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Topic: Supergrass (album)

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	BBC NEWS \| Entertainment \| Reviews \| Supergrass: Your views
		Supergrass first hit the UK charts in 1995 with Alright, a feel-good ditty that went on to become the song of the summer.
		Whereas all the reviews of the new album slate Supergrass's last album, I actually thought it was one of their best - Moving, Mary, Beautiful People & Faraway are in a different league to anything on the new album.
		Supergrass have been a band whose albums have kept to a consistant high standard and their latest is no different.
	news.bbc.co.uk /1/hi/entertainment/reviews/2288338.stm (529 words)

	The Strange Ones Supergrass Site (Site not responding. Last check: 2007-10-21)
		Supergrass returned home with minidiscs full of ideas and, over the next couple of months, hung out at each others houses giving structure to the music, and turning ideas into songs.
		The bulk of the album was recorded at Helioscentric Studio in Sussex and at Rockfield Studios, near Monmouth in Wales.
		Supergrass are a band with a singular identity and a universal spirit.
	www.secretworldofdave.btinternet.co.uk /supergrass/band/index.htm (583 words)

	BBC NEWS \| Entertainment \| Reviews \| Supergrass enjoy safe landing
		If the title of Supergrass's new album is anything to go by, the band have been on a very long journey in the three years since their last eponymous offering.
		On the face of it, Supergrass are sort of lads who do not have a care in the world and would be great drinking partners and reliable mates - which comes out in their music.
		So Supergrass are back after a disappointing last album, and they seem to have recaptured some of their rich musical form which brightens up the dullest of outlooks.
	news.bbc.co.uk /1/hi/entertainment/reviews/2288222.stm (570 words)

	albumvote reviews of Road To Rouen by Supergrass (Site not responding. Last check: 2007-10-21)
		Supergrass have gone up, down and sideways during the decade since the speedfreak-pop of I Should Coco; now they have assimilated all their experiences into this massively impressive fifth album.
		I think it may grow on me, but never as a 'supergrass album'......i would take it to work with me and listen to it while i work and stuff but im afaid i would be picking the other albums to play first.....i know they wanted to "grow up" but im not too sure about this.
		This album is brilliant, however it has a few flaws it is much to short and the theme is to mellow unlike life on other planets that had rockier stuff like brecon beakons and ruch hour soul.
	www.albumvote.co.uk /reviews/2117.html (1277 words)

	Supergrass: Album Reviews, Biography - MOG (Site not responding. Last check: 2007-10-21)
		Went to see Supergrass on wednesday in Reading, the Fez club is a really small venue so I figured that a band like Supergrass would be really good to see there.
		Supergrass came on about 9:20, I think and finished about 10:30.
		On its debut in 1995, the Oxford, UK trio Supergrass belied its youth with a precocious knowledge of British pop trends both past and present.
	mog.com /music/Supergrass (553 words)

	Amazon.com: Profile For M. Wells: Reviews (Site not responding. Last check: 2007-10-21)
		Supergrass is an amazing band, with their ability to sound retro and contemporary at the same time.
		This is one of the strongest albums in their cannon and although I Should Coco and LOOP are better, I recommend this album as essential to your record collection.
		The whole album is a classic and a nugget of the Britpop genre of the early-mid 90's.
	www.amazon.com /gp/cdp/member-reviews/A1EC5K48TLPYDM (3931 words)

	Supergrass + The Coral - PopMatters Concert Review
		Hard to believe that their debut album, released while the band members were still in their teens, came out so long ago, but here they were onstage, polished professionals still in their 20s.
		Unfortunately, that album was least represented in the setlist.
		Overall, I couldn't complain about Supergrass' musicianship or the energy they brought to the songs, but, before they hit Chicago again, I would suggest that they reacquaint themselves with their excellent catalog.
	www.popmatters.com /music/concerts/s/supergrass-030310.shtml (713 words)

	Supergrass - PopMatters Concert Review
		Supergrass has subsequently delivered an album of potent rock songs every couple of years since.
		Supergrass delivers music that makes me forget I'm the wrong side of 30 and still dabble in fun but only at weekends when one's partner is not checking how you look in the latest blazer.
		At the show's conclusion Gaz raised his arm and in the manner of a man content with his lot and warmed by being back where he belonged, offered a triumphant "Cheers," and that was that.
	popmatters.com /music/concerts/s/supergrass-041004.shtml (953 words)

