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Topic: Submediant

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	submediant (Site not responding. Last check: 2007-10-20)
		In music, the submediant is the sixth degree of the scale.
		For example, in the C major scale (white keys on a piano), the submediant is the note A; and the submediant chord uses the notes A, C, and E. In music theory, the submediant chord is symbolized with the Roman numeral VI if major or vi if minor.
		For example, relative to the key of C major, the key of A major is the submediant.
	www.yourencyclopedia.net /submediant.html (198 words)

	Unit07_submediant_and_mediant (Site not responding. Last check: 2007-10-20)
		The submediant triad is built on the sixth degree of the scale.
		Submediant is one of the most versatile chords.
		The submediant and mediant triads are commonly found in first inversion when they are part of harmonic sequence, or part of series of chords in first inversion.
	www.jcjc.cc.ms.us /faculty/finearts/JBrown/MUS1223/Study_Material/Unit07_submediant_and_mediant/Unit07_submediant_and_mediant.html (352 words)

	Submediant - Wikipedia, the free encyclopedia
		The submediant chord figures heavily in Jazz music, where it is used in the "ice cream change" progression which moves from the tonic through the submediant on the way to the ubiquitous 2-5-1 Jazz sequence.
		This progression sounds pleasant since the submediant a relative fifth above the supertonic.
		In German theory derived from Hugo Riemann the submediant in major is considered the tonic parallel (US relative), Tp, and the minor the subdominant parallel, sP.
	en.wikipedia.org /wiki/Submediant (227 words)

	OCR Document
		Since the submediant and mediant are used very little in this manner, however, they are mentioned only in passing.
		When the submediant and mediant are employed in first inversion, they generally follow a root position triad whose bass note is the same as that of their own first inversion note.
		In progressions in which roots are a second apart and the soprano and bass move in the same direction, the third of the submediant triad must be doubled in order to avoid parallel octaves, fifths, and/or melodic augmented seconds.
	www.okcps.org /teacher/jajones/CH14.htm (426 words)

	Triads
		Secondary triads are from the supertonic, mediant and submediant.
		The dominant and submediant are both major triads.
		Melodic: Because the sixth and seventh degrees of the ascending scale are different to the descending scale, each degree of the scale except the tonic has two possible triads.
	www.paulsmithmusic.co.uk /html/triads.html (463 words)

	Shostakovich String Quartets Conclusion
		The submediant is the sixth note in the rising scale, and in any major scale the submediant note defines the tonic of the major scale's relative minor, that is the minor scale which uses exactly the same notes (naturals, sharps and flats) that the major uses.
		What he did was, instead of using the submediant note to generate the next scale in an alternating succession of major and minor as is shown in Table 3, he first choose to use only major scales and only when they had been used did he start to compose with the minor scale.
		In that table the first three columns reproduce the scheme already shown in table 3, whilst the fifth shows his scheme of using the key of column 3 first as the tonic of a major scale before it is employed in the minor.
	www.quartets.de /dsch_concl.htm (1647 words)

	Submediant Seventh (Site not responding. Last check: 2007-10-20)
		The submediant seventh is a min7 in major keys and a Maj7 in minor keys.
		Regular resolution of the submediant seventh chord occurs when the subdominant scale degree is doubled on the supersonic chord.
		It progresses to the submediant or subdominant chord.
	www.tpub.com /harmony/31.htm (151 words)

	[No title] (Site not responding. Last check: 2007-10-20)
		Recall that moving away from the tonic one step to the right or to the left results in the Aeolian and Mixolydian modes respectively, each of which differ from Dorian by one tone.
		When these alternate mediant and submediant tones are added to the Dorian system, in a total of nine tones results.
		The two types of mediants and submediants are designated major and minor.
	www.ux1.eiu.edu /~cfaah/megastaff/7to13tones.htm (632 words)

	Submediant Triad (Site not responding. Last check: 2007-10-20)
		The third of the submediant (tonic scale degree) is doubled.
		This cadence is followed by a chord that would normally follow the submediant,
		First inversion of the submediant triad occurs primarily as a tonic chord with resolved or unresolved appoggiatura.
	www.tpub.com /harmony/26.htm (210 words)

	CGR Community - Definitions of Chord Functions (Site not responding. Last check: 2007-10-20)
		The tonic, mediant, and submediant all act (under normal circumstances) as the "tonic" function on Myron's chart.
		The mediant and submediant, because of their relationship to the tonic, bring up another interesting topic.
		In either a major or a minor key, the mediant and the submediant share the same sonority (in major, they're both minor; in minor, they're both major).
	www.christianguitar.org /forums/printthread.php?t=71754 (1177 words)

	[No title] (Site not responding. Last check: 2007-10-20)
		Secondary dominants of the submediant and mediant Altered scale degrees Position in the chords progression Part-writing considerations VI.
		The learner will be able to list the altered scale degrees typical of secondary dominants of the mediant and submediant.
		The learner will be able to describe the position occupied by secondary dominants of the mediant and submediant in a chord progression.
	www.kckcc.cc.ks.us /syllabi/doc/MUSC0213.DOC (2364 words)

