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	Taddeo Zuccaro - Wikipedia, the free encyclopedia
		Taddeo Zuccaro (1529-1566), one of the most popular painters of the Roman mannerist school, was the son of Ottaviano Zuccaro, an almost unknown painter at St Angelo in Vado, where he was born in 1529.
		Taddeo found his way to Rome, and he succeeded at an early age in gaining a knowledge of painting and in finding patrons to employ him.
		Taddeo returned to Rome in 1548, and began his career as a fresco painter, by executing a series of scenes in monochrome from the life of Marcus Furius Camillus on the front of the palace of a wealthy Roman named Jacopo Mattei.
	en.wikipedia.org /wiki/Taddeo_Zuccaro (404 words)

	ZUCCARO, TADDEO - LoveToKnow Article on ZUCCARO, TADDEO (Site not responding. Last check: 2007-10-08)
		TADDEO ZUCCARO (1529-1566), one of the most popular painters of the so-called Roman mannerist school, was the son of Ottaviano Zuccaro, an almost unknown painter at St Angelo in Vado, where he was born in 1529.
		Taddeo returned to Rome in 1548, and began his career as a fresco painter, by executing a series of scenes in monochrome from the life of Furius Camillus on the front of the palace of a wealthy Roman named Jacopo Mattei.
		FEDERIGO ZUCCARO (1543-1609) was in 1550 placed under his brother Taddeo's charge in Rome, and worked as his assistant; he completed the Caprarola frescoes.
	www.1911encyclopedia.org /Z/ZU/ZUCCARO_TADDEO.htm (1030 words)

	Zuccaro on Encyclopedia.com (Site not responding. Last check: 2007-10-08)
		Taddeo Zuccaro, 1529-66, won recognition by his decorative paintings in the Mattei Palace, Rome.
		Among Taddeo's other works in Rome are the Dead Christ (Borghese Gall.) and the Conversion of St. Paul (Doria Gall.).
		Federigo Zuccaro, 1543-1609, was associated with his brother for years, but led a more picaresque life.
	www.encyclopedia.com /html/Z/Zuccaro.asp (452 words)

	AllRefer.com - Zuccaro (European Art To 1599, Biography) - Encyclopedia
		Taddeo Zuccaro, 1529–66, won recognition by his decorative paintings in the Mattei Palace, Rome.
		Federigo Zuccaro, 1543–1609, was associated with his brother for years, but led a more picaresque life.
		See J. Gore, Taddeo Zuccaro (1969); N. Pevsner, Academies of Art, Past and Present (1940) and A. Blunt, Artistic Theory in Italy (1956).
	reference.allrefer.com /encyclopedia/Z/Zuccaro.html (356 words)

	Taddeo Zuccaro
		Taddeo’s earliest independent paintings show the particular influence of Polidoro da Caravaggio, and include several facade decorations of a type made popular by him, the most important of which was at the Palazzo Mattei.
		The last decade of his career found Taddeo enjoying the extensive patronage of the Farnese family, who commissioned from him the decoration of both the Palazzo Farnese in Rome and their large villa at Caprarola with scenes illustrating the history of the family.
		Taddeo Zuccaro was a superb draughtsman, whose drawings reveal a highly original and inventive artist.
	www.artnet.com /artist/18463/Taddeo_Zuccaro.html (368 words)

	Zuccaro - AMAM
		Federico Zuccaro was engaged on the decorative campaign of the Palazzo Farnese in Caprarola after the death of his brother Taddeo in 1566.
		Zuccaro's fresco of The Lord Creating the Sun and the Moon is the central scene in the dome, with six other biblical narratives in circular frames below, including The Flood, The Sacrifice of Isaac, and The Creation of Eve.
		Zuccaro thus lost Michelangelo's evocative duality, which suggests both a framed historical narrative as well as a heavenly glimpse of God in the act of creation.
	www.oberlin.edu /allenart/collection/zuccaro.html (1269 words)

