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	Teo Macero - Wikipedia, the free encyclopedia
		Teo Macero (Born 30 October 1925) is a jazz saxophonist and record producer.
		Macero found greater fame as a jazz record producer for Columbia Records.
		These were inspired partially by Macero's association with influential avant-garde composer Edgard Varèse, one of the innovators of taped electronic music.
	en.wikipedia.org /wiki/Teo_Macero (219 words)

	Teo Macero MP3 Downloads - Teo Macero Music Downloads - Teo Macero Music Videos (Site not responding. Last check: 2007-10-23)
		Teo Macero worked as a saxophonist with Charles Mingus off and on from the late 1940s through the mid-'50s, and also produced some of his later records.
		Teo Macero is likely to be known to the average jazz fan for his work as a producer of others' records, though he is also a composer, tenor saxophonist and conductor.
		Teo Macero, best-known as a veteran producer, has also had a part-time career as a tenor saxophonist and a writer.
	www.mp3.com /teo-macero/artists/81517/discography.html (338 words)

	In a Silent Way - Wikipedia, the free encyclopedia
		It is also the first recording by Davis that was largely constructed by the editing and arrangement of producer Teo Macero.
		Macero's editing techniques are said to have incorporated many elements of classical sonata form in Davis' recordings for In a Silent Way.
		Both of the extended tracks on the album consist of three distinct parts that could be thought of as an exposition, development and recapitulation.
	en.wikipedia.org /wiki/In_a_Silent_Way (402 words)

	MACERO, Teo : MusicWeb Encyclopaedia of Popular Music (Site not responding. Last check: 2007-10-23)
		A fine musician and technical wizard who 'always understood the duality: music as music, and music as product' (Ian Carr), Macero's ability to work with the difficult Davis resulted in an unmeasurable influence on music, to say nothing of the rest of his work.
		Teo '80 on American Clav, Impressions Of Charles Mingus '83 on Palo Alto.
		A Best Of Teo Macero on Stash is a survey of earlier work, with various groups.
	www.musicweb-international.com /encyclopaedia/m/M34.HTM (293 words)

	Guardian Unlimited \| Archive Search
		Had Macero only produced In a Silent Way and Bitches Brew, his name would still be revered by several generations of musicians.
		Macero provides a link between jazz composition and record production: composers provide structures within which musicians can improvise; producers create a setting for spontaneous music-making, often imposing structures later through selection, track sequencing, editing and mixing.
		You sense that Macero is most in his element when fixing up a set of stereo masters, splicing, looping and equalising.
	www.guardian.co.uk /Archive/Article/0,4273,4069253,00.html (1041 words)

	EASTMAN JAZZ DEPARTMENT WELCOMES TEO MACERO FOR FIVE-DAY RESIDENCY
		Now in his 70s, Macero is a legendary producer who has worked intimately with some of the greatest figures in the history of jazz –; Duke Ellington, Miles Davis, Thelonius Monk – in the creation of some of their most enduring works.
		"Teo’s residency is an incredible opportunity for our jazz students to work with a truly legendary producer," said Harold Danko, associate professor of jazz and contemporary media at Eastman and coordinator of Macero’s residency.
		Macero will switch hats for his concert at Eastman, during which the versatile musician will perform several of his own compositions, which, according to Danko, "are deserving of much wider recognition." As a composer, Macero is known for his unique ability to combine jazz and classical techniques.
	www.esm.rochester.edu /news/print.php?id=173 (485 words)

	noJazz Fanzone - Reviews (Site not responding. Last check: 2007-10-23)
		This, their debut album, was made under the direction of Teo Macero.
		Macero has fun copying and pasting material from a band whose performances are all stop-start and step-and-repeat to begin with.
		With a little help from the sharp ears and flawless segueing of Teo Macero (Miles, Mingus, et al.) on the production front, noJazz's debut slides along with the subtle grace and relentless energy of a summer block party.
	home.earthlink.net /~nojazzfans/reviews.html (1326 words)

