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| | suzan-lori parks |
 | | Parks, more than any other recent writer--more than August Wilson or other polemicists "fired," as Wilson has written, in the "kiln" of the '60s--shows, mostly through her sense of humor, exactly how and why trying to make black history a minor subplot of a white story is laughable. |
 | | Parks had already learned from her favorite fiction writers, William Faulkner, Virginia Woolf and James Joyce, that she could do anything she wanted with language, and that character and feeling needn't be sacrificed at the high altar of formal experimentation. |
 | | Parks dances and plays music as she writes; she practices karate and yoga and has a physical presence that can fill a whole room, whether or not she is speaking. |
| www.tcg.org /am_theatre/at_articles/AT_Volume_17/Oct00/at_web1000_parks.html (4936 words) |
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