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| | Guggenheim Collection - Artist - Richier - Tauromachy |
 | | In addition, the robust three-dimensionality, raw surfaces, and incorporation of found objects in Tauromachy may constitute a response to works such as Picasso’s She-Goat of 1950 and Goat Skull and Bottle of 1951–52. |
 | | As she wrote: “Finally, the sculpture is a place, an entity, a synthesis of movements. |
 | | I don’t know if the Tauromachy evokes the sand, but no form, it seems to me, can be separated from the universe, the elements. |
| www.guggenheimcollection.org /site/artist_work_md_135_1.html (251 words) |
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