	Music: 'Bitches' Brewmeister (Tucson Weekly . 03-08-99)
		Teo Macero, Miles' producer, had an office right next to mine.
		Miles was doing a demo for his wife, Betty, so Teo told me that Miles was doing this session and that he would like to try an electric bass, and I was asked to come down.
		Macero, who manned the boards during Davis' studio jaunts, was left to splice the trumpeter's jam sessions into compositions that would fit on the limited length of album sides, resulting in exquisite cut-and-paste efforts paring down most of what Davis, who erratically slipped in and out of the studio, conjured up during this period.
	weeklywire.com /ww/03-08-99/tw_mus.html (1074 words)

	TEO MACERO
		Macero, a student at Juilliard and a jazz saxophonist, was a major contributor to the New York City avant garde jazz scene in the early and mid-fifties.
		Macero plays tenor and alto saxophones and is joined by Lanny DiJay (Orlando DiGirolamo) on accordion, both Mingus and Lou Labella on basses, and Ed Shaughnessy on drums.
		Macero used techniques pioneered by Les Paul and by Luening and Ussachevsky to speed and slow tapes, and used piano overtones harmonically evoked by his tenor sax.
	www.holeintheweb.com /drp/drptm.htm (1968 words)

	Read
		The bass solo is a shamefully neglected art in general, and both Gales' and Riley's solos here are extraordinarily good.
		And, as is the case with many Columbia sessions from the '60s, the master tapes still sound terrific—tonally rich, acoustically natural, and dynamically wide (i.e., accurately conveying the differences between loud sounds and quiet sounds and all the little accents in between).
		Teo Macero should have trashed the whole track rather than cut all those nice bass solos.
	www.slate.com /toolbar.aspx?action=read&id=2088132 (1420 words)

	Mediamatic.net - Teo Macero
		Teo Macero is a name familiar to most students and fans of jazz if only because they have any number of Miles Davis' albums with 'Produced by Teo Macero' credits.
		Teo Macero is an amazing man of music, he has worked intimately with some of the greatest figures in the history of jazz – Duke Ellington, Miles Davis and Thelonius Monk – in the creation of some of their most enduring works.
		It was arguably after he joined CBS as a producer in 1957 that Macero had his greatest influence.
	www.mediamatic.net /person-1068-nl.html (454 words)

	MUSICMATCH Guide: Teo Macero
		Teo Macero is best-known for being a busy jazz producer at Columbia from 1957 until the late '80s, most noticeably for producing Miles Davis' records.
		Macero's dry tones on tenor and baritone and advanced choice of notes sometimes put him closer to modern classical music than to jazz.
		Teo Macero played on a very infrequent basis during the 1960s and '70s, but in 1983 he returned as a player to record a tribute to Charles Mingus on Palo Alto; in 1985, he played on one number during a Doctor Jazz date that he fronted.
	www.mmguide.musicmatch.com /artist/artist.cgi?ARTISTID=844665&TMPL=LONG (298 words)

	Bagatellen: Denying The Existence Of "Now" (Site not responding. Last check: 2007-10-23)
		It’s worth noting that the work Teo Macero did in the studio with Miles Davis was not mirrored in his work with other Columbia artists.
		This indicates that, while Miles granted Teo a shocking degree of autonomy in the editing room (Macero claims that the In A Silent Way session was one of the only times Davis worked alongside him on the post production), the artistic impulses were decidedly the trumpeter’s own.
		They grew to understand the capabilities of technology (Macero, in fact, ordered machines custom-built to create effects he heard in his head and wanted to apply to the music), and the abilities of the assembled musicians, and the way those two factors could work together.
	bagatellen.com /archives/pdf_file/000398.html (3193 words)

	90.3 WCPN®: Spotlight: Jazz (Site not responding. Last check: 2007-10-23)
		Believe it, he would be the first to say, “Teo, that doesn’t go.” If he didn’t like something he would object to it and we wouldn’t do it.
		BJ-I would imagine for the completist, this is probably a good thing that we have reissues, but for the artist themselves when you go into a recording studio and you record a project, there are some things that will fall by the way side because they’re not as good.
		Teo, I heard Bitches Brew when I was fourteen years old, I didn’t know what it was.
	www.wcpn.org /spotlight/jazz/teo-macero.html (3714 words)

