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Topic: Talk:Native Instruments


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In the News (Sun 12 Oct 08)

  
 Korean Culture
In the Koryǒ Dynasty (918-1392) emissaries from China presented instruments as gifts to the court in response to KoreaÂ’s tribute to the Chinese emperor and in recognition of KoreaÂ’s already flourishing music culture.
In the 1980s, students reacted against the continued U.S. presence in South Korea and looked to indigenous (native) art forms to express “Koreanness.” This nationalistic movement sparked a revival in traditional performing arts, and from this moment on the status of traditional music improved.
Although continuous contact with China over the centuries resulted in borrowing of musical forms and instruments, Koreans maintained this music as separate and distinct from Korean music.
www.indiana.edu /~ealc100/4_24b.html

  
 NATIVE INSTRUMENTS: absynth reloaded
And it’s not just the visual effects that are forward thinking: Matrix Reloaded also boasts a powerful electronic soundtrack produced by Ben Watkins (of Juno Reactor) and Greg Hunter, both of whom are dedicated Native Instruments software users.
Our own Bela Canhoto sat down with Greg and Ben individually to talk about composing electronic music for film, NI software and what it feels like to work on one of the biggest films of the summer.
Best known as the mastermind behind the legendary psychedelic-electronic act Juno Reactor, Ben Watkins recently made a major break into the world of film music with his work on the soundtrack for Matrix Reloaded with co-producer Greg Hunter.
www.native-instruments.com /index.php?matrix_us&flash=0   (359 words)

  
 Steve Sano on the musical threads in his life (4/97)
His wife, Linda Uyechi, a lecturer in linguistics, is from Hawaii, where the distinct chord variations of the slack key style were born of the late 19th-century marriage of Spanish instruments and native vocal traditions.
Sano had brought with him a new guitar he commissioned from craftsmen on the island of Maui, and he lifted it delicately from its case at the end of his talk.
In recent years, Sano has become increasingly intrigued by what he calls "ethnic musics." North American taiko, which developed in the late 1960s and early 1970s, at a time of awakening political awareness in the Asian American community, has linked with a number of other musical threads in his life.
www.stanford.edu /dept/news/relaged/970428sano.html   (359 words)

  
 Connie MacAskill, Closer to Home
While there's often talk of the "native land sae far awa'" there is certainly a deep abiding love for the new one.
Backing MacAskill on this project are the very talented Kevin Evans, who plays most of the instruments on the CD, Roger Stone, who adds a wonderful clawhammer banjo, and Martin St. Maurice on fiddle.
MacAskill's clear, strong voice is comparable to that of one of her earliest idols, Anne Murray.
www.rambles.net /macaskill_closerhome01.html   (562 words)

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