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| | Media in performance: Interactive spaces for dance, theater, circus, and museum exhibits |
 | | Although behavior-based computer graphics has proven successful in producing an effective interactive experience between the public and a variety of synthetic animal creatures, it is important to understand and discuss how it can be translated and applied to different application domains. |
 | | The private eye shows video and graphics superimposed on the user's real-surround view (Figures 29 and 30), just as in Improvisational Theater Space (Figure 18), except that now there is no more need for a stage and a projection screen. |
 | | Using this type of sensing and authoring technique, we have built applications for dance, theater, and the circus, which augment the traditional performance stage with images, video, graphics, music, and text and are able to respond to movement and gesture in believable, aesthetical, and expressive manners. |
| www.research.ibm.com /journal/sj/393/part1/sparacino.html (14617 words) |
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