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Topic: Ten (cLOUDDEAD album)

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	Tiny Mix Tapes
		Their in-between album EP, The Sound of a Handshake/This About the City, was an accurate indication of things to come.
		It was the album that changed the way I listened to music, and also drastically changed the type of music I listened to.
		My only warning is that you may have to listen to this album at least five times to even come close to adequately dissecting it.
	www.tinymixtapes.com /musicreviews/c/clouddead.htm (1178 words)

	cLOUDDEAD: Ten (2004): Reviews
		This is the second group album (as cLOUDDEAD) for three of the founders of the indie hip-hop collective anticon: Why?, Doseone and Odd Nosdam.
		Ten is half as long as the band's debut and much more focused; each performer shows improved range and sharper talents.
		Ten is forever on the point of falling apart but somehow doesn't.
	www.metacritic.com /music/artists/clouddead/ten (761 words)

	Big Dada cLOUDDEAD - Ten
		The trio whose debut, self-titled album was met with such consternation and acclaim back in 2001 have, after numerous solo projects and a break-up (or two), returned with the follow-up.
		“ten” finds cLOUDDEAD building on all of the elements that defined their debut: razor-sharp vocal interplay, quirky found sound samples, ambient drone dreamscapes, lyrics that walk the line between observational and confessional, and a fair share of nosdam’s growl-slow drums.
		The period of recording the ten tracks that make it up coincides with why’s and nosdam’s relocation to join Doseone in Oakland and it’s as if the move from Cincinatti to California has opened the group up.
	www.bigdada.com /release.php?id=809 (375 words)

	Sound Bites - Entertainment
		Stylistically, it is of a piece with the first cLOUDDEAD record, although the trio have gone to pains to make this album more cohesive, less wandering than their debut.
		If anything, "Ten" is more possessing of an unabashed pop sensibility than anything on Anticon so far, which makes it as good a place as any for the uninitiated to begin.
		Unfortunately, his new release, the double-live album "Animal Serenade," tries to cover all of these periods and shows that as hip as Reed may be, his performance levels have dipped over the years.
	www.dailytexanonline.com /media/storage/paper410/news/2004/03/30/Entertainment/Sound.Bites-644977.shtml?norewrite200611220958&sourcedomain=www.dailytexanonline.com (1547 words)

	cLOUDDEAD, Ten (Mush) \| Straight.com Vancouver
		If in fact this album proves to be the band's last, it offers a wistful glimpse of what might have been.
		Elements of Orwellian satire are detectable throughout, but the group's anarchism is fastidiously sublimated, expressed by both formal techniques (as in the baffling use of vocal multitracking) and their words, which seem chosen for their textural qualities.
		Productionwise, the album's crowning achievement is "Dead Dogs Two", a hymn in two parts that begins as a grim dirge and ends with an ascendant organ refrain and a flurry of twittering birds.
	www.straight.com /content.cfm?id=1659 (260 words)

	MusicESP - CLOUDDEAD Ten LP (Site not responding. Last check: 2007-10-15)
		The trio self titled album was met with instant acclaim back in 2001 and after numerous solo projects and a break up or two here's their much note worthy and long awaited return!
		Clouddead's '10' builds on all of the elements that defined their debut: razor sharp vocals quirky found sound samples ambient dreamscapes and observational and confessional lyrics.
		and Odd Nosdam are as prolific and fearless as anyone in today's music scene but collectively as Clouddead they are able to create music that captures all of the promise of their individual talents in a stunning unequalled sound.
	www.musicesp.com /sef_pages/BD065_1I_CLOUDDEAD_Ten_LP.htm (112 words)

	Music : Ten (Site not responding. Last check: 2007-10-15)
		Ten, however, is not as beautiful, intricate or moving as its predecessor.
		If you loved cLOUDDEAD's first album, you still may be better off passing on Ten as knowing that they deviated so far from the quality of the first album is like the day I realised that Trent Reznor just wasn't angry anymore.
		Here's the deal: if you loved "Clouddead", as I do, you will be disappointed by "Ten." I was looking forward to this album for months and it was a huge letdown.
	www.prep4usmle.com /B0001FVF62/Ten.htm (433 words)