	[No title] (Site not responding. Last check: 2007-10-20)
		Just as the harmonic mediant 5/4 was produced above the tonic, the harmonic submediant 8/5 is produced below the tonic.
		Recall that the names of the 13 tones derived within the 3-limit serve as standards from which new labels may be derived.
		The harmonic submediant 8/5 is close to the Minor Submediant 128/81, B
	www.ux1.eiu.edu /~cfaah/megastaff/system5.htm (538 words)

	MUS 112 Study Guide Test Three (Site not responding. Last check: 2007-10-20)
		Be able to illustrate via Roman numerals the chord qualities of mediant and submediant triads in major and minor keys.
		Be familiar with the most common position in which mediant and submediant triads are found.
		In addition to some general part-writing exercises utilizing mediant and submediant chords, you will have opportunity to harmonize two melodies.
	spider.georgetowncollege.edu /music/burnette/MUS112/112-3.htm (170 words)

	Humdrum Toolkit Representation Reference - Scale Degree
		By way of example, the pitch F4 in the key of A minor is represented as the submediant (
		In the key of A major, F4 is represented as the lowered submediant (
		Rests are represented by the single letter `r'.
	www.music-cog.ohio-state.edu /Humdrum/representations/degree.rep.html (423 words)

	quiz1 (Site not responding. Last check: 2007-10-20)
		supertonic, subdominant, and submediant in major; submediant, dominant, and leading tone in minor.
		tonic, subdominant, and dominant in minor; mediant, dominant, and submediant in major.
		mediant, dominant, submediant, and subtonic in minor; tonic, subdominant, and dominant in major.
	www.odu.edu /al/wbartolo/quiz3_21.html (254 words)

	MO01
		tonic, subdominant, and submediant in major keys and dominant and submediant in minor keys.
		subdominant and dominant in major keys and mediant and submediant in minor keys.
		tonic and subdominant in major keys and mediant and submediant in minor keys.
	www.odu.edu /al/wbartolo/quiz5_22.html (342 words)

	Humdrum Toolkit Representation Reference - Scale Degree
		By way of example, the pitch F in the key of A minor is represented as the submediant (
		) while F# is represented as the raised submediant (
		In the key of A major, F is represented as the lowered submediant (
	www.music-cog.ohio-state.edu /Humdrum/representations/deg.rep.html (390 words)

	Mediant Triad
		In minor keys, the major quality mediant triad may appear in root position or first inversion with doubled root.
		The fifth of the chord (subtonic scale degree) must descend to the submediant scale degree.
		The subtonic scale degree may be harmonized with the subtonic or the minor quality dominant chords.
	www.tpub.com /harmony/27.htm (225 words)

	MSN Encarta - Submediant
		Submediant, in music, the sixth note (or degree) of the diatonic scale, for example A in the C major scale.
		The chord of the submediant is a triad...
		Become a subscriber today and gain access to:
	encarta.msn.com /encyclopedia_762507171/Submediant.html (82 words)

	Dolmetsch Online - Music Dictionary Su - Sz
		the chord which uses as its root the submediant note of a key, that is, the VI chord
		Submediant seventh chord with raised root and third
		(English, Swedish, Danish, Dutch) the sixth degree of the scale, the submediant
	www.dolmetsch.com /defss5.htm (4242 words)

	[No title]
		Scale degree “la” might also be called: (A) Subdominant (B) Dominant (C) Submediant (D) Mediant Scale degree 7, in pure minor, might also be called: (A) Leading tone (B) Subtonic (C) Submediant (D) Mediant The cadential 6 - 4 chord is most often followed by which 7th chord?
		(A) V7 (B) ii7 (C) vii7 (D) I7 Which of the following progressions maintains submediant pitch as the bass note?
		(A) 3 — 4 (B) 12 — 8 (C) 12 — 16 (D) 2 -4 Ab is the submediant in which minor key?
	www.northern.edu /wieland/ap/terry/questions.doc (750 words)

	Submediant related page
		The day's work was over, and it was late in the evening, when she sat
		down, tired and faint, with a bundle of pages about Submediant
		felt, but none had tried to explain Submediant to her.
	dawlnine.netfirms.com /submediant.html (172 words)

	Music 112 Assignments (Site not responding. Last check: 2007-10-20)
		Major Tonic I, minor supertonic (ii), minor mediant (iii), Major Subdominant (IV), Major Dominant (V), minor submediant (vi) and Leading Tone triad (viio)
		minor tonic (i), minor supertonic (ii), Augmented mediant (III+), Major Subdominant (IV), Major Dominant (V), diminished subemediant (or RAISED SUBMEDIANT) (vio) and Leading Tone triad (viio).
		Write a melody above and below each given cantus firmus.
	www.nv.cc.va.us /home/jwulff/Music112.htm (168 words)

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