	Supergrass - Wikipedia, the free encyclopedia
		Supergrass are an indie rock band from Oxford, England who were at their peak in the Britpop era of the mid-1990s.
		Supergrass' origins lie in the band The Jennifers, (not to be confused with the American band of the same name), formed at Wheatley Park School, which featured a 16-year-old Coombes on vocals and Goffey (then 18) on drums.
		However, the critical response to the album was generally very positive, with one reivewer claiming you should "listen to Supergrass because life is too short not to"[2].
	en.wikipedia.org /wiki/Supergrass (1723 words)

	Supergrass News: August 2005 Archives
		Supergrass were tainted with the wacky-stick; the perfect mid-point between The Monkees and the Pixies, they were equally uncomfortable in both camps.
		Supergrass enters the UK album chart with their fifth studio album 'Road To Rouen' at number 9.
		Supergrass launch their new album 'Road To Rouen' with a special acoustic performance at London's legendary jazz club Ronnie Scott's mixing hangovers, hits and new material.
	www.supergrass.tv /news/archives/2005/08/index.php (2249 words)

	[No title]
		During the mid-ninties, Brit-pop was the height of new music, and Supergrass managed to make a huge name for themelves during this period with their #2 summer single "Alright".
		Their debut album entitled "I Should Coco" went into the charts at #1, underlining the fact that Supergrass were a band to take note of.
		Supergrass had recorded a masterpiece, and it found them a new larger audience.
	members.lycos.co.uk /indierock/supergrass.html (312 words)

	Supergrass: Supergrass ---Ink Blot Magazine
		Dropping the forename, Supergrass released their first single, the semi-autobiographical "Caught by the Fuzz" in the summer of 1994 on the indie label Backbeat; Parlophone signed the band and reissued the single in the fall of the year.
		Not quite a radical departure from their previous two albums, the more nebulous Supergrass is a natural progression as they evolve into a career band.
		An enchanted audience waving glowsticks under a night sky is the image to accompany the sound of the album opener "Moving." With operatic and consistent beats, it's easily the strongest and most interesting track.
	www.inkblotmagazine.com /rev-archive/Supergrass_Supergrass.htm (428 words)

	BBC - Oxford Music - Supergrass preview
		After the successes of three platinum selling albums, 'I Should Coco' 1995, 'In It For The Money' 1997, and 'Supergrass' (X-ray Album) 1999, Supergrass are back in Oxfordshire, where they grew up, and are proud to present their fourth album 'Life On Other Planets' (L.O.O.P.).
		This talented group of musicians formed Supergrass in Wheatley in 1994 after failing in the job market as factory worker (Gaz Coombes), plunger-dishwasher (Mick Quinn), dinner lady (Danny Goffey) and astrophysicist (Robert Coombes).
		Eight years of touring these songs has established Supergrass as one of the most highly regarded and accomplished live bands in the country.
	www.bbc.co.uk /oxford/music/2004/03/supergrass_preview.shtml (238 words)

	Supergrass : I Should Coco - Listen, Review and Buy at ARTISTdirect
		Tearing by at a breakneck speed, I Should Coco is a spectacularly eclectic debut by Supergrass, a trio barely out of their teens.
		Sure, the unbridled energy of the album illustrates that the band is young, yet what really illustrates how young the bandmembers are is how they borrow from their predecessors.
		Supergrass treat the Buzzcocks, the Beatles, Elton John, David Bowie, Blur, and Madness as if they were all the same thing -- they don't make any distinction between what is cool and what isn't, they just throw everything together.
	www.artistdirect.com /nad/store/artist/album/0,,207675,00.html (255 words)

	Supergrass MP3 Downloads - Supergrass Music Downloads - Supergrass Music Videos
		Supergrass have a hard time coming down from their musical highs.
		They sprung back with 2002's Life on Other Planets, a truly wonderful pop album that was their best since their debut, but for 2005's Road to Rouen, they once again retreat from the bright colors and sunny melodies and turn toward darker textures.
		They have never shown such control on a record before -- previously, their best albums were exciting because they went all over the place, and did it well -- and it's quite intoxicating to hear them ride one groove, finding different variations within it, for an entire album.
	www.mp3.com /albums/20062142/reviews.html (936 words)

