in the front, leading to a slightly confused soundstage on this track.
		The orchestra is fighting a losing battle with the piano on the 5.1 audio, since there seem to be too few mikes spread amongst the orchestra.
	www.digitallyobsessed.com /showreview.php3?ID=853 (1224 words)

	Syracuse Symphony Orchestra
		In 1999, Governor George Pataki presented the Syracuse Symphony with the prestigious Governor's Arts Award for its outreach concerts to areas around the state, such as those locations in the Adirondack region where the SSO will perform on the coming tour.
		In its short history, the Syracuse Symphony has performed five concerts at Carnegie Hall, most recently on April 5, 2003, and was presented with the Governor's Arts Award in 1999.
		Syracuse Symphony Orchestra performances are made possible with public funds from Onondaga County, the Natural Heritage Trust and the New York State Council on the Arts, a state agency.
	www.syracusesymphony.org /news/releases/043003.html (961 words)

	Blue Orchid Artist Management Wolfgang Condin
		He led the Stuttgart Radio Symphony Orchestra, playing as if unleashed, in a performance of Bruckner which in terms of urgency and artistic merit could hardly have been be surpassed.
		It was a noteworthy performance on the part of the Barcelona Symphony Orchestra, both in terms of brilliant sound from the full orchestra and in terms of individual playing.
		Two years later, he was appointed by an indisposed Celibidache to take the Stuttgart Radio Symphony Orchestra on a national tour of Germany, receiving acclaim as one of Germany’s most talented conductors.
	www.blueorchid.de /uk/gueller/index.php (851 words)

	Musikhochschule Stuttgart (Site not responding. Last check: 2007-08-19)
		At the age of 20 he was invited to play Principal Trumpet with the Munich Philharmonic and the following year became Principal Trumpet with the Frankfurt Radio Symphony Orchestra, where he remained for 12 years.
		He is also currently Principal Trumpet with the Stuttgart Radio Symphony Orchestra.
		He has appeared as soloist with the Royal Philharmonic Orchestra, London, the Orchestre National de France, the London Philharmonic Orchestra, and the Radio Symphony Orchestras of Stuttgart, Frankfurt, Cologne, and Munich.
	www.mh-stuttgart.de /studium/fachgruppen/vita/bauer_w/bauer_w_e (291 words)

	The Budapest Sun Online - Story page (Site not responding. Last check: 2007-08-19)
		On Sunday, September 16 the Stuttgart Radio Symphony Orchestra is the guest in a program that includes Mahler's 4th Symphony and Brahms's 2nd Piano Concerto.
		Her international career began in 1987 at MIDEM in Cannes, and now, in addition to her career as a recitalist, she appears as soloist with such major orchestras as the Cleveland Orchestra, the London Symphony Orchestra, the Chamber Orchestra of Europe and the Philharmonia Orchestra.
		The conductor of the Stuttgart Radio Symphony Orchestra in this concert is no less distinguished.
	www.budapestsun.com /full_story.asp?ArticleId={4E5BE36A35BB4BD3AAC26FF5A7B83FA2}&From=Style (662 words)

	Classics Today.com - Your Online Guide to Classical Music
		Symphony No. 7 (1942) draws on themes from Atterberg's 1932 opera Fanal, which was based on a 16th-century subject.
		(Not surprisingly, Sibelius admired this work.) The symphony exudes an atmosphere of rustic joy in the first movement, and follows with a beautiful, brilliantly elaborated tune in the second, a bright and lively scherzo, and a swirling, folk dance finale.
		As we've come to expect, Ari Rasilainen and the Stuttgart Radio Symphony give stunning performances, producing a wonderfully robust sound, fully fleshing out Atterberg's richly colored orchestrations.
	www.classicstoday.com /review.asp?ReviewNum=3148 (240 words)

	Reissue CDs, JAN02, Pt. 2 - AUDIOPHILE AUDITION
		Particularly pointed is the 1952 SDR collaboration in Schubert's "Unfinished" Symphony, a performance almost feline in its stealth and calculated attacks and dynamic retreats.
		Malko became principal conductor of the Radio Orchestra around 1930, and he shared the building of the ensemble's discipline with another émigré, Fritz Busch.
		There is a ferocious tension in both symphonies: forget what stereotypically passes for slow tempi, the Bruckner urges and pushes its message with a rhetorical impatience rare in any interpreter, the anachronistic Haas edition notwithstanding.
	www.audaud.com /audaud/JAN02/REISSUES/recds2JAN02.html (3487 words)

	BBC - Radio 3 - Hear And Now - 27 November 2004
		Composed to mark the 70th birthday of Sir Roger Norrington, who conducts the Stuttgart Radio Symphony Orchestra with BBC New Generation Artist Alison Balsom as the trumpet soloist.
		Music extract from Helen Grime's 'Concerto for Oboe' performed by the Meadows Chamber Orchestra conducted by Peter Evans with the composer as soloist.
		Stuttgart Radio Symphony Orchestra conducted by Sir Roger Norrington with Alison Balsom (trumpet)
	www.bbc.co.uk /radio3/hearandnow/pip/i1khs (244 words)

	123 World's Greatest Orchestras -- From the book, Sekai no Okesutora 123
		Bournemouth Symphony Orchestra -- Bournemouth, U.K. Bruckner Orchester, Linz (Linz Bruckner Orchestra) -- Linz, Austria
		Magyar Radio Televizio Szimtonikus Zenekara (Hungary Radio Symphony Orchestra)
		Musikselskabet Harmonien (Bergen Philharmonic Orchestra) -- Bergen, Norway
	www.geocities.com /laurent_lin/classic_music/123.html (444 words)