	The State News - www.statenews.com
		Since recording his first solo album in 1972, country songwriter Michael Martin Murphey has become better known for his solo material than his work with the Lewis and Clarke Expedition or his songwriting for The Monkees.
		The accurately titled album features 10 songs, including "Rifle Eyes," a song that is said to be a bizarre response to the Sept. 11, terrorist attacks.
		Lansing-based rock band Calliope's new album is full of wind instruments, beautiful melodic bass, gentle vocals and a syncretism of percussion and electronic instrumentalism that work together to make "Sounds Like Circles Feel" a thing of beauty.
	www.statenews.com /article.phtml?pk=22851 (359 words)

	Compare Prices and Read Reviews on Ten - Clouddead at Epinions.com
		Ten is a rather confusing and bizarre follow-up to their debut album, which many considered to be completely unlistenable, while other's called it groundbreaking.
		The album is oddly crafted to be shapeless and unpredictable, which in my opinion is refreshing...
		Ten is an album for anybody who is a stoner, ever WANTS to be stoner, or has been a stoner.
	www.epinions.com /content_142589791876 (1219 words)

	cLOUDDEAD: cLOUDDEAD: Pitchfork Record Review (Site not responding. Last check: 2007-10-15)
		The appearance of a crew of white MCs and an album called Music for the Advancement of Hip-Hop was bound to stir controversy.
		In a recent interview, Dose One was quoted saying the album was "gonna be a banger," but the mastering's too dirty for any sound to rattle speakers.
		Considering the album was made on a Dr. Sample, a Radio Shack mic and an eight-track, though, the overall effect is pretty fresh.
	www.pitchforkmedia.com /article/record_review/16230/cLOUDDEAD_cLOUDDEAD (571 words)

	PostEverything : Sackbut Blues (Site not responding. Last check: 2007-10-15)
		We still remember when that batch of their six debut 10-inches, so beautifully designed; so alien, unique-sounding, first fell into our fat hands, and the dream – soon erased – that hip hop, electronic music and alt-rock could be brought together and exploded apart, to chart a whole new universe of sound.
		After the album there was that Peel session – a record of complete and gleeful abstraction, finished off with a perfect pop song in 'Physics Of A Bicycle'.
		It'll alienate those who are cLOUDDEAD's natural constituency, and those who like the single will, in turn, be shocked by their album and back catalogue.
	www.posteverything.com /sackbutblues/article.php?id=6161 (785 words)

	Paris Voice March 2004 : CD reviews (Site not responding. Last check: 2007-10-15)
		If Funkstörung were hoping to remain locked in their “strange German producer” hole, this kind of cross-over pop will more likely get them dragged out by the collar and flung into the mainstream land of milk and honey.
		Their songs, inspired by overheard conversations, are typically written in five minutes on a friend’s stoop or on an overpass on their way to wherever.
		The range of their material has opened up on “Ten” -— American gun culture coming under fire in “Son of A Gun” — and subsequently, the music unfolds into a hotbed of way-out-there rhymes.
	parisvoice.com /04/mar/html/news/music-cds.cfm (741 words)

	Mean Street (Site not responding. Last check: 2007-10-15)
		Ten purports to be the final album from this Anticon supergroup.
		Auf Der Maur chose to have her friends record alongside her self-titled album, which was completely self-financed.
		For the novice PTL fan, Achilles Heel might be the most user-friendly album to date, without compromising the amazing songwriting and musical talent.
	www.meanstreet.com /testspins.php?issue_id=53 (877 words)

	Amazon.com: Clouddead: Music: cLOUDDEAD (Site not responding. Last check: 2007-10-15)
		And your enjoyment of this album will probably depend on how leftfield / Quirky / Humorous, you're prepared to accept your music, as there is a fair amount of extreme jumps in style here, they'll have those unprepared for such a Unconventional listen reaching for the 'Stop' button on their Cd players several tracks in.
		Those trying this album for the first time are well advised to enter into this with a very open mind (or at least have some experience with Experimental Hip-Hop), as its unlike anything else, and yet undeniably a difficult listen, but strangely rewarding at the same time.
		But irrespective of that, this album is something of a rare (experimental) gem, that's demands purchase for those looking for something a little different in their music.
	www.amazon.com /Clouddead-cLOUDDEAD/dp/B00005LP0N (1188 words)