	REVIEW
		This is one of the standout tracks on the album despite being instrumental -- showing that the importance of Supergrass lies in their love of and mastery over the guitar.
		It is the direct descendant of famous early Supergrass drinking songs such as "Alright" and rests primarily on a classic T Rex guitar riff.
		The best songs on this album including this seem to be built around a great series of chords which have been jammed over a period of time and developed into their current form.
	www.westnet.com /consumable/2000/04.05/revsgras.html (829 words)

	In It for the Money: Reviews, Discography, Audio Clips, and more \|\|\| Music.com
		On their second album, the cleverly titled In It for the Money, Supergrass brought the songs to their forefront, slowing the tempos considerably and constructing a varied, textured album that makes their ambition and skill abundantly clear.
		Supergrass ' debut album I Should Coco rushed by at such a blinding speed that some listeners didn't notice the melodic complexity of its best songs.
		In fact, Supergrass has substituted the punky rush of I Should Coco for such sonic details, and while that means they only occasionally touch upon the breakneck pace of the debut (the hard-driving "Richard III"), they also deepen its joyful exuberance with subtle songs and remarkably accomplished musicianship.
	www.music.com /release/in_it_for_the_money/2 (397 words)

	Shipping News brings math rock to Cleveland (Site not responding. Last check: 2007-10-21)
		Released in 1994, their first album, "I Should Coco" led many people to believe that Supergrass were the "next big thing" in the world of post-Cobain music.
		Perhaps the only thing about the album that seems superfluous is the band’s random dropping of audio clips of chirping birds and bleating sheep throughout its course.
		Rather than allowing itself to be hindered by the plodding and wearisome tracks that characterized their last self-titled album, Supergrass has used "Life On Other Planets" to remind their fans of just the kind of writers that they are.
	www.wooster.edu /voice/20030221/ae_3.html (433 words)

	Amazon.co.uk: Road To Rouen: Music: Supergrass (via CobWeb/3.1 planetlab2.cs.unc.edu) (Site not responding. Last check: 2007-10-21)
		The last few Supergrass albums have seen a creeping maturity enter their happy-go-lucky design, but on Road To Rouen - the Oxford outfit’s fifth album – there’s little trace remaining of the wide-eyed adolescents that barrelled so madly through "Caught By The Fuzz".
		I find this album still typically Supergrass in many ways, they have an unmistakeable sound, but it is also quite different to their early material.
		The first three tracks are excellent but then the rest of the album is almost in danger of tailing off into mediocrity, but is saved by the superb production and the fact that although Supergrass have a lot of influences apparent in their music, they still manage to sound very original.
	www.amazon.co.uk.cob-web.org:8888 /Road-Rouen-Supergrass/dp/B0009Y336A (1043 words)

	New York's Premier Alternative Newspaper. Arts, Music, Food, Movies and Opinion (Site not responding. Last check: 2007-10-21)
		However talented they may be, and I am not saying I know how talented they are even after seeing them, and however appropriately their sound carries the future shock of modern times, at least one thing is for certain: they suffer from an identity crisis.
		That album was such a great capture, the sound of frenetic power-pop punk and completely irreverent teenage hijinks.
		But what they did excel on was "Lose It" from the first album, a rollicking jam-out with a lot less of the braggadocio of other tunes from that era.
	nypress.com /16/8/music/music1.cfm (904 words)

	hip online: artists: supergrass (Site not responding. Last check: 2007-10-21)
		The first thing I noticed about the latest release from Supergrass was how many artists they've creatively updated.
		The great thing is that that they've only played off of their influences and not stolen pieces shamelessly.
		Supergrass dips into many bins for their sound, creating a jangling beautiful mess.
	www.hiponline.com /artist/music/s/supergrass/supergrass.html (265 words)

