| |
| | Guardian Unlimited | Arts | Brahms: Symphony No.4 |
 | | Of all Brahms's orchestral works it is one in which the balance between structural control and expressiveness is most perfectly maintained, in which the form does not constrict the content but, on the contrary, liberates it. |
 | | Among the historical, ie, pre-LP, versions, Arturo Toscanini's with the NBC Symphony (RCA) from the late 40s still stands out for its structural rigour, clean-limbed lyricism, and the electricity his conducting generates. |
 | | All the heavyweights of the post-war era have something to say about Brahms 4 - Otto Klemperer with the Philharmonia (EMI) is typically sure-footed with its structure, and grittily direct with its lyricism too; Herbert Von Karajan (Deutsche Grammophon) is lithe, beautifully moulded, and, just in the final analysis, lacking in definition. |
| www.guardian.co.uk /arts/keynotes/story/0,11111,608974,00.html (432 words) |
|