	cLOUDDEAD - Ten : album review
		One of the inherent problems that I've often encountered when reviewing more underground "difficult" albums is that tricky situation when you're losing your battle with the deadline and you still can't rightly decide what you think of it.
		The problem though is that this isn't an instrumental album and so we have to concentrate on the lyrics.
		In fact it's a testament to the production and songwriting that I felt compelled to keep repeating the album, convinced that it would grow on me. Sadly it didn't, and from different vocal chords this could have been one of the highlights of the year so far.
	www.musicomh.com /albums2/clouddead.htm (532 words)

	cLOUDDEAD - Ten
		cLOUDDEAD's self-titled first album had to spend several months in the vicinity of my CD player before I began to enjoy it, never mind understand it.
		Overall though, Ten is all sweet condensed synthesiser indie, loose dusty drums, surrealist children's music and timeless melodic perfection.
		Lyrically, much of Ten is observational, but processed through the lens of Dose's skewed outlook on, well, everything.
	www.dot-alt.com /clouddead_ten.html (560 words)

	Amazon.com: Ten: Music: cLOUDDEAD (Site not responding. Last check: 2007-10-15)
		The album plays on boundries of genre, an amalgamation of influences so vast an untraditional that on the first few listens it becomes abrassive to an average listener.
		The old set of albums you listen to still, from years past that took time to comprehend, albums you've had to invest a part of yourself in.
		"Ten" is the oyster with the pearl that you keep, not the one you swallow whole and throw away.
	www.amazon.com /Ten-cLOUDDEAD/dp/B0001FVF62 (1676 words)

	Ten (album) - Wikipedia, the free encyclopedia
		Ten (YandT album), by heavy metal band YandT
		Ten (Blitzkrieg album), by heavy metal band Blitzkrieg
		Ten (Ten album), by British melodic rock/hard rock band Ten
	en.wikipedia.org /wiki/Ten_(album) (235 words)

	[No title] (Site not responding. Last check: 2007-10-15)
		Their first album created quite a buzz, effectively inventing the abstract avant-rap genre.
		The problem is it sometimes gets to be out of hand; sometimes they seem to be too caught up in trying to invent and explore new sounds that the end result is a mess.
		Ten was built to be a coital soundtrack.
	www.the-declaration.com /print.php?showarticle=820 (615 words)

	CLOUDDEAD Interview
		Three years ago, cLOUDDEAD quietly revolutionised the world of underground hip-hop with a series of EPs and their seminal self-titled album by taking their beats and samples far beyond the realm of the genre.
		cLOUDDEAD is melodically delivered poetry over beats with sampled and hand played sounds questionably sequenced into a song that is carefully mixed to insure that the sound that is often referred to as "The cLOUDDEAD Sound" is indeed present.
		I was listening to FSA constantly till I eventually started to rip it off, but BOC have been a huge inspiration for us since we did start listening to them and especially for myself after meeting them at our 2002 show in Edinburgh.
	www.themilkfactory.co.uk /interviews/clouddeadiw.htm (1095 words)

	miaminewtimes.com - News - cLOUDDEAD
		Thusly "Pop Song," ten's first selection, opens with an elfin voice whispering "The wood man and his splintering self/The wooden woman and her hollowing out" so crisply that his spittle sprays out of the speakers.
		The not-so-surprising thing about cLOUDDEAD's prog-rap is that it's not very popular among hip-hop fans, who aren't as desperate for pretentious artistic statements as their rock counterparts were in the mid-Seventies.
		Besides, the group has more in common with the prog-rockers that are rarely heard on classic rock radio: bands like King Crimson and Soft Machine who, far from their bloated contemporaries, never seemed to worry about being too silly or difficult to sell records.
	www.miaminewtimes.com /issues/2004-03-25/rotations.html (391 words)

	Clouddead - Clouddead Review from Music Emissions
		Clouddead is one of the most original hip hop groups I have heard in a while.
		Throw out any preconceived notions about hip hop when you listen to Clouddead because you are going to be in for a big surprise.
		What this album consists of is 6 Ten Inch singles that Clouddead recorded over a year in the Cincinnati and Bay Area with a host of different guests.
	www.musicemissions.com /artists/albums/index.php?album_id=1266&artist_id=1069 (300 words)

