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| | "Swing Kids" |
 | | The film opens and closes with National Geographic-esque commentary describing the rebellious youngsters in Nazi Germany who wore their hair long and zealously bought illegal recordings of Goodman and Shaw; the soundtrack, in a similarly historic vein, is comprised entirely of songs that existed during the Swing era. |
 | | Even the Swing Kids in the movie recognize the vital nature of soloists, for they sit about their club endlessly debating whether or not Tommy Dorsey plays "hot" or "sweet" the same way a sports fan would analyze every last statistic of the quarterback of his favorite football team. |
 | | Swing, according to "Swing Kids," is a sort of Techno for the '40s: not a musical art form, but a heavily accented, sped up, and across-the-board forte, not an instrument of expression, but an agent of fun, allowing its listeners to cut loose and dance as joyfully and excitedly as they wish. |
| xroads.virginia.edu /~CLASS/am483_97/projects/graham/swingkids.html (1283 words) |
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