	Amazon.co.uk: In It for the Money: Music: Supergrass (via CobWeb/3.1 planetlab2.cs.unc.edu) (Site not responding. Last check: 2007-10-21)
		This album is superb - from the hard driving "Richard III" to the gorgeous acoustic ballad "Its Not Me", the songwriting is up there with the likes of The Beatles throughout the whole album.
		Supergrass grow up on this album because its not punky like 'I Should Co Co' instead a brass section features on quite a few tracks which is reminiscent of some of The Beatles later stuff; its also not quite as fresh sounding as 'I Should Co Co' and doesn't hit you quite as hard.
		At first I was not too sure about the album, but after listerning to it a few times it really grew on me. 'Late in the Day' is a beautiful relaxing song and is worth realesing as a single.
	www.amazon.co.uk.cob-web.org:8888 /Money-Supergrass/dp/B000002UJO (1033 words)

	BreakingCustom v1.0
		Each respective Supergrass album had stylistic and writing differences, as well as a plethora of unusual instruments and this collection showcases these differences marvelously.
		If you own an album or two, there is no reason to shell out the 15 or so dollars other than the new tracks.
		However, if you have been interested in Supergrass in the past, this is a great collection to expose you to a variety of their material.
	www.breakingcustom.com /php/content_review.php?id=1102453503 (277 words)

	X-clusive: Supergrass Prepare For New Tour And New Album
		Supergrass frontman Gaz Coombes speaks exclusively to Xfm's Lauren Laverne about the band's new funkier-sounding single, their tenth anniversary tour, new decade-spanning DVD and workign on the next album proper.
		However, before the band begin work on their fifth studio album there is the little matter of their tenth anniversary tour and DVD release.
		Supergrass release 'Kiss Of Life' on May 24 with their best of album 'Supergrass Is Ten' following on June 7.
	www.xfm.co.uk /Article.asp?id=23313 (415 words)

	Supergrass News: New Supergrass LP: Born In A Barn, Literally
		The album, which contains just nine songs, runs the gamut from "Zappa and Jimi Hendrix riffs" to "weird elements of Eastern Europe," from Talking Heads to country music, the band says.
		They used zithers, ukuleles, brass, strings and a drum machine, and although Supergrass' new sound is all over the place, the bandmembers say they were much more focused in the studio: a converted barn with rudimentary recording equipment.
		Inspired by the rustic surroundings, Supergrass tried to reflect that feeling in the album: For instance, they recorded the album's first single, "St. Petersburg," in one take.
	www.supergrass.tv /news/archives/2005/08/new_supergrass.php (395 words)

	Supergrass - Road To Rouen : album review
		Greatest hits albums usually mark one of two things for a band - the end of their career or the signalling of a new direction.
		When Supergrass' We Are 10 was released last year, you'd be forgiven for thinking it was the former.
		A lot of this album could reasonably be described as that hackyned old chesnut 'Beatle-sque', but in a good way - rather than the usual lifts that bands such as Oasis have made a living from, Road To Rouen takes as inspiration the more interesting Beatles moments, such as The White Album.
	www.musicomh.com /albums4/supergrass-2_0705.htm (709 words)

	Compare Prices and Read Reviews on Supergrass - Supergrass at Epinions.com
		The genre is characterized by a quirky sense of humor mixed with an air of snobbishness.
		The world got their first taste of Supergrass in the mid-1990’s thanks to the release of the infectious semi-autobiographical track ”Caught By The Fuzz” and the subsequent ”Mansize Rooster” and ”Lenny”.
		Their most recent self titled US release (2000’s Supergrass) was met with brief MTV success thanks to the humorous ”Pumping On Your Stereo”.
	www.epinions.com /content_41669987972 (1202 words)

	Supergrass News: Pitchfork review Road to Rouen
		On an album that resides mostly in slower tempos, it becomes clear just what a great singer Coombes is: He has a rich, nuanced voice that sounds great shouting or navigating a delicate melodic phrase.
		Unfortunately, Supergrass doesn't really ever harness any of the momentum they create on individual songs to make a truly great LP, throwing away the peak they reach on the epic, six-and-a-half-minute power ballad "Roxy" on a meaningless, jokey interlude called "Coffee in the Pot".
		There's a lot to love here, and Supergrass is still a killer band when they get in their groove, but there's definitely a noticeable lack of the hunger that once dripped from their music, no sneer to bring it all crashing home.
	www.supergrass.tv /news/archives/2005/09/pitchfork_revie.php (508 words)

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