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| | Liverpool Interactive CDROM WebsiteLiverpool-Interactive CDROM Website</u> <i>(Site not responding. Last check: 2007-11-06)</i></td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> This interactive tour of <b>Liverpool</b> CD-Rom introduces you to a vibrant and happening city. </td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> A slideshow relates the rise of <b>Liverpool</b> into the great city it is today. </td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> The words <b>Liverpool</b> and music are synonymous; listen to songs that have links to the city’s history, maritime past and sport.</td></tr>
<tr><td></td><td colspan=2><font color=gray>www.liverpool-interactive.co.uk</font> (125 words)</td></tr>
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<tr><td> </td><td colspan=2><u>Southport Reporter.</u> <i>(Site not responding. Last check: 2007-11-06)</i></td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> PCBT Photography is supporting <b>Liverpool</b> over the run up and during Capital Of Culture 2008. </td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> Visible only at night, moving text related to consumption, desire and femininity will be projected over the water onto <b>Tate</b> <b>Liverpool’s</b> building in the historic <a href="/topics/Albert-Dock" title="Albert Dock" class=fl>Albert Dock </a>— commenting on the surrounding environment and transforming <b>Liverpool’s</b> urban landscape into a grandiose spectacle. </td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> THE <b>Tate</b> Gallery are to appointment Simon Groom as their new Head of Exhibitions and Display at <b>Tate</b> <b>Liverpool</b>.</td></tr>
<tr><td></td><td colspan=2><font color=gray>www.southportreporter.com /68/southportreporter68-art.shtml</font> (451 words)</td></tr>
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<tr><td> </td><td colspan=2><u>Art in America: Marc Quinn at the Tate Liverpool</u> <i>(Site not responding. Last check: 2007-11-06)</i></td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> Occupying the entire top floor of the <b>Tate</b> <b>Liverpool</b>, this recent survey of works by Marc Quinn, organized by Christop Grunenberg and Victoria Pomeroy, <a href="/topics/Museum" title="Museum" class=fl>museum</a> director and curator, respectively, contained 30 sculptures, paintings, photos and drawings, produced over the past six years. </td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> Elsewhere in the show, Eternal Spring (Lilies) II (1998) is part of a series of 3-D vanitas sculptures using fresh flowers, which culminated in the 75-ton Garden, a frozen fresh-flower paradise created earlier this year for the Prada Foundation in Milan. </td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> In the <b>Tate</b> work, a vase of white calla lilies immersed in liquid silicon rests in a plinthlike freezer unit.</td></tr>
<tr><td></td><td colspan=2><font color=gray>www.findarticles.com /p/articles/mi_m1248/is_10_90/ai_92352691</font> (621 words)</td></tr>
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<tr><td> </td><td colspan=2><a href="http://www.bbc.co.uk/legacies/work/england/liverpool">BBC - Legacies - Work - England - Liverpool - Tate and Lyle: Sugar love</a></td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> Henry <b>Tate</b> opened his new refinery in Love Lane in 1872, amalgamating with Lyle’s in l921. </td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> The history of <b>Tate’s</b> is not just about dates, however - or philanthropy, or new processes - it’s about the people who worked there, especially the women. </td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> The following tales, which span the last 50 years of <b>Tate</b> and Lyle, are recalled by the women who worked in sugar.</td></tr>
<tr><td></td><td colspan=2><font color=gray>www.bbc.co.uk /legacies/work/england/liverpool</font> (164 words)</td></tr>
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<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> <b>Liverpool</b> is warming up to become Capital of Culture 2008 with a series of themed years: here the <b>Tate</b> bends over backwards to be obligingly on-message, with a display designed to illustrate the concept of "faith in one city". </td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> The gallery sidesteps its western, Christian bias by inviting a steering committee of multi-faith groups to make the selection for them; which means that it becomes one of those fashionable exhibitions of explanatory panels with a piece of art hung alongside to illustrate the plaque. </td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> But no: it simply turns out that a bulb had blown in the projector, making it not the only aspect of this exhibition that left me in the dark.</td></tr>
<tr><td></td><td colspan=2><font color=gray>www.guardian.co.uk /arts/reviews/story/0,11712,1389277,00.html</font> (300 words)</td></tr>
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<tr><td> </td><td colspan=2><a href="http://www.absolutearts.com/artsnews/2002/02/01/29612.html">Marc Quinn - Tate Liverpool - Absolutearts.com</a></td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> <b>Tate</b> <b>Liverpool</b> is to host a major exhibition of the work of Marc Quinn — his most significant to date. </td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> The <b>Tate</b> <b>Liverpool</b> exhibition presents a large body of new work and will highlight the multi-faceted nature of Quinn’s practice, bringing together a wide variety of painting, sculpture, drawing and photography. </td></tr>
<tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> <b>Tate</b> <b>Liverpool</b> will feature a DNA piece which has seventy-seven DNA portraits — seventy-five different species from The Garden and two from humans representing Adam and Eve in the Garden of Eden.</td></tr>
<tr><td></td><td colspan=2><font color=gray>www.absolutearts.com /artsnews/2002/02/01/29612.html</font> (961 words)</td></tr>
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