	ART / 4 / 2DAY
		Although Taddeo Zuccaro was only 37 when he died he had made a great name for himself as a fresco decorator, working most notably for the Farnese family in their palace at Caprarola.
		Taddeo’s façade decorations were considered to equal those of Polidoro da Caravaggio; none survives, although some are documented in drawings and show his assimilation of Polidoro’s style.
		Taddeo’s earliest extant works date from 1553 when he collaborated with Prospero Fontana on the decoration (since partly destroyed) of the villa of Pope Julius III outside the Porta del Popolo in Rome; Taddeo’s contributions included scenes of The Seasons in the loggia of the nymphaeum.
	www.safran-arts.com /42day/art/art4sep/art0901.html (5621 words)

	Art Fund Recent Acquisition Detail (Site not responding. Last check: 2007-10-08)
		Taddeo Zuccaro was one of the main promoters of the Mannerist style in Rome in the mid 16th century.
		However, Taddeo was seen as an innovator, with his later works influencing the early development of a more classicising style, which coincided with the Counter Reformation.
		Together with the fresco in the Sala Regia of the Vatican, Taddeo is known for his frescos in the Sta Maria della Consolazione, which was completed in 1556.
	www.artfund.org /main_site/news_detail.asp?ID=379 (341 words)

	Federico Zuccaro
		The careers of Taddeo Zuccaro (1529-1566) and his brother Federico (1540/41-1609) mark the transition from the Mannerist style, of which Taddeo was the last master, to the Baroque, which Federico helped to create.
		Mundy suggests that "while Taddeo might be said to revel in the local artistic dialogue, Federico would aspire, in his drawing, painting, and his theoretical works, to a visual form of Esperanto.
		Unlike Taddeo, for whom, as for Michelangelo, the human body was the primary means of conveying meaning in art, Federico used the common language of symbols (undergoing codification in the manuals of the late sixteenth and early seventeenth centuries so that gentleman could understand the vocabulary of the new generations of artists).
	spaightwoodgalleries.com /Pages/Zuccaro.html (370 words)

	Frederico Zuccaro or Zuccari/BIOGRAPHY
		Frederico Zuccaro or Zuccari, younger brother of Taddeo Zuccaro, was born in 1540 or 1542 in San Angelo and learned painting with the latter in Rome.
		Zuccaro also worked in the Vatican and in the Farnese Villa and was invited to Florence to complete works in the Santa Maria dei Fiori church that Vasari had not finished.
		Taddeo Zuccaro died in 1566 and Frederico was called upon by Pope george XIII to paint the vault of the of the Cappella Paolina but a dispute with some members of the Papal household forced him to flee.
	www.artcult.com /zucca.html (289 words)

	Taddeo Zuccaro (Getty Museum) (Site not responding. Last check: 2007-10-08)
		Taddeo Zuccaro's father taught him to draw, but the flourishing artistic culture of Rome lured him from his home in Sant'Angelo in Vado near Urbino when he was just fourteen.
		His younger brother Federico Zuccaro later recorded his early career in Rome in a series of twenty drawings-from the rejection from his painter cousin's studio to the study of the High Renaissance masters.
		Taddeo Zuccaro borrowed elements from both the High Renaissance style and Mannerism, combining figures of natural proportion and idealized form with intense emotion.
	www.getty.edu /art/collections/bio/a360-1.html (207 words)

	Taddeo Zuccaro -- Facts, Info, and Encyclopedia article (Site not responding. Last check: 2007-10-08)
		Taddeo Zuccaro (1529-1566), one of the most popular (An artist who paints) painters of the so-called Roman mannerist school, was the son of Ottaviano Zuccaro, an almost unknown painter at St Angelo in Vado, where he was born in 1529.
		Taddeo returned to Rome in 1548, and began his career as a fresco painter, by executing a series of scenes in monochrome from the life of (Click link for more info and facts about Marcus Furius Camillus) Marcus Furius Camillus on the front of the palace of a wealthy Roman named Jacopo Mattei.
		He died in Rome in 1566, and was buried in the ((antiquity) a temple to all the gods) Pantheon, not far from Raphael.
	www.absoluteastronomy.com /encyclopedia/t/ta/taddeo_zuccaro.htm (284 words)