	EASTMAN SCHOOL'S RECORDING FACILITIES UNDERGO MAJOR OVERHAUL
		ROCHESTER, NY — With legendary producer Teo Macero at the console, the Eastman School of Music inaugurated its newly renovated main control room this spring with an ambitious recording of the Eastman Jazz Ensemble.
		The new Eastman Jazz Ensemble recording produced by Macero is expected to be released by fall 2000.
		PHOTOS of Teo Macero at work in Eastman's newly renovated Control Room A are available upon request, via e-mail or by Federal Express delivery.
	www.esm.rochester.edu /news/?id=155 (434 words)

	FUNKIERTHANTHOU : Feature - Music - "Miles Davis : Electric" by Alan Moore [evil:cat]
		Teo Macero is a much-discussed element of Miles’ electric music.
		There were arguments when Macero attempted to do something Miles didn’t want, but it is inevitable that some of the recordings released were not what Miles intended.
		Laswell took the original tapes, and using period equipment, reconstructed the music in a form he felt was more sympathetic to what Miles had intended that Teo Macero’s efforts, along with a little hindsight.
	www.funkierthanthou.net /words.php?wordID=36&startFrom=0 (3253 words)

	MILES DAVIS / THE COMPLETE IN A SILENT WAY SESSIONS
		As the raw session tapes remained unreleased for years, their contents were the subject of intense speculation and conjecture.
		Others insisted that Macero had overproduced the album, wheedling down a double-album's worth of material to make a single one, denying listeners the complete and unexpurgated brilliance of Miles’ music.
		While it is fascinating to hear the music in its organic form, it lacks the focus and power of the edited material found on the album.
	www.musthear.com /reviews/inasilentway.html (1015 words)

	Ground and Sky review - Miles Davis - Bitches Brew
		Producer Teo Macero recognized the renewed spirit in Miles' playing and he astutely boosted the sound of Davis' horn into the front of the mix so as to maximize the effect.
		Miles Davis was almost psychic in his superlative abilities to create an atmosphere that got the most out of his band on virtually every occasion and if he felt that brief rehearsals were necessary, then the music is likely all the better for it.
		Another controversy is amount of the postproduction editing by Teo Macero and his autonomy in so doing.
	www.progreviews.com /reviews/display.php?rev=md-bb (1321 words)

	Borders - Store Inventory - Title Detail - Bitches Brew [Bonus Track]
		Originally thought to be a series of long jams locked into grooves around one or two keyboard, bass, or guitar figures, Bitches Brew is anything but.
		Producer Teo Macero had as much to do with the end product on Bitches Brew as Davis.
		Macero and Davis assembled, from splice to splice, section to section, much of the music recorded over three days in August 1969.
	www.bordersstores.com /search/title_detail.jsp?id=51408790 (607 words)

	Miles Ahead: Sessions (Site not responding. Last check: 2007-10-23)
		Macero: "Be take two..." Hancock: "Hey Ron, you wanna play the third bar, pick up on the third bar?" (Sings.) "Just that part..."
		Macero: "Five." Davis: "Can I rehearse the earphones?" Macero (laughing): "Yeah, you want it a little louder?" Davis: "No, softer." Macero: "A little softer, okay, hold on.
		"Teo's Bag" is really Herbie Hancock's "The Collector." It was recorded by Shorter and Hancock on the former's Adam's Apple (1966).
	www.plosin.com /milesAhead/Sessions.aspx?s=680116 (767 words)

	Mike Garrigan's Blog: August 2005
		Whereas before, Davis and his band would just perform the song and the producer would capture the performance, now producer Teo Macero was capturing jam sessions and splicing them together in a tasteful manner.
		Produced by Teo Macero in 1961 and featuring Miles Davis on trumpet, John Coltrane on tenor saxophone (for two songs), Hank Mobley on tenor saxophone, Wynton Kelly on piano, Paul Chambers on double bass, and Jimmy Cobb on drums, Someday My Prince Will Come is arguably Davis's most overlooked album.
		Produced by Teo Macero in 1966 and featuring THE SECOND QUINTET (with Miles Davis on trumpet, Wayne Shorter on tenor saxophone, Herbie Hancock on piano, Ron Carter on double bass, and Tony Williams on drums), Miles Smiles showcases Davis within the context of unprecedented musical interaction and interdependence.
	www.mikegarrigan.com /Blog/2005_08_01_archive.html (4084 words)

