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| | British Theory and Criticism: 5. Symbolism |
 | | The artists we classify as Symbolists aimed at purifying their art of all that was nonessential (some, such as Villiers de l'Isle Adam, were dramatists; a few, such as J. Huysmans, were novelists). |
 | | Symbolist poets such as Paul Verlaine and Arthur Rimbaud, for example, rejected both the superficial rhetoric of argument and discussion and the dense notation of description and narration, all things that had obscured the true nature of poetry, in favor of the severe purity of a symbolic lyricism. |
 | | The Symbolists restored purity to the arts, Symons maintains, by suggesting rather than saying, by evoking through symbols rather than submitting to the "old bondage of rhetoric, the old bondage of exteriority" (5) and describing through the logic of argument or the record of details. |
| www.press.jhu.edu /books/hopkins_guide_to_literary_theory/british_theory_and_criticism-_5.html (1506 words) |
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