	ArtScope.net News
		On view will be a series of 20 drawings by Federico Zuccaro (1541-1609) chronicling the artistic coming of age of his older brother, Taddeo, from his early apprenticeship to his first major commission at the age of 18.
		Taddeo Zuccaro (1529-1566) was among the most famous Italian artists of his time and was a virtually unrivaled draftsman.
		The series culminates in a scene showing Taddeo working on his first major commission to paint frescoes adorning the facade of the Palazzo Mattei with Michelangelo and Vasari looking on and marveling at the young master's genius.
	www.artscope.net /NEWS/news062999-3.shtml (491 words)

	ZUCCARO, or ZUCCHERO - Online Information article about ZUCCARO, or ZUCCHERO (Site not responding. Last check: 2007-10-08)
		TADDEO ZUCCARO (1529-1566), one of the most popular painters of the so-called See also:
		Roman mannerist school, was the son of Ottaviano Zuccaro, an almost unknown painter at St Angelo in Vado, where he was See also:
		Taddeo re-turned to Rome in 1548, and began his career as a See also:
	encyclopedia.jrank.org /YAK_ZYM/ZUCCARO_or_ZUCCHERO.html (1353 words)

	Taddeo Zuccaro Online
		Taddeo Zuccaro at the Metropolitan Museum of Art, New York City
		Taddeo Zuccaro in the Los Angeles County Museum of Art Database
		All images and text on this Taddeo Zuccaro page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/zuccaro_taddeo.html (226 words)

	Taddeo La Casa Di Taddeo - Home To Ronald M. & Stephanie Taddeo. Welcome You To The Online Home Of
		Taddeo Gaddi art links/last verified July 12-13, 2004 All images and text on this Taddeo Gaddi page are copyright 1999-2004 by John Malyon/Artcyclopedia, unless otherwise.
		Taddeo Zuccaro's father taught him to draw, but the flourishing Taddeo Zuccaro borrowed elements from both the High Renaissance style and Mannerism.
		Taddeo was probably born about 1300; Agnolo and Giovanni after 1333.
	www.99hosted.com /names20382.html (527 words)

	Biography
		Italian Mannerist painter, brother of Taddeo Zuccaro (1529-66).
		His talent was no more exceptional than Taddeo's, but he became even more successful and won himself a European reputation - indeed for a time he was probably the most famous living painter.
		Zuccaro also worked as an architect, designing a doorway in the form of a grotesque face (one enters through the open mouth) for his own house (the Palazzo Zuccaro, now the Biblioteca Hertziana).
	www.wga.hu /bio/z/zuccaro/federico/biograph.html (249 words)

	Taddeo Zuccaro - A Man Sharpening a Quill
		Carlo Ridolfi records that Muziano, who was three years younger than Taddeo, befriended the older artist when he had newly arrived in Rome, and that the two spent time together studying the famous paintings and antique sculpture in the city.
		Almost certainly drawn from life, the present sheet is unusual among Taddeo Zuccaro’s surviving drawings in its high degree of finish.
		Also indicative of a dating for the present sheet to the early part of Taddeo’s career in Rome is the sculptural quality of the draughtsmanship, which finds stylistic echoes in the chalk drawings of Michelangelo, such as those for the Sistine Chapel frescoes.
	www.artnet.com /artwork/424220069/taddeo-zuccaro-a-man-sharpening-a-quill.html (694 words)

	[No title]
		The Zuccaros are exceptional and provide us with a means of showing how draftsmen of the past worked and what inspired them to draw.
		Federico Zuccaros drawings document the hardships of his brother's mistreatment at the cruel hands of his masters in Rome and culminates in his first successful commission.
		Federico Zuccaro's account of Taddeo's travails and ultimate triumph closely follows the text of Vasari's "Life of Taddeo Zuccaro" in his "Lives of the Painters, Sculptors, and Architects" (Florence, 1568).
	www.artscope.net /NEWS/news020299-14.shtml (1014 words)