	Teo Macero (Site not responding. Last check: 2007-10-23)
		After serving in the navy and studying at Juilliard School of Music, tenor saxophonist Macero became a member of the first Charles Mingus Jazz Composers' Workshop in 1953.
		It was arguably after he joined CBS Records as a producer in 1957 that Macero had his greatest influence.
		In 1999, he launched his own Teo Records label with the Music For The New Millennium series.
	musicstore.mymmode.com /artist.do?artistID=2306 (206 words)

	Miles Ahead: Sessions
		Macero: "This is CO 103313, part one, Joe..." Zawinul plays the opening of "Directions" on el-p (0:18-0:25).
		Macero: "All right, still take one." Davis: "Where's Harvey, man?" Macero: "I don't know what happened to Harvey." False start.
		I thought, I thought, I thought that was four bars." Macero: "Part two, take two." Davis (to Holland): "No, it's (he sings).
	www.plosin.com /milesAhead/Sessions.aspx?s=690821 (680 words)

	CHARLES MINGUS: Early Recordings
		The material – five tracks – from CHARLIE MINGUS was performed by a sextet: John LaPorta on clarinet and alto sax, Teo Macero on tenor and baritone saxes, George Barrow on baritone and tenor saxes, Mal Waldron on piano, Mingus on bass and Rudy Nichols on drums.
		On the four tracks nominally led by Cirillo the group is pared down to a quartet: Teo Macero on tenor sax, Cirillo on piano, Mingus on bass and Kenny Clarke on drums.
		What I did not then know was that Teo Macero’s “Abstractions” had been left off the album, and I didn’t find that out until I picked up a copy of the Jazztone version, JAZZ EXPERIMENT.
	www.holeintheweb.com /drp/drpmingus5.htm (2540 words)

	Teo Macero interview
		Working as a producer for more than three decades, Teo Macero is probably best known for his work with Miles Davis.
		This is of course justified but sells short all of the other work that he's done.
		It wasn't just the fact that Macero did such a wide range of work that's earned him his legend.
	www.furious.com /perfect/teomacero.html (4304 words)

	Teo Macero : The Best of Teo Macero - Listen, Review and Buy at ARTISTdirect (Site not responding. Last check: 2007-10-23)
		Teo Macero : The Best of Teo Macero - Listen, Review and Buy at ARTISTdirect
		Teo Macero : The Best of Teo Macero
		Much of the music is essentially contemporary classical originals with jazz musicians sometimes playing the parts and usually getting a little space to improvise.
	www.artistdirect.com /nad/store/artist/album/0,,124204,00.html (255 words)

	Bob Brookmeyer - Bob Brookmeyer & Friends (Album Review)
		Not only did the session reunite him with saxophonist Stan Getz, but it also paired him with pianist Herbie Hancock and bass player Ron Carter — both from the Miles Davis Quintet — as well as with Elvin Jones (from the John Coltrane Quartet).
		After a series of disagreements erupted between Brookmeyer and producer Teo Macero over the addition of original compositions to the ensemble’s repertoire — Macero wanted to release an album that featured only standards, while Brookmeyer had other plans — Getz, in an attempt to temper the tension, tapped vibraphonist Gary Burton to join the fray.
		Although the bickering continued for the duration of the three-day session, the angst was not apparent within the resulting music that composed Bob Brookmeyer and Friends.
	www.musicbox-online.com /bb-bb.html (418 words)

	Teo Macero - The Best of Teo Macero \| Z95-3
		Teo Macero - The Best of Teo Macero
		Teo Macero - The Best of Teo Macero
		This CD is not so much "The Best Of Teo Macero" as it is "The Nearly Complete Teo Macero." With the exception of his conventional quintet date for Prestige in 1957 and one or two isolated tracks, this reissue has all of Macero's pre-1983 recordings as a leader, tenor-saxophonist and composer.
	www.z95.com /album/182888 (149 words)

	Miles Davis
		It's modern classical music, largely based on Spanish folk songs, and while it succeeds on its terms you should be aware you're not getting what you would think of as a jazz record.
		On this record, Adderly is replaced by Hank Mobley, and Evans by Wynton Kelly.
		They're both good, but John Coltrane completely steals the spotlight with guest spots on "Teo" and the title track.
	www.warr.org /miles.html (3488 words)

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