	The History of Rock Music. cLOUDDEAD: biography, discography, reviews, links
		cLOUDDEAD was a trio of white hip-hop artists from the Oakland-based "Anticon" collective: producer Odd Nosdam (David Madson), and rappers Adam "Doseone" Drucker and Yoni "why?" Wolf.
		The sound effects (which constitute the core, not just the periphery, of the music) are even reminiscent of Brian Eno's ambient music and Throbbing Gristle's industrial music.
		cLOUDDEAD are closer to Notwist than to El-P. Themselves is a project by Doseone and producer "Jel" that has released Them (2000) and The No Music (2002), which sound like a post-modernist rewriting of the canon of funk and soul music.
	www.scaruffi.com /vol7/clouddea.html (441 words)

	DOA - cLOUDDEAD - Ten (Site not responding. Last check: 2007-10-15)
		Thankfully, the track (as with the album as a whole) gets weirder and better as it progresses, eventually dropping all the beats for cut-up and sped-up samples of speech and a thick haze that features the pair's vocals swathed in echo and blips that sound like sonars in the ocean.
		It would be worth the price of the entire album, were the entire album not nearly so great in and of itself.
		The album plays like some dream that’s half-remembered upon waking: you’re not sure what it was, whether it was good or bad or even indifferent, but you only know that you want to get back to it, and soon.
	www.adequacy.net /review.php?reviewid=4029 (580 words)

	Why no WHY? \| The Onion - America's Finest News Source
		Obviously, I adore the new album and was curious to see how your review staff would see it.
		I think it's an important album and shows the work of a true craftsman, trying to blend the absurd elements of experimental hip hop with luxurious pop hooks of classic pop like the Beach Boys.
		I just happen to think this album intertwines a lot of different musical forms into something moving, absurd and unique, making it a significant album.
	www.theonion.com /content/node/41894 (434 words)

	WSRi - Student Run and 100% Free Format - Reviews (Site not responding. Last check: 2007-10-15)
		After a three years the now-duo of Karl Hyde and Rick Smith have released their first studio album since the departure of the third member of their band, dj Darren Emerson.
		The album begins with a trio of meticulously layered trance songs, punctuated by TwoMonthsOff, the first single released in the UK.
		The album reaches it's zenith with a powerful progressive song DinosaurAdventure3D, which is stylistically reminiscent of both Juanita and Born Slippy, the hit from the Trainspotting soundtrack.
	sri.uwec.edu /musicreviews.php (1372 words)

	fat planet _ new international music
		::: prior to her 1994 debut album, takako was a member of a band called 'fancy face groovy name' which almost takes the title of best japanese group name of all time, were it not for the wonderful 'seagull screaming kiss her kiss her'.
		their debut album 'thank you for not discussing the outside world' was produced by hans joachim irmler from the legendary faust and, unsurprsingly, is now available on faust's klangblad label.
		HiM is based around founder doug scharin and the album 'many in high places are not well' features members of mum, tom tom club, swans, out of worship and mice parade.
	www.fatplanet.com.au /archive0304.html (3295 words)

	Amazon.com: cLOUDDEAD: Music: cLOUDDEAD (Site not responding. Last check: 2007-10-15)
		Clouddead has a hard-to-classify sound; if you described it as "lo-fi ambient spoken word meets surreal hip-hop with an indie rock bent," you'd be leaving a lot out.
		In a lot of ways this is the signiture Clouddead sound, the muddled beats, the harmonized rhymes, and the psycadelic avante guard excursions (which I realize are off putting to most).
		this album is perfect for spring time, listen to it on your headphones walking to school, daydreaming about cute girls, or what college will be like.
	www.amazon.com /cLOUDDEAD/dp/B00005B4F1 (1884 words)

	Comfort Music - mp3 love, whenever i get around to it
		The new Mouse On Mars album, Varcharz, is not for the faint of heart, with all its glitches and bleepety beeps and boopety boops, but it does have one particularly user-friendly track worth checking out.
		I finally got around to picking up the new Brazilian Girls album, entitled Talk To La Bomb, and am quite pleased with it; their first album was enjoyable, but this one amps up the edginess and gets a bit more techno, while not sacrificing any of the goofy faux cosmopolitanism of their original sound.
		Their last album came out in 2001; the liner notes for the new album describe a van crash on tour that apparently broke Cameron's back.
	comfortradio.org /comfortmusic (1505 words)

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