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| | E-ASPAC |
 | | Macedonian, zurla; Turkish, zurna; Arabic, zamr and surna (also (suryanai); Iraqi, zurna (?); Persian, sorna (surnay); Afghanistani, sornai; North Indian, shahnai; South Indian, nagasvara; Sinhalese, horana(va); Burmese, hne`; Javanese; sruni; Atjeh, srune; Batak, sarune; Dayak, serunai; Cambodian, sralai; Malayan, sernai; Sumatran, srune`; Chinese suoonah [8] |
 | | There seemed to be little doubt that the first of these, the sahnäï/ surnä, was connected with the Near and Middle Eastern tradition involving the surnay and the accompanying double-headed drum, duhul, since the Indian shahnäï is often associated with a drum, dhol, similar to the duhul both in name and structure. |
 | | Thus for instance in the Northern Areas of Pakistan (territory disputed by India and Pakistan), musicians (called Dom in the Shina language) play the double-reed surnai, the fipple flute, or the transverse flute, the dadañ 'double-headed drum' and the damal 'pair of kettledrums'. |
| mcel.pacificu.edu /easpac/2005/karanth.php3 (6627 words) |
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