	Life of Taddeo Zuccaro (Getty Museum) (Site not responding. Last check: 2007-10-08)
		In this series of twenty drawings, Federico Zuccaro illustrated the early life of his older brother Taddeo Zuccaro, from the hardships of his early training in Rome until his first artistic triumph at the age of eighteen.
		In addition to the sixteen scenes from Taddeo's life, the series includes four drawings of allegorical Virtues flanking the Zuccaro emblem.
		The imagery of Taddeo's early struggles would have been an appropriate reminder for the students at the beginning of their careers.
	www.getty.edu /art/collections/objects/o134685.html (235 words)

	Taddeo Zuccaro (1529 - 1566) Artwork Images, Exhibitions, Reviews
		Taddeo Zuccaro, Burial Procession (Funeral) of St. Bernardino of Siena, 16th century
		Taddeo Zuccaro - Sheet of Studies for the Blinding of Elymas, Sacrifice at Lystra, and a Holy Family 1556-58 pen and brown ink The Art Institute of Chicago Italian
		Agnolo di Taddeo Gaddi, Italian (Florentine), active in 1370—died in 1396 The Crucifixion with the
	wwar.com /masters/z/zuccaro-taddeo.html (323 words)

	The Hutchinson Dictionary of the Arts: Zuccaro@ HighBeam Research (Site not responding. Last check: 2007-10-08)
		Federigo Zuccaro (1542-1609), the younger of the two and the more important artist, was a leading exponent of the Mannerist style.
		Taddeo Zuccaro (1529-1569) was the principal partner in the decorative works in which he collaborated with his brother.
		The brothers worked together on the decoration of the Sala Regia in the Vatican, Rome, and in the Villa Farnese at Caprarola, Federigo completing the work when his...
	www.highbeam.com /library/doc0.asp?DOCID=1P1:28925492&refid=ip_encyclopedia_hf (160 words)

	The Metropolitan Museum of Art - Works of Art: The Robert Lehman Collection
		This drawing is a preparatory study for a ceiling fresco in the Frangipani Chapel in San Marcello al Corso, Rome, the decorations of which were executed by Taddeo Zuccaro between 1558 and 1566, the year of the artist's premature death.
		Typical of his graphic style is the animated, fluid contour line and the rich combination of media.
		The densely packed composition and the exaggeratedly posturing, broad-hipped figures exemplify the Mannerist style that dominated Roman painting in the second half of the sixteenth century and of which Taddeo was a leading proponent.
	www.metmuseum.org /Works_Of_Art/viewOne.asp?dep=15&viewMode=0&item=1975.1.553 (144 words)

	ART / 4 / 2DAY
		— Taddeo and Federico Zuccaro were leaders in the development of a classicizing style of painting that succeeded High Mannerism in Rome in the late 16th century.
		His talent was no more exceptional than Taddeo's, but he became even more successful and won himself a European reputation — indeed for a time he was probably the most famous living painter.
		The son of a painter in Urbino, he absorbed Mannerism in Rome under his brother Taddeo, who was a dozen years his senior.
	www.jcanu.hpg.ig.com.br /art/art4jul/art0720.html (5397 words)

	Taddeo Decorating Facade (Getty Museum) (Site not responding. Last check: 2007-10-08)
		The series culminates with the largest and most elaborate scene, showing Taddeo Zuccaro decorating the facade of the Palazzo Mattei, the work that established his reputation when he was only eighteen years old.
		Taddeo sits precariously on a scaffolding painting the facade, with two allegories of Fame flying above.
		Completed in 1548, the facade was hailed as a masterpiece by the leading artists in Rome, and it cemented the young Taddeo's reputation.
	getty.museum /art/collections/objects/o134704.html (210 words)

	ZUCCARO (Site not responding. Last check: 2007-10-08)
		Search the ZUCCARO Family Message Boards at Ancestry.com (if available).
		Search the ZUCCARO Family Resource Center at RootsWeb.com (if available).
		Find graves of people named ZUCCARO at Find-a-Grave.com (or add one that you know).
	www.worldhistory.com /surname/US/Z/ZUCCARO.htm (73 words)

	ZUCCARO, FEDERIGO - LoveToKnow Article on ZUCCARO, FEDERIGO (Site not responding. Last check: 2007-10-08)
		ZUCCARO, FEDERIGO - LoveToKnow Article on ZUCCARO, FEDERIGO
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