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| | The Tain, 1969 |
 | | These formal elements make it clear that The Tain is a production of carefully choreographed visual information, one comparable with the unity of Verlaine's language, Bonnard's arabesques, and the floral font in Parallèlement... |
 | | In his Tain illustrations, the ability of le Brocquy's drawings to emerge and dissolve gives fitting expression to the peculiar marriage of mysticism and raw physicality contained in Kinsella's text. |
 | | Like gestures of primeval fear, strength, or passion, the "explosive" energy of the brushwork captures the physical exuberance of the text, as can be seen in the images of "bodily matters" and of violence, as in the several drawings of Cúchulainn's "warp spasm". |
| www.anne-madden.com /LeBPages/printsbookstain.html (1431 words) |
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