	Great Conductors: Sergiu CELIBIDACHE : Classical CD Reviews- Dec 1999. Music on the Web(UK) (Site not responding. Last check: 2007-08-19)
		Sergiu Celibidache, the Romanian conductor and composer conducted the Berlin Philharmonic Orchestra from 1945 to 1951, and made his London debut in 1948 with the London Philharmonic Orchestra.
		He was chief conductor of the Munich Philharmonic Orchestra from 1979.
		Immediately, the hero's theme is denigrated to bathos, almost, to bemusement and barely tolerance as the orchestra watches and quietly and resignedly comments on the violin as it twitters away petulantly and coquettishly.
	www.musicweb-international.com /classrev/dec99/celibidache.htm (1359 words)

	INKPOT#84 CLASSICAL MUSIC: Celibidache Conducts Russian Music - Stravinsky, Prokofiev, Rimsky-Korsakov, Mussorgsky. SWR ...
		This Stuttgart recording, from 1978, is one of the very finest.
		The Fifth Symphony is a wartime work, composed in 1944, and, according to Prokofiev, was to "sing of man, free and happy, of his strength, generosity and the purity of his soul".
		The agony of Romeo's horror as he stands at Juliet's tomb, at once conveyed by a sparse string melody of unusual despondency, makes way for the shattering climax (and for once it really is that, drenched in tragedy) that announces the most passionate music Prokofiev ever wrote.
	inkpot.com /classical/russianceli.html (1480 words)

	iClassics (Site not responding. Last check: 2007-08-19)
		Beethoven's Choral Fantasy for piano, choir, and orchestra in c minor op.
		Oppitz, the famous pianist, is joined by the Stuttgart Radio Symphony Orchestra, conducted by Gianluigi Gelmetti and the Sudfunk Choir, directed by Joseph Beischer.
		Stuttgart Radio Symphony Orchestra (Conducted by: Gianluigi Gelmetti)
	www.iclassics.com /productDetail?contentId=46192 (178 words)

	BRUCKNER: Symphony No. 9 in D minor (original version) - Radio Stuttgart Symphony Orchestra/ Günter Wand - Profil
		I’m at a loss to explain why it was issued, because there is a later and much better version with Wand conducting the North German Radio Symphony Orchestra on RCA Red Seal, co-produced with NDR.
		He strongly felt the spiritual dimension of the scores, which he said would shine thru when they were heard as the composer originally conceived them.
		It’s surprising that with his deep involvement with Bruckner’s symphonies that Wand never conducted any of the Mahler symphonies so often linked with Bruckner.
	www.audaud.com /article.php?ArticleID=649 (376 words)

	Amazon.co.uk: Pärt: Orient Occident: Music (Site not responding. Last check: 2007-08-19)
		Orchestra: Swedish Radio Symphony Orchestra, Swedish Radio Choir
		The work was written in 1984 for male voice and string quartet but it is the 2001 version for men's choir and string orchestra which is heard here.
		Committed performances throughout come from the Swedish Radio Symphony Orchestra and Choir directed by Tõnu Kaljuste.
	www.amazon.co.uk /exec/obidos/ASIN/B00006I61F (513 words)

	Classical Net Review - Celibidache Edition
		Deutsche Grammophon's series contains material mostly from the previous decade, when Celibidache was the artistic director of the SWR Stuttgart Radio Symphony Orchestra.
		The Stuttgart Radio Symphony Orchestra doesn't have the lush sound of the Berlin or Vienna Philharmonic.
		The playing has character, though, which is a trait one cannot count upon in this age of one size fits all, "you can have it in any color, as long as it's fl" orchestral musicianship.
	www.classical.net /music/recs/reviews/d/dgg53190a.html (906 words)

	Amazon.ca: Music: Symphonies Nos. 7 & 8 (Site not responding. Last check: 2007-08-19)
		Kurt Atterberg (Composer), Ari Rasilainen (Conductor), Stuttgart SWR Radio-Symphony Orchestra (Orchestra)
		In both symphonies there are lots of violins swirling in triple time, most often a fast 6/8 and sometimes sounding for all the world like a slightly demented tarantella (third movement of the 7th).
		To my mind, the Eighth Symphony (1944-1945) is altogether the more impressive (which explains why Sibelius expressed high admirations of the piece during its 1945 Helsinki premiere).
	www.amazon.ca /exec/obidos/ASIN/B00005B17K (963 words)

	ArkivMusic \| Arts Archives - Opera Arias / Fritz Wunderlich
		Stuttgart Radio Symphony Orchestra, South German Radio Choir, South German Radio Men's Chorus,
		The excerpts (with one duet, from Der Barbier von Bagdad) on this CD were recorded from 1956-59 by the South German Radio before the late, lamented Fritz Wunderlich was 30 years old.
		They display impeccable diction, dead-center pitch, a youthful, golden, agile voice capable of incredibly light singing (in the two excerpts from Der Waffenschmied, the first of which features nimble coloratura), and a keen musical intelligence.
	www.arkivmusic.com /classical/album.jsp?site_id=CTRV&album_id=83488 (454 words)

	Classica / Carlos Kleiber (Site not responding. Last check: 2007-08-19)
		Carlos Kleiber, born in Berlin in 1930 and raised in Argentina, is an exceptional figure in the international music world.
		The program features Kleiber at work with the Stuttgart Radio Symphony Orchestra, first rehearsing and then performing the Overture to Johann Strauss' Die Fledermaus, incidentally the only operetta which Kleiber also conducts in the opera house.
		Classica's viewers are treated to one of the most recent examples of Carlos Kleiber's inimitable artistry with the live recording of a concert held at the Herkulessaal of the Munich Residenz in the fall of 1996.
	www.unitel.de /classica/032297.htm (488 words)

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