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| | Guardian | CBSO/Oramo |
 | | The Swan of Tuonela, with its long-limbed cor anglais solo unfolded over dark-hued strings, is one of Sibelius's most popular pieces, but it is rarely heard in the context that the composer intended, as the third of the Lemminkainen Legends he wrote in the mid-1890s. |
 | | Towards the end of his life, Sibelius referred to the four pieces as a symphony, and that is how the set emerged in Sakari Oramo's performance with the City of Birmingham Symphony Orchestra, as a tonally and thematically integrated piece of musical architecture. |
 | | In the symphonic scheme the demonic second movement, which depicts the hero Lemminkainen's trip to the underworld (where he has been sent by Pohjola's daughter, though that is another story and another, later Sibelius tone poem), is the Scherzo, and The Swan of Tuonela functions as the slow movement. |
| www.guardian.co.uk /print/0,3858,4633408-108884,00.html (298 words) |
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