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| | Incidence of Instant and Flux on Temporal and Pictorial Objects, Listeners and Spectators |
 | | Theatrical temporality did and has, to use Frieds term, "defeated" the project of Diderot and the moment of Manet, and this is the temporality informing the time of cinema. |
 | | Should the painter not renounce the temporal flux (by choosing the most discrete element, the most compact particle of the space of the painting: the most critical moment), he will plunge into the murky depths of oblivion, dispersion, distraction, those of the arbitrary character of the arrests and spurts of the imagination. |
 | | This is the Husserl closest to the Wagners, the Thalbergs, the Lenins and the Grimms. |
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