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| | MTO 6.1: Meeus, Toward a Post-Schoenbergian Grammar of Tonal and Pre-tonal Harmonic Progressions |
 | | Dominant and subdominant progressions tend to be more equally distributed: of 72 root progressions, 46 (64%) are dominant, compared to 26 (36%) subdominant. |
 | | The most striking, however, and probably the most significant, is the disposition of the progressions, with long chains of subdominant and of dominant progressions, stretching the diatony to its limits. |
 | | See in particular, at the beginning of the second system, the ascent by subdominant progressions from F to A or E, or, in the third system, the descent by dominant progressions from E to B flat. |
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